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Reginaphone Govornor Gear Antique Music Box Parts Al Meekins eBayhttp://antiquemusicboxes.com/Auctions/DSC00181.JPGConnoisseur antique phonograph
The phonograph is a device invented in 1877 for the mechanical recording and duplication of audio. In its later forms additionally it is called a gramophone (as a trademark since 1887, as a generic name since c. 1900). The audio vibration waveforms are recorded as equivalent physical deviations of the spiral groove engraved, etched, incised, or impressed into the surface of an spinning disc or cylinder, called a "record". To recreate the sound, the top is in the same way rotated while a playback stylus traces the groove and is also therefore vibrated because of it, very reproducing the recorded sound faintly. In early acoustic phonographs, the stylus vibrated a diaphragm which produced sound waves which were coupled to the open air through a flaring horn, or right to the listener's ears through stethoscope-type earphones. In later electric phonographs (also known as record players (since 1940s) or, most recently, turntables), the movements of the stylus are converted into an analogous electric powered signal with a transducer, then transformed back to audio by a loudspeaker.
The phonograph was invented in 1877 by Thomas Edison. While other inventors acquired produced devices which could record sounds, Edison's phonograph was the first ever to have the ability to reproduce the saved audio. His phonograph at first recorded audio onto a tinfoil sheet twisted around a spinning cylinder. A stylus giving an answer to sound vibrations produced an and down or hill-and-dale groove in the foil up. Alexander Graham Bell's Volta Laboratory made several improvements in the 1880s, including the use of wax-coated cardboard cylinders, and a cutting stylus that moved from side to side in a "zig zag" groove surrounding the record.
Within the 1890s, Emile Berliner initiated the transition from phonograph cylinders to even discs with a spiral groove jogging from the periphery to near to the center. Later advancements through the entire years included improvements to the turntable and its own drive system, the stylus or needle, and the equalization and audio systems.
The disk phonograph record was the prominent audio taking format throughout almost all of the 20th century. From mid-1980s on, phonograph use on a standard record player declined as a result of rise of the cassette tape sharply, compact disc and other digital saving formats. Records remain a well liked format for some audiophiles and DJs. Vinyl records are being used by some DJs and musicians in their concert performances still. Musicians continue to release their recordings on vinyl records. The initial recordings of music artists are re-issued on vinyl sometimes.
Using terminology is not consistent over the English-speaking world (see below). In newer usage, the playback device is called a "turntable", "record player", or "record changer". When used in conjunction with a mixing machine as part of a DJ setup, turntables are often called "decks".
The word phonograph ("sound writing") was produced from the Greek words ???? (phon?, "sound" or "voice") and ????? (graph?, "writing"). The similar related terms gramophone (from the Greek ?????? gramma "notice" and ???? ph?n? "tone") and graphophone have similar root meanings. The origins were already familiar from existing 19th-century words such as picture ("light writing"), telegraph ("distant writing"), and cell phone ("distant sound"). The new term may have been affected by the existing words phonographic and phonography, which referred to a system of phonetic shorthand; in 1852 THE BRAND NEW York Times carried an advertisement for "Professor Webster's phonographic class", and in 1859 the brand new York State Instructors Connection tabled a action to "employ a phonographic recorder" to record its meetings.
Probably, any device used to track record audio or reproduce registered sound could be called a kind of "phonograph", but in common practice the word has come to mean traditional solutions of acoustics saving, involving audio-frequency modulations of your physical trace or groove.
In the later 19th and early on 20th ages, "Phonograph", "Gramophone", "Graphophone", "Zonophone" and the like were still brands specific to various makers of sometimes completely different (i.e. cylinder and disc) machines; so appreciable use was made of the general term "talking machine", especially in print. "Talking machine" had earlier been used to make reference to complicated devices which produced a crude imitation of speech, by simulating the workings of the vocal cords, tongue, and lips - a potential way to obtain confusion both then and today.
In British English, "gramophone" may refer to any sound-reproducing machine using disk records, which were popularized and released in the united kingdom by the Gramophone Company. Originally, "gramophone" was a proprietary trademark of this company and any use of the name by competing makers of disc records was vigorously prosecuted in the courts, however in 1910 an English court decision decreed that it had turn into a generic term; it's been so used in the united kingdom and most Commonwealth countries ever since. The term "phonograph" was usually restricted to machines which used cylinder records.
"Gramophone" generally described a wind-up machine. After the advantages of the softer vinyl records, 33 1/3-rpm LPs (long-playing details) and 45-rpm "single" or two-song records, and EPs (extended-play recordings), the normal name became "record player" or "turntable". Often the home record player was part of something that included a radio (radiogram) and, later, might also play audiotape cassettes. From about 1960, such something began to certainly be a "hi-fi" (high-fidelity, monophonic) or a "stereo" (most systems being stereophonic by the mid-1960s).
In Australian British, "record player" was the term; "turntable" was a far more specialized term; "gramophone" was limited to the old mechanised (i.e., wind-up) players; and "phonograph" was used as in British English.
Phonograph Arm with Stereo cartridgecan wire mono and Needle
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Reginaphone Govornor Gear Antique Music Box Parts Al Meekins eBay
Reginaphone Govornor Gear Antique Music Box Parts Al Meekins eBayhttp://antiquemusicboxes.com/Auctions/DSC00182.JPGConnoisseur antique phonograph
The phonograph is a device invented in 1877 for the mechanised duplication and saving of audio. In its later forms it is also called a gramophone (as a trademark since 1887, as a generic name since c. 1900). The sound vibration waveforms are noted as equivalent physical deviations of any spiral groove engraved, etched, incised, or impressed in to the surface of a spinning disk or cylinder, called a "record". To recreate the audio, the surface is similarly rotated while a playback stylus traces the groove and it is therefore vibrated by it, very faintly reproducing the saved sound. In early acoustic phonographs, the stylus vibrated a diaphragm which produced sound waves which were coupled to the open air via a flaring horn, or right to the listener's ears through stethoscope-type earphones. In later electric phonographs (also called record players (since 1940s) or, lately, turntables), the motions of the stylus are converted into an analogous electronic signal with a transducer, converted back to sound by a loudspeaker then.
The phonograph was developed in 1877 by Thomas Edison. While other inventors got produced devices which could record may seem, Edison's phonograph was the first ever to be able to reproduce the saved audio. His phonograph at first recorded sound onto a tinfoil sheet wrapped around a spinning cylinder. A stylus giving an answer to sound vibrations produced an and down or hill-and-dale groove in the foil up. Alexander Graham Bell's Volta Laboratory made several improvements in the 1880s, including the use of wax-coated cardboard cylinders, and a cutting stylus that moved laterally in a "zig zag" groove about the record.
Inside the 1890s, Emile Berliner initiated the transition from phonograph cylinders to flat discs with a spiral groove running from the periphery to nearby the center. Later advancements through the entire years included alterations to the turntable and its own drive system, the stylus or needle, and the sound and equalization systems.
The disc phonograph record was the dominating audio taking format throughout most of the 20th century. From mid-1980s on, phonograph use on a standard record player declined sharply as a result of rise of the cassette tape, compact disk and other digital saving formats. Details remain a well liked format for some audiophiles and DJs. Vinyl records are being used by some DJs and musicians in their concert performances still. Musicians continue steadily to release their recordings on vinyl records. The initial recordings of music artists are re-issued on vinyl fabric sometimes.
Using terminology is not homogeneous over the English-speaking world (see below). In more modern usage, the playback device is called a "turntable", "record player", or "record changer". When used in conjunction with a mixer within a DJ set up, turntables are often called "decks".
The word phonograph ("sound writing") was produced from the Greek words ???? (phon?, "sound" or "voice") and ????? (graph?, "writing"). The similar related terms gramophone (from the Greek ?????? gramma "letter" and ???? ph?n? "words") and graphophone have similar main meanings. The roots were already familiar from existing 19th-century words such as photograph ("light writing"), telegraph ("distant writing"), and telephone ("distant sound"). The new term may have been inspired by the existing words phonographic and phonography, which referred to a system of phonetic shorthand; in 1852 The New York Times carried an advertisements for "Professor Webster's phonographic class", and in 1859 the New York State Educators Association tabled a action to "employ a phonographic recorder" to record its meetings.
Probably, any device used to record audio or reproduce registered audio could be called a kind of "phonograph", however in common practice the word has come to signify historic systems of reasonable recording, including audio-frequency modulations of an physical track or groove.
In the past due 19th and early on 20th generations, "Phonograph", "Gramophone", "Graphophone", "Zonophone" and the like were still brands specific to various designers of sometimes very different (i.e. cylinder and disk) machines; so appreciable use was made of the common term "talking machine", in print especially. "Talking machine" had earlier been used to refer to complicated devices which produced a crude imitation of speech, by simulating the workings of the vocal cords, tongue, and mouth - a potential way to obtain misunderstandings both and today then.
In British English, "gramophone" may make reference to any sound-reproducing machine using disc records, that have been popularized and presented in the united kingdom by the Gramophone Company. Originally, "gramophone" was a proprietary trademark of this company and any use of the name by competing makers of disc records was vigorously prosecuted in the courts, however in 1910 an English court decision decreed which it had become a generic term; it has been so used in the UK and most Commonwealth countries ever since. The word "phonograph" was usually restricted to machines which used cylinder records.
"Gramophone" generally referred to a wind-up machine. After the advantages of the softer vinyl data, 33 1/3-rpm LPs (long-playing information) and 45-rpm "single" or two-song documents, and EPs (extended-play recordings), the normal name became "record player" or "turntable". Usually the home record player was part of a system that included a radio (radiogram) and, later, might also play audiotape cassettes. From about 1960, such something began to certainly be a "hi-fi" (high-fidelity, monophonic) or a "stereo" (most systems being stereophonic by the mid-1960s).
In Australian English, "record player" was the word; "turntable" was a more technological term; "gramophone" was limited to the old mechanised (i.e., wind-up) players; and "phonograph" was used just as British English.
VINTAGE CONNOISSEUR BD/2A
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http://i1.wp.com/www.fleamarketinsiders.com/wp-content/uploads/2014/10/image11.jpg?resize=710%2C474Fritz Kreisler: Music eBay
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9613519CEB269DD3D9CF44697E09DC81C2F95872Chttp://www.ebay.com/itm/REGINAPHONE-GOVORNOR-GEAR-PHONOGRAPH-ANTIQUE-MUSIC-BOX-PARTS-REGINA-AL-MEEKINS-/200847211010
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Antique Columbia Graphophone at Cylinder Oak Phonograph eBayhttp://i.ebayimg.com/images/i/351301454709-0-1/s-l1000.jpgGraphophone antique phonograph
The phonograph is a tool developed in 1877 for the mechanised duplication and saving of audio. In its later forms additionally it is called a gramophone (as a trademark since 1887, as a generic name since c. 1900). The audio vibration waveforms are registered as related physical deviations of an spiral groove engraved, etched, incised, or impressed into the surface of an spinning cylinder or disk, called a "record". To recreate the sound, the surface is in the same way rotated while a playback stylus traces the groove and it is therefore vibrated by it, very faintly reproducing the registered sound. In early acoustic phonographs, the stylus vibrated a diaphragm which produced sound waves which were coupled to the open air by way of a flaring horn, or directly to the listener's ears through stethoscope-type earphones. In later electric phonographs (also known as record players (since 1940s) or, lately, turntables), the movements of the stylus are changed into an analogous electrical signal with a transducer, modified back into audio by the loudspeaker then.
The phonograph was created in 1877 by Thomas Edison. While other inventors had produced devices which could record does sound, Edison's phonograph was the first to have the ability to reproduce the noted audio. His phonograph formerly recorded audio onto a tinfoil sheet wrapped around a spinning cylinder. A stylus responding to sound vibrations produced an along or hill-and-dale groove in the foil. Alexander Graham Bell's Volta Laboratory made several improvements in the 1880s, including the use of wax-coated cardboard cylinders, and a cutting stylus that moved from side to side in a "zig zag" groove about the record.
Inside the 1890s, Emile Berliner initiated the changeover from phonograph cylinders to toned discs with a spiral groove operating from the periphery to near to the center. Later advancements over time included modifications to the turntable and its own drive system, the needle or stylus, and the equalization and sound systems.
The disk phonograph record was the dominating audio saving format throughout almost all of the 20th century. Through the mid-1980s on, phonograph use on a standard record player declined sharply because of the rise of the cassette tape, compact disc and other digital saving formats. Data are a favorite format for some audiophiles and DJs still. Vinyl records are being used by some DJs and musicians in their concert performances still. Musicians continue to release their recordings on vinyl records. The original recordings of music artists are occasionally re-issued on vinyl fabric.
Using terminology is not uniform over the English-speaking world (see below). In newer usage, the playback device is named a "turntable", "record player", or "record changer". When found in conjunction with a mixing machine as part of a DJ set up, turntables are often called "decks".
The word phonograph ("sound writing") was derived from the Greek words ???? (phon?, "sound" or "voice") and ????? (graph?, "writing"). The similar related conditions gramophone (from the Greek ?????? gramma "letter" and ???? ph?n? "voice") and graphophone have similar root meanings. The origins were already familiar from existing 19th-century words such as picture ("light writing"), telegraph ("distant writing"), and cell phone ("distant sound"). The brand new term might have been inspired by the prevailing words phonographic and phonography, which referred to a system of phonetic shorthand; in 1852 The New York Times carried an advertisements for "Professor Webster's phonographic class", and in 1859 the brand new York State Professors Connection tabled a movement to "hire a phonographic recorder" to track record its meetings.
Arguably, any device used to record sound or reproduce saved sound could be called a kind of "phonograph", but in common practice the indicated word has come to suggest traditional solutions of audio saving, relating audio-frequency modulations of a physical trace or groove.
In the late 19th and early on 20th hundreds of years, "Phonograph", "Gramophone", "Graphophone", "Zonophone" and so on were still brands specific to various designers of sometimes very different (i.e. cylinder and disk) machines; so significant use was manufactured from the universal term "talking machine", especially in print. "Talking machine" had earlier been used to make reference to complicated devices which produced a crude imitation of speech, by simulating the workings of the vocal cords, tongue, and lips - a potential source of confusion both then and today.
In British English, "gramophone" may make reference to any sound-reproducing machine using disc records, that have been created and popularized in the united kingdom by the Gramophone Company. Originally, "gramophone" was a proprietary trademark of this company and any use of the name by competing makers of disc records was vigorously prosecuted in the courts, but in 1910 an English court decision decreed that it had turn into a generic term; it's been so used in the UK and most Commonwealth countries ever since. The word "phonograph" was usually restricted to machines which used cylinder records.
"Gramophone" generally referred to a wind-up machine. After the intro of the softer vinyl records, 33 1/3-rpm LPs (long-playing details) and 45-rpm "single" or two-song details, and EPs (extended-play recordings), the normal name became "record player" or "turntable". Often the home record player was part of a system that included a radio (radiogram) and, later, may also play audiotape cassettes. From about 1960, such a system began to be described as a "hi-fi" (high-fidelity, monophonic) or a "stereo" (most systems being stereophonic by the mid-1960s).
In Australian English, "record player" was the term; "turntable" was a more complex term; "gramophone" was restricted to the old mechanised (i.e., wind-up) players; and "phonograph" was used as in British English.
Columbia Disc Graphophone Phonograph w/ Horn Antique Crank Record
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https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhB9j3UuhZNfzptFcr17fToWfgEUN1zxlkXU2YYa3bWkcA5ER95lqMBxvbCE0ftPFfOb4T4eLdUoYMTn-nrfdNK-2hX6-eyJnWUGVvH0wNTkMhGWRKPpUuMA3lX0EbK4B3CUdwdyIydsH3V/s1600/IMG_1214.JPGColumbia Model Q Graphophone Phonograph 18981903 from funcollectibles
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Antique Columbia Graphophone at Cylinder Oak Phonograph eBay
RARE Vintage NAD 5020 Turntable Record Player eBayhttp://i.ebayimg.com/images/i/291415109121-0-1/s-l1000.jpgNAD Electronics antique phonograph
The phonograph is a tool developed in 1877 for the mechanical tracking and duplication of sound. In its later forms it is also called a gramophone (as a trademark since 1887, as a generic name since c. 1900). The audio vibration waveforms are saved as corresponding physical deviations of a spiral groove imprinted, etched, incised, or impressed into the surface of your spinning cylinder or disc, called a "record". To recreate the audio, the top is likewise rotated while a playback stylus traces the groove which is therefore vibrated by it, very faintly reproducing the documented sound. In early acoustic phonographs, the stylus vibrated a diaphragm which produced sound waves that have been coupled to the open air through the flaring horn, or directly to the listener's ears through stethoscope-type earphones. In later electric phonographs (also called record players (since 1940s) or, lately, turntables), the motions of the stylus are changed into an analogous electric signal by the transducer, altered back to audio by way of a loudspeaker then.
The phonograph was invented in 1877 by Thomas Edison. While other inventors acquired produced devices that may record does sound, Edison's phonograph was the first ever to be able to reproduce the recorded sound. His phonograph actually recorded audio onto a tinfoil sheet twisted around a rotating cylinder. A stylus responding to reasonable vibrations produced an along or hill-and-dale groove in the foil. Alexander Graham Bell's Volta Laboratory made several improvements in the 1880s, including the use of wax-coated cardboard cylinders, and a cutting stylus that moved laterally in a "zig zag" groove surrounding the record.
In the 1890s, Emile Berliner initiated the move from phonograph cylinders to chiseled discs with a spiral groove working from the periphery to close to the center. Later improvements over time included alterations to the turntable and its own drive system, the stylus or needle, and the equalization and audio systems.
The disk phonograph record was the dominating audio taking format throughout most of the 20th hundred years. From the mid-1980s on, phonograph use on a standard record player declined because of the rise of the cassette tape sharply, compact disc and other digital saving formats. Information are still a popular format for a few audiophiles and DJs. Vinyl records are being used by some DJs and musicians in their concert performances still. Musicians continue to release their recordings on vinyl records. The initial recordings of music artists are sometimes re-issued on vinyl fabric.
Using terminology is not even over the English-speaking world (see below). In more modern usage, the playback device is named a "turntable", "record player", or "record changer". When found in conjunction with a mixing machine within a DJ installation, turntables are often called "decks".
The term phonograph ("sound writing") was derived from the Greek words ???? (phon?, "sound" or "voice") and ????? (graph?, "writing"). The similar related terms gramophone (from the Greek ?????? gramma "notice" and ???? ph?n? "words") and graphophone have similar main meanings. The origins were already familiar from existing 19th-century words such as photograph ("light writing"), telegraph ("distant writing"), and mobile phone ("distant sound"). The new term may have been influenced by the existing words phonographic and phonography, which described a system of phonetic shorthand; in 1852 The New York Times carried an advert for "Professor Webster's phonographic class", and in 1859 the brand new York State Instructors Relationship tabled a motion to "employ a phonographic recorder" to record its meetings.
Arguably, any device used to track record sound or reproduce recorded audio could be called a type of "phonograph", however in common practice the word has come to signify historic technology of sound taking, concerning audio-frequency modulations of any physical track or groove.
In the past due 19th and early 20th ages, "Phonograph", "Gramophone", "Graphophone", "Zonophone" and the like were still brand names specific to various manufacturers of sometimes completely different (i.e. cylinder and disk) machines; so extensive use was made of the universal term "talking machine", in print especially. "Talking machine" had earlier been used to make reference to complicated devices which produced a crude imitation of speech, by simulating the workings of the vocal cords, tongue, and mouth - a potential way to obtain confusion both and today then.
In British English, "gramophone" may make reference to any sound-reproducing machine using disc records, which were popularized and introduced in the UK by the Gramophone Company. Originally, "gramophone" was a proprietary trademark of that company and any use of the name by competing makers of disc records was vigorously prosecuted in the courts, however in 1910 an English court decision decreed it had turn into a generic term; it has been so used in the united kingdom and most Commonwealth countries ever since. The word "phonograph" was usually restricted to machines that used cylinder records.
"Gramophone" generally referred to a wind-up machine. After the introduction of the softer vinyl fabric files, 33 1/3-rpm LPs (long-playing documents) and 45-rpm "single" or two-song information, and EPs (extended-play recordings), the common name became "record player" or "turntable". Often the home record player was part of a system that included a radio (radiogram) and, later, might play audiotape cassettes also. From about 1960, such something began to be described as a "hi-fi" (high-fidelity, monophonic) or a "stereo" (most systems being stereophonic by the mid-1960s).
In Australian British, "record player" was the term; "turntable" was a more technical term; "gramophone" was limited to the old mechanised (i.e., wind-up) players; and "phonograph" was used as in British English.
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RARE Vintage NAD 5020 Turntable Record Player eBay
Visitez eBay pour une grande sélection de TOYS CHILDS PHONOGRAPHEhttps://s-media-cache-ak0.pinimg.com/236x/4c/95/15/4c95155f07c8ce41434fe46d035dcf70.jpganalogueworks antique phonograph
The phonograph is a device invented in 1877 for the mechanised reproduction and tracking of sound. In its later forms it is also called a gramophone (as a trademark since 1887, as a generic name since c. 1900). The sound vibration waveforms are registered as equivalent physical deviations of a spiral groove imprinted, etched, incised, or impressed in to the surface of your revolving cylinder or disc, called a "record". To recreate the audio, the surface is similarly rotated while a playback stylus traces the groove and it is therefore vibrated because of it, very reproducing the documented audio faintly. In early acoustic phonographs, the stylus vibrated a diaphragm which produced sound waves that have been coupled to the open air through the flaring horn, or directly to the listener's ears through stethoscope-type earphones. In later electric phonographs (also known as record players (since 1940s) or, lately, turntables), the movements of the stylus are changed into an analogous electric signal by a transducer, then changed back into audio by a loudspeaker.
The phonograph was developed in 1877 by Thomas Edison. While other inventors possessed produced devices that may record may seem, Edison's phonograph was the first ever to have the ability to reproduce the noted audio. His phonograph formerly recorded sound onto a tinfoil sheet twisted around a rotating cylinder. A stylus giving an answer to sound vibrations produced an up and down or hill-and-dale groove in the foil. Alexander Graham Bell's Volta Laboratory made several improvements in the 1880s, like the use of wax-coated cardboard cylinders, and a cutting stylus that moved laterally in a "zig zag" groove about the record.
In the 1890s, Emile Berliner initiated the change from phonograph cylinders to level discs with a spiral groove running from the periphery to near to the center. Later advancements over time included adjustments to the turntable and its drive system, the stylus or needle, and the audio and equalization systems.
The disk phonograph record was the dominant audio taking format throughout the majority of the 20th century. From your mid-1980s on, phonograph use on a standard record player declined sharply as a result of rise of the cassette tape, compact disc and other digital saving formats. Data remain a well liked format for a few audiophiles and DJs. Vinyl records are used by some DJs and musicians in their concert performances still. Musicians continue to release their recordings on vinyl records. The initial recordings of music artists are occasionally re-issued on vinyl.
Using terminology is not homogeneous over the English-speaking world (see below). In more modern usage, the playback device is often called a "turntable", "record player", or "record changer". When used in conjunction with a mixing machine as part of a DJ setup, turntables tend to be called "decks".
The word phonograph ("sound writing") was derived from the Greek words ???? (phon?, "sound" or "voice") and ????? (graph?, "writing"). The similar related terms gramophone (from the Greek ?????? gramma "letter" and ???? ph?n? "voice") and graphophone have similar main meanings. The root base were already familiar from existing 19th-century words such as photograph ("light writing"), telegraph ("distant writing"), and cell phone ("distant sound"). The brand new term might have been influenced by the existing words phonographic and phonography, which described something of phonetic shorthand; in 1852 THE BRAND NEW York Times taken an ad for "Professor Webster's phonographic class", and in 1859 the New York State Teachers Connection tabled a action to "hire a phonographic recorder" to record its meetings.
Probably, any device used to record sound or reproduce registered audio could be called a kind of "phonograph", however in common practice the portrayed term has come to imply traditional solutions of sound documenting, relating audio-frequency modulations of the physical trace or groove.
In the later 19th and early on 20th ages, "Phonograph", "Gramophone", "Graphophone", "Zonophone" and so on were still brands specific to various makers of sometimes completely different (i.e. cylinder and disc) machines; so appreciable use was made of the common term "talking machine", in print especially. "Talking machine" had earlier been used to refer to complicated devices which produced a crude imitation of speech, by simulating the workings of the vocal cords, tongue, and lips - a potential way to obtain confusion both then and today.
In British British, "gramophone" may make reference to any sound-reproducing machine using disk records, that have been popularized and released in the united kingdom by the Gramophone Company. Originally, "gramophone" was a proprietary trademark of that company and any use of the name by competing makers of disc records was vigorously prosecuted in the courts, but in 1910 an English court decision decreed that it had turn into a generic term; it has been so used in the UK & most Commonwealth countries ever since. The word "phonograph" was usually restricted to machines which used cylinder records.
"Gramophone" generally described a wind-up machine. Following the benefits of the softer vinyl fabric files, 33 1/3-rpm LPs (long-playing records) and 45-rpm "single" or two-song details, and EPs (extended-play recordings), the common name became "record player" or "turntable". Often the home record player was part of a system that included a radio (radiogram) and, later, might also play audiotape cassettes. From about 1960, such a system began to certainly be a "hi-fi" (high-fidelity, monophonic) or a "stereo" (most systems being stereophonic by the mid-1960s).
In Australian British, "record player" was the word; "turntable" was a more specialized term; "gramophone" was restricted to the old mechanised (i.e., wind-up) players; and "phonograph" was used such as British English.
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