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List of phonograph manufacturers Wikipedia, the free encyclopediahttps://upload.wikimedia.org/wikipedia/commons/thumb/e/e4/Columbia_Grafonola_1912SAP_ad.jpg/200px-Columbia_Grafonola_1912SAP_ad.jpgGarrard Engineering and Manufacturing Company antique phonograph
The phonograph is a device invented in 1877 for the mechanised taking and duplication of audio. In its later forms additionally it is called a gramophone (as a trademark since 1887, as a generic name since c. 1900). The sound vibration waveforms are recorded as matching physical deviations of your spiral groove engraved, etched, incised, or impressed in to the surface of your revolving cylinder or disc, called a "record". To recreate the sound, the top is in the same way rotated while a playback stylus traces the groove and is also therefore vibrated by it, very reproducing the saved audio faintly. In early acoustic phonographs, the stylus vibrated a diaphragm which produced sound waves that have been coupled to the open air by way of a flaring horn, or directly to the listener's ears through stethoscope-type earphones. In later electric phonographs (also called record players (since 1940s) or, lately, turntables), the motions of the stylus are changed into an analogous electrical power signal by way of a transducer, converted back into sound by way of a loudspeaker then.
The phonograph was created in 1877 by Thomas Edison. While other inventors got produced devices that can record may seem, Edison's phonograph was the first to have the ability to reproduce the documented sound. His phonograph formerly recorded sound onto a tinfoil sheet covered around a revolving cylinder. A stylus responding to acoustics vibrations produced an along or hill-and-dale groove in the foil. Alexander Graham Bell's Volta Laboratory made several improvements in the 1880s, like the use of wax-coated cardboard cylinders, and a cutting stylus that moved from side to side in a "zig zag" groove about the record.
Within the 1890s, Emile Berliner initiated the changeover from phonograph cylinders to chiseled discs with a spiral groove operating from the periphery to near to the center. Later improvements through the full years included changes to the turntable and its drive system, the needle or stylus, and the equalization and audio systems.
The disc phonograph record was the prominent audio tracking format throughout most of the 20th hundred years. From mid-1980s on, phonograph use on a standard record player declined as a result of rise of the cassette tape sharply, compact disk and other digital saving formats. Details are still a favorite format for some audiophiles and DJs. Vinyl records are used by some DJs and musicians in their concert performances still. Musicians continue steadily to release their recordings on vinyl records. The original recordings of musicians are re-issued on vinyl fabric sometimes.
Using terminology is not consistent over the English-speaking world (see below). In newer usage, the playback device is named a "turntable", "record player", or "record changer". When used in conjunction with a mixing machine as part of a DJ set up, turntables tend to be called "decks".
The word phonograph ("sound writing") was produced from the Greek words ???? (phon?, "sound" or "voice") and ????? (graph?, "writing"). The similar related terms gramophone (from the Greek ?????? gramma "letter" and ???? ph?n? "voice") and graphophone have similar root meanings. The roots were already familiar from existing 19th-century words such as photograph ("light writing"), telegraph ("distant writing"), and mobile phone ("distant sound"). The new term might have been influenced by the prevailing words phonographic and phonography, which described a system of phonetic shorthand; in 1852 THE BRAND NEW York Times transported an advert for "Professor Webster's phonographic class", and in 1859 the brand new York State Educators Connection tabled a action to "hire a phonographic recorder" to record its meetings.
Arguably, any device used to record audio or reproduce saved sound could be called a kind of "phonograph", however in common practice the term has come to imply historical systems of acoustics taking, involving audio-frequency modulations of the physical groove or track.
In the later 19th and early on 20th centuries, "Phonograph", "Gramophone", "Graphophone", "Zonophone" and the like were still brand names specific to various producers of sometimes very different (i.e. cylinder and disc) machines; so considerable use was manufactured from the universal term "talking machine", in print especially. "Talking machine" had earlier been used to make reference to complicated devices which produced a crude imitation of speech, by simulating the workings of the vocal cords, tongue, and lips - a potential source of confusion both then and now.
In British British, "gramophone" may make reference to any sound-reproducing machine using disc records, that have been released and popularized in the united kingdom by the Gramophone Company. Originally, "gramophone" was a proprietary trademark of that company and any use of the name by competing makers of disc records was vigorously prosecuted in the courts, but in 1910 an English court decision decreed it had become a generic term; it's been so used in the united kingdom & most Commonwealth countries since. The term "phonograph" was usually limited to machines that used cylinder records.
"Gramophone" generally referred to a wind-up machine. After the introduction of the softer vinyl files, 33 1/3-rpm LPs (long-playing details) and 45-rpm "single" or two-song records, and EPs (extended-play recordings), the normal name became "record player" or "turntable". Often the home record player was part of something that included a radio (radiogram) and, later, might also play audiotape cassettes. From about 1960, such something began to be described as a "hi-fi" (high-fidelity, monophonic) or a "stereo" (most systems being stereophonic by the mid-1960s).
In Australian British, "record player" was the word; "turntable" was a more technical term; "gramophone" was limited to the old mechanical (i.e., wind-up) players; and "phonograph" was used just as British English.
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The phonograph is a tool created in 1877 for the mechanical taking and duplication of sound. In its later forms additionally it is called a gramophone (as a trademark since 1887, as a generic name since c. 1900). The audio vibration waveforms are registered as matching physical deviations of a spiral groove engraved, etched, incised, or impressed into the surface of the rotating disc or cylinder, called a "record". To recreate the audio, the surface is similarly rotated while a playback stylus traces the groove which is therefore vibrated because of it, very faintly reproducing the noted sound. In early acoustic phonographs, the stylus vibrated a diaphragm which produced sound waves which were coupled to the open air by using a flaring horn, or right to the listener's ears through stethoscope-type earphones. In later electric phonographs (also known as record players (since 1940s) or, lately, turntables), the movements of the stylus are changed into an analogous electronic signal by way of a transducer, then altered back into audio by way of a loudspeaker.
The phonograph was invented in 1877 by Thomas Edison. While other inventors experienced produced devices which could record may seem, Edison's phonograph was the first ever to have the ability to reproduce the registered audio. His phonograph at first recorded audio onto a tinfoil sheet covered around a spinning cylinder. A stylus responding to appear vibrations produced an and down or hill-and-dale groove in the foil up. Alexander Graham Bell's Volta Laboratory made several improvements in the 1880s, including the use of wax-coated cardboard cylinders, and a cutting stylus that moved from side to side in a "zig zag" groove across the record.
Within the 1890s, Emile Berliner initiated the move from phonograph cylinders to level discs with a spiral groove working from the periphery to nearby the center. Later improvements over time included adjustments to the turntable and its drive system, the stylus or needle, and the audio and equalization systems.
The disc phonograph record was the dominating audio taking format throughout most of the 20th hundred years. In the mid-1980s on, phonograph use on a standard record player declined sharply as a result of rise of the cassette tape, compact disc and other digital saving formats. Data remain a well liked format for some audiophiles and DJs. Vinyl records are still employed by some DJs and musicians in their concert performances. Musicians continue to release their recordings on vinyl records. The initial recordings of music artists are occasionally re-issued on vinyl.
Usage of terminology is not uniform across the English-speaking world (see below). In newer usage, the playback device is called a "turntable", "record player", or "record changer". When used in conjunction with a mixer as part of a DJ setup, turntables are often called "decks".
The term phonograph ("sound writing") was derived from the Greek words ???? (phon?, "sound" or "voice") and ????? (graph?, "writing"). The similar related terms gramophone (from the Greek ?????? gramma "letter" and ???? ph?n? "tone") and graphophone have similar root meanings. The root base were already familiar from existing 19th-century words such as photograph ("light writing"), telegraph ("distant writing"), and mobile phone ("distant sound"). The new term may have been influenced by the existing words phonographic and phonography, which described a system of phonetic shorthand; in 1852 THE BRAND NEW York Times taken an advertisements for "Professor Webster's phonographic class", and in 1859 the brand new York State Educators Relationship tabled a motion to "employ a phonographic recorder" to record its meetings.
Probably, any device used to record audio or reproduce saved sound could be called a kind of "phonograph", but in common practice the term has come to imply historic technologies of acoustics saving, affecting audio-frequency modulations of an physical track or groove.
In the past due 19th and early on 20th hundreds of years, "Phonograph", "Gramophone", "Graphophone", "Zonophone" and the like were still brand names specific to various manufacturers of sometimes completely different (i.e. cylinder and disc) machines; so considerable use was manufactured from the generic term "talking machine", in print especially. "Talking machine" had earlier been used to make reference to complicated devices which produced a crude imitation of speech, by simulating the workings of the vocal cords, tongue, and lips - a potential way to obtain misunderstandings both and today then.
In British British, "gramophone" may make reference to any sound-reproducing machine using disc records, that have been introduced and popularized in the united kingdom by the Gramophone Company. Originally, "gramophone" was a proprietary trademark of that company and any use of the name by competing makers of disc records was vigorously prosecuted in the courts, however in 1910 an English court decision decreed it had become a generic term; it's been so used in the united kingdom & most Commonwealth countries ever since. The term "phonograph" was usually restricted to machines that used cylinder records.
"Gramophone" generally referred to a wind-up machine. Following the introduction of the softer vinyl fabric details, 33 1/3-rpm LPs (long-playing data) and 45-rpm "single" or two-song files, and EPs (extended-play recordings), the normal name became "record player" or "turntable". Often the home record player was part of a system that included a radio (radiogram) and, later, might play audiotape cassettes also. From about 1960, such a system began to be described as a "hi-fi" (high-fidelity, monophonic) or a "stereo" (most systems being stereophonic by the mid-1960s).
In Australian English, "record player" was the word; "turntable" was a far more specialized term; "gramophone" was limited to the old mechanised (i.e., wind-up) players; and "phonograph" was used as with British English.
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46337B5A4F101820DC8372D19B4BE70E0FD25F412https://en.wikipedia.org/wiki/List_of_phonograph_manufacturers
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List of phonograph manufacturers Wikipedia, the free encyclopediahttps://upload.wikimedia.org/wikipedia/commons/thumb/6/64/RCA_Victor_Special_Portable_Phonograph%2C_c._1935%2C_aluminum%2C_other_metals%2C_plastic%2C_felt%2C_leather_-_Brooklyn_Museum_-_DSC09673.JPG/200px-RCA_Victor_Special_Portable_Phonograph%2C_c._1935%2C_aluminum%2C_other_metals%2C_plastic%2C_felt%2C_leather_-_Brooklyn_Museum_-_DSC09673.JPGGarrard Engineering and Manufacturing Company antique phonograph
The phonograph is a tool created in 1877 for the mechanical tracking and duplication of sound. In its later forms additionally it is called a gramophone (as a trademark since 1887, as a generic name since c. 1900). The audio vibration waveforms are recorded as related physical deviations of a spiral groove etched, etched, incised, or impressed into the surface of an rotating cylinder or disk, called a "record". To recreate the audio, the top is in the same way rotated while a playback stylus traces the groove and it is therefore vibrated because of it, very faintly reproducing the noted sound. In early acoustic phonographs, the stylus vibrated a diaphragm which produced sound waves that have been coupled to the open air through the flaring horn, or right to the listener's ears through stethoscope-type earphones. In later electric phonographs (also known as record players (since 1940s) or, most recently, turntables), the movements of the stylus are changed into an analogous electric powered signal by way of a transducer, changed back to sound by way of a loudspeaker then.
The phonograph was developed in 1877 by Thomas Edison. While other inventors experienced produced devices which could record sounds, Edison's phonograph was the first ever to have the ability to reproduce the noted audio. His phonograph actually recorded sound onto a tinfoil sheet wrapped around a revolving cylinder. A stylus responding to acoustics vibrations produced an along or hill-and-dale groove in the foil. Alexander Graham Bell's Volta Laboratory made several improvements in the 1880s, like the use of wax-coated cardboard cylinders, and a cutting stylus that moved from side to side in a "zig zag" groove around the record.
Within the 1890s, Emile Berliner initiated the changeover from phonograph cylinders to flat discs with a spiral groove operating from the periphery to nearby the center. Later improvements through the full years included modifications to the turntable and its drive system, the stylus or needle, and the equalization and sound systems.
The disc phonograph record was the dominant audio tracking format throughout almost all of the 20th century. From your mid-1980s on, phonograph use on a standard record player declined because of the rise of the cassette tape sharply, compact disk and other digital saving formats. Details are a well liked format for some audiophiles and DJs still. Vinyl records are still used by some DJs and musicians in their concert performances. Musicians continue steadily to release their recordings on vinyl records. The original recordings of music artists are re-issued on vinyl fabric sometimes.
Usage of terminology is not even across the English-speaking world (see below). In more modern usage, the playback device is called a "turntable", "record player", or "record changer". When found in conjunction with a mixer within a DJ installation, turntables tend to be called "decks".
The term phonograph ("sound writing") was produced from the Greek words ???? (phon?, "sound" or "voice") and ????? (graph?, "writing"). The similar related conditions gramophone (from the Greek ?????? gramma "notice" and ???? ph?n? "tone") and graphophone have similar root meanings. The root base were already familiar from existing 19th-century words such as picture ("light writing"), telegraph ("distant writing"), and mobile phone ("distant sound"). The brand new term may have been influenced by the prevailing words phonographic and phonography, which described a system of phonetic shorthand; in 1852 The New York Times transported an advertising campaign for "Professor Webster's phonographic class", and in 1859 the New York State Teachers Association tabled a motion to "employ a phonographic recorder" to record its meetings.
Arguably, any device used to track record sound or reproduce saved audio could be called a type of "phonograph", but in common practice the word has come to mean historic systems of sensible recording, regarding audio-frequency modulations of a physical groove or trace.
In the late 19th and early 20th centuries, "Phonograph", "Gramophone", "Graphophone", "Zonophone" and so on were still brands specific to various makers of sometimes completely different (i.e. cylinder and disk) machines; so sizeable use was made of the generic term "talking machine", especially in print. "Talking machine" had earlier been used to make reference to complicated devices which produced a crude imitation of speech, by simulating the workings of the vocal cords, tongue, and lip area - a potential way to obtain misunderstandings both and today then.
In British English, "gramophone" may refer to any sound-reproducing machine using disk records, that have been created and popularized in the united kingdom by the Gramophone Company. Originally, "gramophone" was a proprietary trademark of this company and any use of the name by competing makers of disc records was vigorously prosecuted in the courts, but in 1910 an English court decision decreed which it had turn into a generic term; it has been so used in the united kingdom and most Commonwealth countries since. The word "phonograph" was usually limited to machines that used cylinder records.
"Gramophone" generally referred to a wind-up machine. Following the release of the softer vinyl fabric documents, 33 1/3-rpm LPs (long-playing data) and 45-rpm "single" or two-song records, and EPs (extended-play recordings), the common name became "record player" or "turntable". Often the home record player was part of a system that included a radio (radiogram) and, later, might play audiotape cassettes also. From about 1960, such something began to certainly be a "hi-fi" (high-fidelity, monophonic) or a "stereo" (most systems being stereophonic by the mid-1960s).
In Australian British, "record player" was the term; "turntable" was a more technological term; "gramophone" was restricted to the old mechanised (i.e., wind-up) players; and "phonograph" was used just as British English.
Graphophone used by Alice Fletcher, a collaborator of James Murie, to
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List of phonograph manufacturers Wikipedia, the free encyclopediahttps://upload.wikimedia.org/wikipedia/commons/thumb/e/e0/VictorTalkingMachine2008.jpg/220px-VictorTalkingMachine2008.jpgGarrard Engineering and Manufacturing Company antique phonograph
The phonograph is a tool developed in 1877 for the mechanised recording and duplication of sound. In its later forms it is also called a gramophone (as a trademark since 1887, as a generic name since c. 1900). The audio vibration waveforms are noted as related physical deviations of a spiral groove imprinted, etched, incised, or impressed into the surface of any rotating disc or cylinder, called a "record". To recreate the sound, the top is similarly rotated while a playback stylus traces the groove and it is therefore vibrated by it, very reproducing the recorded sound faintly. In early acoustic phonographs, the stylus vibrated a diaphragm which produced sound waves that have been coupled to the open air by way of a flaring horn, or directly to the listener's ears through stethoscope-type earphones. In later electric phonographs (also called record players (since 1940s) or, most recently, turntables), the motions of the stylus are converted into an analogous electric signal with a transducer, then modified back to audio by way of a loudspeaker.
The phonograph was developed in 1877 by Thomas Edison. While other inventors possessed produced devices which could record may seem, Edison's phonograph was the first to be able to reproduce the recorded sound. His phonograph at first recorded sound onto a tinfoil sheet covered around a rotating cylinder. A stylus responding to appear vibrations produced an and down or hill-and-dale groove in the foil up. Alexander Graham Bell's Volta Laboratory made several improvements in the 1880s, like the use of wax-coated cardboard cylinders, and a cutting stylus that moved laterally in a "zig zag" groove surrounding the record.
Within the 1890s, Emile Berliner initiated the changeover from phonograph cylinders to chiseled discs with a spiral groove jogging from the periphery to near to the center. Later advancements over time included changes to the turntable and its drive system, the needle or stylus, and the equalization and sound systems.
The disc phonograph record was the prominent audio saving format throughout almost all of the 20th century. From the mid-1980s on, phonograph use on a standard record player declined sharply because of the rise of the cassette tape, compact disc and other digital taking formats. Information are still a popular format for a few audiophiles and DJs. Vinyl records are still utilized by some DJs and musicians in their concert performances. Musicians continue steadily to release their recordings on vinyl records. The original recordings of music artists are sometimes re-issued on vinyl fabric.
Usage of terminology is not standard across the English-speaking world (see below). In more modern usage, the playback device is categorised as a "turntable", "record player", or "record changer". When found in conjunction with a mixer within a DJ set up, turntables are often called "decks".
The word phonograph ("sound writing") was derived from the Greek words ???? (phon?, "sound" or "voice") and ????? (graph?, "writing"). The similar related terms gramophone (from the Greek ?????? gramma "notice" and ???? ph?n? "words") and graphophone have similar root meanings. The roots were already familiar from existing 19th-century words such as picture ("light writing"), telegraph ("distant writing"), and telephone ("distant sound"). The brand new term may have been influenced by the prevailing words phonographic and phonography, which referred to a system of phonetic shorthand; in 1852 The New York Times transported an advertisement for "Professor Webster's phonographic class", and in 1859 the brand new York State Instructors Connection tabled a movement to "employ a phonographic recorder" to record its meetings.
Arguably, any device used to record audio or reproduce recorded audio could be called a kind of "phonograph", however in common practice the indicated term has come to imply traditional technology of sound saving, involving audio-frequency modulations of a physical groove or track.
In the overdue 19th and early on 20th decades, "Phonograph", "Gramophone", "Graphophone", "Zonophone" and the like were still brands specific to various makers of sometimes completely different (i.e. cylinder and disk) machines; so significant use was manufactured from the common term "talking machine", in print especially. "Talking machine" had earlier been used to refer to complicated devices which produced a crude imitation of speech, by simulating the workings of the vocal cords, tongue, and lips - a potential source of confusion both then and now.
In British British, "gramophone" may make reference to any sound-reproducing machine using disk records, which were popularized and introduced in the united kingdom by the Gramophone Company. Originally, "gramophone" was a proprietary trademark of that company and any use of the name by competing makers of disc records was vigorously prosecuted in the courts, however in 1910 an English court decision decreed it had turn into a generic term; it's been so used in the united kingdom and most Commonwealth countries ever since. The term "phonograph" was usually limited to machines that used cylinder records.
"Gramophone" generally referred to a wind-up machine. After the release of the softer vinyl fabric details, 33 1/3-rpm LPs (long-playing data) and 45-rpm "single" or two-song information, and EPs (extended-play recordings), the normal name became "record player" or "turntable". Usually the home record player was part of something that included a radio (radiogram) and, later, might play audiotape cassettes also. From about 1960, such a system began to certainly be a "hi-fi" (high-fidelity, monophonic) or a "stereo" (most systems being stereophonic by the mid-1960s).
In Australian British, "record player" was the word; "turntable" was a far more technological term; "gramophone" was restricted to the old mechanised (i.e., wind-up) players; and "phonograph" was used as in British English.
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