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The phonograph is a tool created in 1877 for the mechanised reproduction and recording of sound. In its later forms it is also called a gramophone (as a trademark since 1887, as a generic name since c. 1900). The audio vibration waveforms are noted as corresponding physical deviations of the spiral groove etched, etched, incised, or impressed in to the surface of an rotating disk or cylinder, called a "record". To recreate the sound, the surface is in the same way rotated while a playback stylus traces the groove and is also therefore vibrated by it, very faintly reproducing the documented audio. In early acoustic phonographs, the stylus vibrated a diaphragm which produced sound waves which were coupled to the open air by way of a flaring horn, or directly to the listener's ears through stethoscope-type earphones. In later electric phonographs (also known as record players (since 1940s) or, most recently, turntables), the movements of the stylus are converted into an analogous electric signal with a transducer, changed back to sound by a loudspeaker then.
The phonograph was invented in 1877 by Thomas Edison. While other inventors got produced devices that could record tones, Edison's phonograph was the first to be able to reproduce the noted sound. His phonograph formerly recorded sound onto a tinfoil sheet covered around a rotating cylinder. A stylus responding to sensible vibrations produced an up and down or hill-and-dale groove in the foil. Alexander Graham Bell's Volta Laboratory made several improvements in the 1880s, like the use of wax-coated cardboard cylinders, and a cutting stylus that moved laterally in a "zig zag" groove across the record.
In the 1890s, Emile Berliner initiated the move from phonograph cylinders to flat discs with a spiral groove operating from the periphery to near to the center. Later improvements through the full years included improvements to the turntable and its own drive system, the stylus or needle, and the audio and equalization systems.
The disc phonograph record was the prominent audio taking format throughout most of the 20th century. From the mid-1980s on, phonograph use on a standard record player declined as a result of rise of the cassette tape sharply, compact disk and other digital recording formats. Documents remain a favorite format for a few audiophiles and DJs. Vinyl records are still employed by some DJs and musicians in their concert performances. Musicians continue to release their recordings on vinyl records. The initial recordings of music artists are re-issued on vinyl sometimes.
Usage of terminology is not even across the English-speaking world (see below). In more modern usage, the playback device is categorised as a "turntable", "record player", or "record changer". When used in conjunction with a mixing machine within a DJ setup, turntables are often called "decks".
The word phonograph ("sound writing") was produced from the Greek words ???? (phon?, "sound" or "voice") and ????? (graph?, "writing"). The similar related terms gramophone (from the Greek ?????? gramma "notice" and ???? ph?n? "voice") and graphophone have similar root meanings. The root base were already familiar from existing 19th-century words such as picture ("light writing"), telegraph ("distant writing"), and mobile phone ("distant sound"). The brand new term might have been affected by the existing words phonographic and phonography, which referred to a system of phonetic shorthand; in 1852 THE BRAND NEW York Times taken an advertisements for "Professor Webster's phonographic class", and in 1859 the brand new York State Educators Association tabled a movement to "employ a phonographic recorder" to record its meetings.
Probably, any device used to track record audio or reproduce recorded audio could be called a kind of "phonograph", however in common practice the term has come to signify historic systems of reasonable saving, concerning audio-frequency modulations of the physical trace or groove.
In the late 19th and early on 20th ages, "Phonograph", "Gramophone", "Graphophone", "Zonophone" and so on were still brands specific to various producers of sometimes very different (i.e. cylinder and disk) machines; so appreciable use was made of the general term "talking machine", in print especially. "Talking machine" had earlier been used to make reference to complicated devices which produced a crude imitation of speech, by simulating the workings of the vocal cords, tongue, and lip area - a potential way to obtain misunderstanding both and today then.
In British British, "gramophone" may refer to any sound-reproducing machine using disc records, which were popularized and introduced in the united kingdom by the Gramophone Company. Originally, "gramophone" was a proprietary trademark of this company and any use of the name by competing makers of disc records was vigorously prosecuted in the courts, but in 1910 an English court decision decreed that it had turn into a generic term; it's been so used in the united kingdom & most Commonwealth countries since. The term "phonograph" was usually limited to machines that used cylinder records.
"Gramophone" generally referred to a wind-up machine. Following the release of the softer vinyl fabric details, 33 1/3-rpm LPs (long-playing files) and 45-rpm "single" or two-song details, and EPs (extended-play recordings), the normal name became "record player" or "turntable". Usually the home record player was part of a system that included a radio (radiogram) and, later, may also play audiotape cassettes. From about 1960, such a system began to be described as a "hi-fi" (high-fidelity, monophonic) or a "stereo" (most systems being stereophonic by the mid-1960s).
In Australian English, "record player" was the term; "turntable" was a more complex term; "gramophone" was restricted to the old mechanised (i.e., wind-up) players; and "phonograph" was used as in British English.
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The phonograph is a device developed in 1877 for the mechanised taking and reproduction of audio. In its later forms additionally it is called a gramophone (as a trademark since 1887, as a generic name since c. 1900). The audio vibration waveforms are saved as equivalent physical deviations of your spiral groove imprinted, etched, incised, or impressed into the surface of the revolving disc or cylinder, called a "record". To recreate the sound, the surface is in the same way rotated while a playback stylus traces the groove and is also therefore vibrated by it, very reproducing the documented audio faintly. In early acoustic phonographs, the stylus vibrated a diaphragm which produced sound waves that have been coupled to the open air through the flaring horn, or right to the listener's ears through stethoscope-type earphones. In later electric phonographs (also known as record players (since 1940s) or, lately, turntables), the movements of the stylus are changed into an analogous electronic signal by the transducer, then turned back to audio by way of a loudspeaker.
The phonograph was invented in 1877 by Thomas Edison. While other inventors had produced devices that can record sounds, Edison's phonograph was the first to be able to reproduce the recorded sound. His phonograph formerly recorded sound onto a tinfoil sheet covered around a rotating cylinder. A stylus giving an answer to sound vibrations produced an up and down or hill-and-dale groove in the foil. Alexander Graham Bell's Volta Laboratory made several improvements in the 1880s, including the use of wax-coated cardboard cylinders, and a cutting stylus that moved from side to side in a "zig zag" groove about the record.
Within the 1890s, Emile Berliner initiated the move from phonograph cylinders to smooth discs with a spiral groove jogging from the periphery to nearby the center. Later advancements over time included improvements to the turntable and its drive system, the stylus or needle, and the audio and equalization systems.
The disc phonograph record was the dominating audio saving format throughout most of the 20th century. From your mid-1980s on, phonograph use on a standard record player declined sharply because of the rise of the cassette tape, compact disk and other digital tracking formats. Information are still a popular format for a few audiophiles and DJs. Vinyl records are being used by some DJs and musicians in their concert performances still. Musicians continue to release their recordings on vinyl records. The initial recordings of music artists are re-issued on vinyl sometimes.
Usage of terminology is not consistent across the English-speaking world (see below). In newer usage, the playback device is often called a "turntable", "record player", or "record changer". When used in conjunction with a mixer within a DJ installation, turntables are often called "decks".
The term phonograph ("sound writing") was produced from the Greek words ???? (phon?, "sound" or "voice") and ????? (graph?, "writing"). The similar related terms gramophone (from the Greek ?????? gramma "letter" and ???? ph?n? "tone of voice") and graphophone have similar root meanings. The roots were already familiar from existing 19th-century words such as photograph ("light writing"), telegraph ("distant writing"), and cell phone ("distant sound"). The brand new term may have been inspired by the existing words phonographic and phonography, which referred to something of phonetic shorthand; in 1852 The New York Times taken an advert for "Professor Webster's phonographic class", and in 1859 the brand new York State Educators Association tabled a movement to "hire a phonographic recorder" to record its meetings.
Probably, any device used to track record sound or reproduce documented audio could be called a type of "phonograph", however in common practice the word has come to mean ancient systems of acoustics taking, involving audio-frequency modulations of an physical track or groove.
In the late 19th and early on 20th decades, "Phonograph", "Gramophone", "Graphophone", "Zonophone" and the like were still brands specific to various manufacturers of sometimes completely different (i.e. cylinder and disc) machines; so significant use was made of the general term "talking machine", especially in print. "Talking machine" had earlier been used to make reference to complicated devices which produced a crude imitation of speech, by simulating the workings of the vocal cords, tongue, and lips - a potential way to obtain confusion both then and now.
In British British, "gramophone" may refer to any sound-reproducing machine using disk records, which were popularized and introduced in the UK by the Gramophone Company. Originally, "gramophone" was a proprietary trademark of this company and any use of the name by competing makers of disc records was vigorously prosecuted in the courts, however in 1910 an English court decision decreed it had turn into a generic term; it's been so used in the UK and most Commonwealth countries ever since. The term "phonograph" was usually restricted to machines which used cylinder records.
"Gramophone" generally described a wind-up machine. Following the advantages of the softer vinyl files, 33 1/3-rpm LPs (long-playing files) and 45-rpm "single" or two-song data, and EPs (extended-play recordings), the common name became "record player" or "turntable". Usually the home record player was part of something that included a radio (radiogram) and, later, might play audiotape cassettes also. From about 1960, such something began to certainly be a "hi-fi" (high-fidelity, monophonic) or a "stereo" (most systems being stereophonic by the mid-1960s).
In Australian British, "record player" was the term; "turntable" was a more technical term; "gramophone" was limited to the old mechanised (i.e., wind-up) players; and "phonograph" was used as with British English.
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