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Showing posts with label 2013. Show all posts

Added by Michelle39;s Antiques on February 8, 2013 at 12:28am View Added by Michelle39;s Antiques on February 8, 2013 at 12:28am Viewhttp://api.ning.com/files/Y7XrEGzfaFcEJfpj9XcgxjMcy7e14ZU09YCE0oaILMke8kgeUGtTKPPyrTrlMiF2V14qYlACz1DILI*53JZmae-Tiycv-J9J/037.JPG?width=737&height=414

Michell antique phonograph

The phonograph is a tool developed in 1877 for the mechanical tracking and reproduction of audio. In its later forms additionally it is called a gramophone (as a trademark since 1887, as a generic name since c. 1900). The sound vibration waveforms are recorded as equivalent physical deviations of the spiral groove etched, etched, incised, or impressed into the surface of the revolving disk or cylinder, called a "record". To recreate the audio, the surface is in the same way rotated while a playback stylus traces the groove which is therefore vibrated by it, very faintly reproducing the noted sound. In early acoustic phonographs, the stylus vibrated a diaphragm which produced sound waves which were coupled to the open air by having a flaring horn, or right to the listener's ears through stethoscope-type earphones. In later electric phonographs (also called record players (since 1940s) or, most recently, turntables), the motions of the stylus are converted into an analogous electric signal by a transducer, modified back into audio with a loudspeaker then.

The phonograph was invented in 1877 by Thomas Edison. While other inventors experienced produced devices that can record noises, Edison's phonograph was the first to have the ability to reproduce the noted audio. His phonograph actually recorded sound onto a tinfoil sheet twisted around a revolving cylinder. A stylus giving an answer to appear vibrations produced an and down or hill-and-dale groove in the foil up. Alexander Graham Bell's Volta Laboratory made several improvements in the 1880s, including the use of wax-coated cardboard cylinders, and a cutting stylus that moved laterally in a "zig zag" groove round the record.

In the 1890s, Emile Berliner initiated the changeover from phonograph cylinders to chiseled discs with a spiral groove working from the periphery to close to the center. Later advancements over time included improvements to the turntable and its drive system, the needle or stylus, and the sound and equalization systems.

The disc phonograph record was the prominent audio recording format throughout almost all of the 20th century. Through the mid-1980s on, phonograph use on a standard record player declined sharply because of the rise of the cassette tape, compact disk and other digital saving formats. Details are a popular format for some audiophiles and DJs still. Vinyl records are still used by some DJs and musicians in their concert performances. Musicians continue steadily to release their recordings on vinyl records. The original recordings of musicians are occasionally re-issued on vinyl fabric.

Usage of terminology is not uniform over the English-speaking world (see below). In newer usage, the playback device is named a "turntable", "record player", or "record changer". When found in conjunction with a mixer as part of a DJ set up, turntables are often called "decks".

The term phonograph ("sound writing") was derived from the Greek words ???? (phon?, "sound" or "voice") and ????? (graph?, "writing"). The similar related conditions gramophone (from the Greek ?????? gramma "letter" and ???? ph?n? "tone of voice") and graphophone have similar main meanings. The roots were already familiar from existing 19th-century words such as picture ("light writing"), telegraph ("distant writing"), and cell phone ("distant sound"). The new term may have been inspired by the existing words phonographic and phonography, which described a system of phonetic shorthand; in 1852 THE BRAND NEW York Times taken an ad for "Professor Webster's phonographic class", and in 1859 the brand new York State Professors Association tabled a motion to "hire a phonographic recorder" to track record its meetings.

Arguably, any device used to track record sound or reproduce noted sound could be called a type of "phonograph", however in common practice the term has come to signify traditional solutions of sensible taking, regarding audio-frequency modulations of a physical track or groove.

In the past due 19th and early 20th generations, "Phonograph", "Gramophone", "Graphophone", "Zonophone" and the like were still brands specific to various creators of sometimes completely different (i.e. cylinder and disc) machines; so substantial use was made of the universal term "talking machine", especially in print. "Talking machine" had earlier been used to make reference to complicated devices which produced a crude imitation of speech, by simulating the workings of the vocal cords, tongue, and lip area - a potential source of misunderstandings both and today then.

In British British, "gramophone" may make reference to any sound-reproducing machine using disc records, that have been popularized and launched in the UK by the Gramophone Company. Originally, "gramophone" was a proprietary trademark of that company and any use of the name by competing makers of disc records was vigorously prosecuted in the courts, but in 1910 an English court decision decreed it had turn into a generic term; it has been so used in the UK and most Commonwealth countries ever since. The word "phonograph" was usually restricted to machines which used cylinder records.

"Gramophone" generally referred to a wind-up machine. Following the introduction of the softer vinyl information, 33 1/3-rpm LPs (long-playing details) and 45-rpm "single" or two-song details, and EPs (extended-play recordings), the normal name became "record player" or "turntable". Usually the home record player was part of a system that included a radio (radiogram) and, later, might play audiotape cassettes also. From about 1960, such a system began to be described as a "hi-fi" (high-fidelity, monophonic) or a "stereo" (most systems being stereophonic by the mid-1960s).

In Australian English, "record player" was the term; "turntable" was a far more technical term; "gramophone" was limited to the old mechanised (i.e., wind-up) players; and "phonograph" was used as in British English.

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Antique Phonographs, Photos Gramophones, Victrolas, Photos

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Added by Michelle39;s Antiques on February 8, 2013 at 12:28am View

2013 kicks off with a bang for Inspire Estate Agents Crawley with a 2013 kicks off with a bang for Inspire Estate Agents Crawley with ahttp://www.inspireestates.co.uk/Cms_Data/Contents/inspireestates/Media/images/bang.gif

Bang & Olufsen antique phonograph

The phonograph is a device developed in 1877 for the mechanised taking and reproduction of audio. In its later forms additionally it is called a gramophone (as a trademark since 1887, as a generic name since c. 1900). The audio vibration waveforms are saved as equivalent physical deviations of your spiral groove imprinted, etched, incised, or impressed into the surface of the revolving disc or cylinder, called a "record". To recreate the sound, the surface is in the same way rotated while a playback stylus traces the groove and is also therefore vibrated by it, very reproducing the documented audio faintly. In early acoustic phonographs, the stylus vibrated a diaphragm which produced sound waves that have been coupled to the open air through the flaring horn, or right to the listener's ears through stethoscope-type earphones. In later electric phonographs (also known as record players (since 1940s) or, lately, turntables), the movements of the stylus are changed into an analogous electronic signal by the transducer, then turned back to audio by way of a loudspeaker.

The phonograph was invented in 1877 by Thomas Edison. While other inventors had produced devices that can record sounds, Edison's phonograph was the first to be able to reproduce the recorded sound. His phonograph formerly recorded sound onto a tinfoil sheet covered around a rotating cylinder. A stylus giving an answer to sound vibrations produced an up and down or hill-and-dale groove in the foil. Alexander Graham Bell's Volta Laboratory made several improvements in the 1880s, including the use of wax-coated cardboard cylinders, and a cutting stylus that moved from side to side in a "zig zag" groove about the record.

Within the 1890s, Emile Berliner initiated the move from phonograph cylinders to smooth discs with a spiral groove jogging from the periphery to nearby the center. Later advancements over time included improvements to the turntable and its drive system, the stylus or needle, and the audio and equalization systems.

The disc phonograph record was the dominating audio saving format throughout most of the 20th century. From your mid-1980s on, phonograph use on a standard record player declined sharply because of the rise of the cassette tape, compact disk and other digital tracking formats. Information are still a popular format for a few audiophiles and DJs. Vinyl records are being used by some DJs and musicians in their concert performances still. Musicians continue to release their recordings on vinyl records. The initial recordings of music artists are re-issued on vinyl sometimes.

Usage of terminology is not consistent across the English-speaking world (see below). In newer usage, the playback device is often called a "turntable", "record player", or "record changer". When used in conjunction with a mixer within a DJ installation, turntables are often called "decks".

The term phonograph ("sound writing") was produced from the Greek words ???? (phon?, "sound" or "voice") and ????? (graph?, "writing"). The similar related terms gramophone (from the Greek ?????? gramma "letter" and ???? ph?n? "tone of voice") and graphophone have similar root meanings. The roots were already familiar from existing 19th-century words such as photograph ("light writing"), telegraph ("distant writing"), and cell phone ("distant sound"). The brand new term may have been inspired by the existing words phonographic and phonography, which referred to something of phonetic shorthand; in 1852 The New York Times taken an advert for "Professor Webster's phonographic class", and in 1859 the brand new York State Educators Association tabled a movement to "hire a phonographic recorder" to record its meetings.

Probably, any device used to track record sound or reproduce documented audio could be called a type of "phonograph", however in common practice the word has come to mean ancient systems of acoustics taking, involving audio-frequency modulations of an physical track or groove.

In the late 19th and early on 20th decades, "Phonograph", "Gramophone", "Graphophone", "Zonophone" and the like were still brands specific to various manufacturers of sometimes completely different (i.e. cylinder and disc) machines; so significant use was made of the general term "talking machine", especially in print. "Talking machine" had earlier been used to make reference to complicated devices which produced a crude imitation of speech, by simulating the workings of the vocal cords, tongue, and lips - a potential way to obtain confusion both then and now.

In British British, "gramophone" may refer to any sound-reproducing machine using disk records, which were popularized and introduced in the UK by the Gramophone Company. Originally, "gramophone" was a proprietary trademark of this company and any use of the name by competing makers of disc records was vigorously prosecuted in the courts, however in 1910 an English court decision decreed it had turn into a generic term; it's been so used in the UK and most Commonwealth countries ever since. The term "phonograph" was usually restricted to machines which used cylinder records.

"Gramophone" generally described a wind-up machine. Following the advantages of the softer vinyl files, 33 1/3-rpm LPs (long-playing files) and 45-rpm "single" or two-song data, and EPs (extended-play recordings), the common name became "record player" or "turntable". Usually the home record player was part of something that included a radio (radiogram) and, later, might play audiotape cassettes also. From about 1960, such something began to certainly be a "hi-fi" (high-fidelity, monophonic) or a "stereo" (most systems being stereophonic by the mid-1960s).

In Australian British, "record player" was the term; "turntable" was a more technical term; "gramophone" was limited to the old mechanised (i.e., wind-up) players; and "phonograph" was used as with British English.

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