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Michell antique phonograph

The phonograph is a device invented in 1877 for the mechanised reproduction and taking of sound. In its later forms it is also called a gramophone (as a trademark since 1887, as a generic name since c. 1900). The audio vibration waveforms are recorded as equivalent physical deviations of any spiral groove engraved, etched, incised, or impressed into the surface of your revolving disk or cylinder, called a "record". To recreate the audio, the top is in the same way rotated while a playback stylus traces the groove and is also therefore vibrated because of it, very reproducing the registered audio faintly. In early acoustic phonographs, the stylus vibrated a diaphragm which produced sound waves that have been coupled to the open air by using a flaring horn, or directly to the listener's ears through stethoscope-type earphones. In later electric phonographs (also called record players (since 1940s) or, most recently, turntables), the motions of the stylus are changed into an analogous electric signal by way of a transducer, changed back into sound by a loudspeaker then.

The phonograph was created in 1877 by Thomas Edison. While other inventors acquired produced devices which could record looks, Edison's phonograph was the first to have the ability to reproduce the registered audio. His phonograph formerly recorded sound onto a tinfoil sheet wrapped around a spinning cylinder. A stylus responding to sound vibrations produced an and down or hill-and-dale groove in the foil up. Alexander Graham Bell's Volta Laboratory made several improvements in the 1880s, including the use of wax-coated cardboard cylinders, and a cutting stylus that moved laterally in a "zig zag" groove surrounding the record.

Inside the 1890s, Emile Berliner initiated the transition from phonograph cylinders to even discs with a spiral groove running from the periphery to near the center. Later improvements through the full years included adjustments to the turntable and its own drive system, the needle or stylus, and the equalization and audio systems.

The disk phonograph record was the dominating audio recording format throughout almost all of the 20th century. From your mid-1980s on, phonograph use on a standard record player declined because of the rise of the cassette tape sharply, compact disk and other digital saving formats. Information are still a well liked format for a few audiophiles and DJs. Vinyl records are still used by some DJs and musicians in their concert performances. Musicians continue steadily to release their recordings on vinyl records. The original recordings of musicians are re-issued on vinyl sometimes.

Using terminology is not uniform across the English-speaking world (see below). In more modern usage, the playback device is often called a "turntable", "record player", or "record changer". When found in conjunction with a mixing machine within a DJ set up, turntables tend to be called "decks".

The word phonograph ("sound writing") was derived from the Greek words ???? (phon?, "sound" or "voice") and ????? (graph?, "writing"). The similar related terms gramophone (from the Greek ?????? gramma "notice" and ???? ph?n? "speech") and graphophone have similar root meanings. The roots were already familiar from existing 19th-century words such as picture ("light writing"), telegraph ("distant writing"), and phone ("distant sound"). The new term may have been influenced by the prevailing words phonographic and phonography, which described something of phonetic shorthand; in 1852 The New York Times carried an advert for "Professor Webster's phonographic class", and in 1859 the New York State Educators Association tabled a action to "employ a phonographic recorder" to track record its meetings.

Probably, any device used to record sound or reproduce saved audio could be called a kind of "phonograph", however in common practice the expressed word has come to indicate ancient systems of audio documenting, regarding audio-frequency modulations of the physical groove or trace.

In the later 19th and early on 20th decades, "Phonograph", "Gramophone", "Graphophone", "Zonophone" and so on were still brand names specific to various manufacturers of sometimes very different (i.e. cylinder and disk) machines; so substantial use was made of the universal term "talking machine", especially in print. "Talking machine" had earlier been used to refer to complicated devices which produced a crude imitation of speech, by simulating the workings of the vocal cords, tongue, and lips - a potential source of confusion both then and now.

In British British, "gramophone" may make reference to any sound-reproducing machine using disc records, that have been popularized and presented in the united kingdom by the Gramophone Company. Originally, "gramophone" was a proprietary trademark of that company and any use of the name by competing makers of disc records was vigorously prosecuted in the courts, however in 1910 an English court decision decreed that this had become a generic term; it has been so used in the UK & most Commonwealth countries since. The term "phonograph" was usually limited to machines which used cylinder records.

"Gramophone" generally referred to a wind-up machine. Following the launch of the softer vinyl information, 33 1/3-rpm LPs (long-playing files) and 45-rpm "single" or two-song details, and EPs (extended-play recordings), the common name became "record player" or "turntable". Often the home record player was part of something that included a radio (radiogram) and, later, may also play audiotape cassettes. From about 1960, such something began to certainly be a "hi-fi" (high-fidelity, monophonic) or a "stereo" (most systems being stereophonic by the mid-1960s).

In Australian British, "record player" was the word; "turntable" was a more technological term; "gramophone" was restricted to the old mechanical (i.e., wind-up) players; and "phonograph" was used such as British English.

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