Showing posts with label PHONOGRAPH. Show all posts
14k gold vintage OLD FASHION PHONOGRAPH charm stanhope viewerhttp://media-cache-ec0.pinimg.com/736x/4d/c1/ce/4dc1ce71bf1ecfee39544837f8416997.jpgGoldring antique phonograph
The phonograph is a tool developed in 1877 for the mechanical reproduction and tracking of audio. In its later forms it is also called a gramophone (as a trademark since 1887, as a generic name since c. 1900). The sound vibration waveforms are documented as equivalent physical deviations of any spiral groove engraved, etched, incised, or impressed into the surface of the spinning disk or cylinder, called a "record". To recreate the sound, the surface is similarly rotated while a playback stylus traces the groove and is also therefore vibrated by it, very faintly reproducing the registered sound. In early acoustic phonographs, the stylus vibrated a diaphragm which produced sound waves which were coupled to the open air through the flaring horn, or right to the listener's ears through stethoscope-type earphones. In later electric phonographs (also called record players (since 1940s) or, most recently, turntables), the movements of the stylus are converted into an analogous electric signal by way of a transducer, then converted back into audio by the loudspeaker.
The phonograph was invented in 1877 by Thomas Edison. While other inventors acquired produced devices that may record tones, Edison's phonograph was the first ever to have the ability to reproduce the saved sound. His phonograph originally recorded audio onto a tinfoil sheet twisted around a rotating cylinder. A stylus giving an answer to sensible vibrations produced an along or hill-and-dale groove in the foil. Alexander Graham Bell's Volta Laboratory made several improvements in the 1880s, including the use of wax-coated cardboard cylinders, and a cutting stylus that moved laterally in a "zig zag" groove surrounding the record.
Within the 1890s, Emile Berliner initiated the move from phonograph cylinders to level discs with a spiral groove jogging from the periphery to near to the center. Later improvements through the full years included modifications to the turntable and its own drive system, the needle or stylus, and the sound and equalization systems.
The disk phonograph record was the dominating audio taking format throughout most of the 20th hundred years. Through the mid-1980s on, phonograph use on a standard record player declined due to rise of the cassette tape sharply, compact disc and other digital saving formats. Records are still a popular format for some audiophiles and DJs. Vinyl records are still utilized by some DJs and musicians in their concert performances. Musicians continue steadily to release their recordings on vinyl records. The initial recordings of musicians are sometimes re-issued on vinyl.
Using terminology is not standard over the English-speaking world (see below). In newer usage, the playback device is categorised as a "turntable", "record player", or "record changer". When found in conjunction with a mixer within a DJ set up, turntables are often called "decks".
The term phonograph ("sound writing") was derived from the Greek words ???? (phon?, "sound" or "voice") and ????? (graph?, "writing"). The similar related terms gramophone (from the Greek ?????? gramma "notice" and ???? ph?n? "tone") and graphophone have similar main meanings. The root base were already familiar from existing 19th-century words such as photograph ("light writing"), telegraph ("distant writing"), and mobile phone ("distant sound"). The brand new term might have been affected by the prevailing words phonographic and phonography, which described something of phonetic shorthand; in 1852 THE BRAND NEW York Times taken an advert for "Professor Webster's phonographic class", and in 1859 the brand new York State Professors Association tabled a action to "hire a phonographic recorder" to track record its meetings.
Probably, any device used to track record sound or reproduce registered sound could be called a kind of "phonograph", however in common practice the indicated word has come to indicate historical technology of audio documenting, relating audio-frequency modulations of any physical groove or trace.
In the overdue 19th and early 20th generations, "Phonograph", "Gramophone", "Graphophone", "Zonophone" and the like were still brand names specific to various makers of sometimes very different (i.e. cylinder and disc) machines; so extensive use was manufactured from the generic term "talking machine", in print especially. "Talking machine" had earlier been used to make reference to complicated devices which produced a crude imitation of speech, by simulating the workings of the vocal cords, tongue, and lip area - a potential source of bafflement both and now then.
In British British, "gramophone" may make reference to any sound-reproducing machine using disc records, which were popularized and launched in the united kingdom by the Gramophone Company. Originally, "gramophone" was a proprietary trademark of this company and any use of the name by competing makers of disc records was vigorously prosecuted in the courts, however in 1910 an English court decision decreed so it had turn into a generic term; it has been so used in the united kingdom and most Commonwealth countries ever since. The word "phonograph" was usually restricted to machines which used cylinder records.
"Gramophone" generally described a wind-up machine. After the release of the softer vinyl fabric files, 33 1/3-rpm LPs (long-playing data) and 45-rpm "single" or two-song documents, and EPs (extended-play recordings), the common name became "record player" or "turntable". Often the home record player was part of a system that included a radio (radiogram) and, later, might also play audiotape cassettes. From about 1960, such something began to certainly be a "hi-fi" (high-fidelity, monophonic) or a "stereo" (most systems being stereophonic by the mid-1960s).
In Australian English, "record player" was the term; "turntable" was a far more technical term; "gramophone" was restricted to the old mechanised (i.e., wind-up) players; and "phonograph" was used just as British English.
antique crank phonograph windup portable 192039;s Brunswick Panatrope
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14k gold vintage OLD FASHION PHONOGRAPH charm stanhope viewer
COLUMBIA GRAPHOPHONE TABLETOP PHONOGRAPH : Lot 1096http://p2.la-img.com/209/45174/20651975_1_l.jpgColumbia Graphophone Company antique phonograph
The phonograph is a tool developed in 1877 for the mechanised saving and duplication of audio. In its later forms it is also called a gramophone (as a trademark since 1887, as a generic name since c. 1900). The sound vibration waveforms are noted as corresponding physical deviations of any spiral groove etched, etched, incised, or impressed into the surface of a revolving disc or cylinder, called a "record". To recreate the audio, the surface is likewise rotated while a playback stylus traces the groove and is also therefore vibrated by it, very faintly reproducing the saved audio. In early acoustic phonographs, the stylus vibrated a diaphragm which produced sound waves that have been coupled to the open air by having a flaring horn, or right to the listener's ears through stethoscope-type earphones. In later electric phonographs (also called record players (since 1940s) or, lately, turntables), the movements of the stylus are changed into an analogous electric powered signal with a transducer, changed back into audio by a loudspeaker then.
The phonograph was created in 1877 by Thomas Edison. While other inventors possessed produced devices that could record does sound, Edison's phonograph was the first to be able to reproduce the registered audio. His phonograph actually recorded audio onto a tinfoil sheet wrapped around a revolving cylinder. A stylus giving an answer to sound vibrations produced an and down or hill-and-dale groove in the foil up. Alexander Graham Bell's Volta Laboratory made several improvements in the 1880s, like the use of wax-coated cardboard cylinders, and a cutting stylus that moved from side to side in a "zig zag" groove around the record.
Inside the 1890s, Emile Berliner initiated the changeover from phonograph cylinders to chiseled discs with a spiral groove working from the periphery to nearby the center. Later improvements through the entire years included alterations to the turntable and its own drive system, the needle or stylus, and the audio and equalization systems.
The disc phonograph record was the prominent audio tracking format throughout almost all of the 20th century. From mid-1980s on, phonograph use on a standard record player declined sharply due to rise of the cassette tape, compact disc and other digital recording formats. Records are a popular format for some audiophiles and DJs still. Vinyl records are being used by some DJs and musicians in their concert performances still. Musicians continue steadily to release their recordings on vinyl records. The initial recordings of musicians are occasionally re-issued on vinyl.
Using terminology is not consistent over the English-speaking world (see below). In newer usage, the playback device is often called a "turntable", "record player", or "record changer". When found in conjunction with a mixing machine within a DJ installation, turntables tend to be called "decks".
The word phonograph ("sound writing") was derived from the Greek words ???? (phon?, "sound" or "voice") and ????? (graph?, "writing"). The similar related terms gramophone (from the Greek ?????? gramma "letter" and ???? ph?n? "tone of voice") and graphophone have similar main meanings. The root base were already familiar from existing 19th-century words such as picture ("light writing"), telegraph ("distant writing"), and mobile phone ("distant sound"). The new term might have been influenced by the prevailing words phonographic and phonography, which described a system of phonetic shorthand; in 1852 The New York Times transported an advertisements for "Professor Webster's phonographic class", and in 1859 the New York State Teachers Association tabled a motion to "hire a phonographic recorder" to track record its meetings.
Arguably, any device used to record audio or reproduce recorded audio could be called a type of "phonograph", however in common practice the term has come to indicate historical solutions of reasonable recording, concerning audio-frequency modulations of a physical groove or trace.
In the late 19th and early 20th ages, "Phonograph", "Gramophone", "Graphophone", "Zonophone" and so on were still brands specific to various producers of sometimes very different (i.e. cylinder and disc) machines; so substantial use was manufactured from the common term "talking machine", especially in print. "Talking machine" had earlier been used to refer to complicated devices which produced a crude imitation of speech, by simulating the workings of the vocal cords, tongue, and lips - a potential way to obtain confusion both then and now.
In British British, "gramophone" may make reference to any sound-reproducing machine using disk records, that have been presented and popularized in the UK by the Gramophone Company. Originally, "gramophone" was a proprietary trademark of this company and any use of the name by competing makers of disc records was vigorously prosecuted in the courts, however in 1910 an English court decision decreed it had turn into a generic term; it has been so used in the united kingdom and most Commonwealth countries since. The term "phonograph" was usually limited to machines which used cylinder records.
"Gramophone" generally described a wind-up machine. Following the advantages of the softer vinyl fabric information, 33 1/3-rpm LPs (long-playing data) and 45-rpm "single" or two-song data, and EPs (extended-play recordings), the common name became "record player" or "turntable". Usually the home record player was part of something that included a radio (radiogram) and, later, might play audiotape cassettes also. From about 1960, such something began to be described as a "hi-fi" (high-fidelity, monophonic) or a "stereo" (most systems being stereophonic by the mid-1960s).
In Australian British, "record player" was the term; "turntable" was a far more technical term; "gramophone" was restricted to the old mechanised (i.e., wind-up) players; and "phonograph" was used as with British English.
Phonograph, TV, Phone gt; Phonographs, Accessories gt; Columbia
http://i.ebayimg.com/00/s/MTYwMFgxMjAw/z/~m0AAOSw2s1UypNj/$_35.JPGPhonograph, TV, Phone gt; Phonographs, Accessories gt; Columbia
http://i.ebayimg.com/images/g/IUIAAOxyUrZS0Exz/s-l300.jpg462: Phonograph quot;The Columbia Graphophonequot; Model BV, 19 : Lot 462
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COLUMBIA GRAPHOPHONE TABLETOP PHONOGRAPH : Lot 1096
COLUMBIA GRAPHOPHONE TABLETOP PHONOGRAPH : Lot 1096http://p2.la-img.com/209/45174/20651975_1_l.jpgGraphophone antique phonograph
The phonograph is a device created in 1877 for the mechanised recording and duplication of sound. In its later forms additionally it is called a gramophone (as a trademark since 1887, as a generic name since c. 1900). The sound vibration waveforms are registered as equivalent physical deviations of any spiral groove etched, etched, incised, or impressed into the surface of your revolving cylinder or disc, called a "record". To recreate the audio, the top is likewise rotated while a playback stylus traces the groove and is therefore vibrated because of it, very faintly reproducing the registered sound. In early acoustic phonographs, the stylus vibrated a diaphragm which produced sound waves which were coupled to the open air by using a flaring horn, or directly to the listener's ears through stethoscope-type earphones. In later electric phonographs (also called record players (since 1940s) or, most recently, turntables), the motions of the stylus are converted into an analogous electric powered signal by way of a transducer, then turned back into audio with a loudspeaker.
The phonograph was developed in 1877 by Thomas Edison. While other inventors acquired produced devices that could record tones, Edison's phonograph was the first ever to have the ability to reproduce the documented sound. His phonograph formerly recorded sound onto a tinfoil sheet wrapped around a rotating cylinder. A stylus responding to appear vibrations produced an and down or hill-and-dale groove in the foil up. Alexander Graham Bell's Volta Laboratory made several improvements in the 1880s, like the use of wax-coated cardboard cylinders, and a cutting stylus that moved from side to side in a "zig zag" groove round the record.
Inside the 1890s, Emile Berliner initiated the changeover from phonograph cylinders to chiseled discs with a spiral groove operating from the periphery to close to the center. Later advancements through the entire years included changes to the turntable and its drive system, the stylus or needle, and the equalization and sound systems.
The disk phonograph record was the dominating audio saving format throughout the majority of the 20th century. From the mid-1980s on, phonograph use on a standard record player declined as a result of rise of the cassette tape sharply, compact disk and other digital tracking formats. Files are still a favorite format for some audiophiles and DJs. Vinyl records are still employed by some DJs and musicians in their concert performances. Musicians continue steadily to release their recordings on vinyl records. The original recordings of musicians are sometimes re-issued on vinyl.
Using terminology is not consistent across the English-speaking world (see below). In more modern usage, the playback device is called a "turntable", "record player", or "record changer". When used in conjunction with a mixer within a DJ installation, turntables tend to be called "decks".
The word phonograph ("sound writing") was derived from the Greek words ???? (phon?, "sound" or "voice") and ????? (graph?, "writing"). The similar related terms gramophone (from the Greek ?????? gramma "notice" and ???? ph?n? "words") and graphophone have similar main meanings. The origins were already familiar from existing 19th-century words such as photo ("light writing"), telegraph ("distant writing"), and telephone ("distant sound"). The new term might have been influenced by the prevailing words phonographic and phonography, which referred to a system of phonetic shorthand; in 1852 THE BRAND NEW York Times transported an advertising campaign for "Professor Webster's phonographic class", and in 1859 the New York State Teachers Connection tabled a action to "hire a phonographic recorder" to record its meetings.
Probably, any device used to record audio or reproduce saved audio could be called a kind of "phonograph", but in common practice the expressed phrase has come to imply ancient solutions of sound saving, including audio-frequency modulations of the physical groove or trace.
In the later 19th and early on 20th decades, "Phonograph", "Gramophone", "Graphophone", "Zonophone" and so on were still brand names specific to various producers of sometimes completely different (i.e. cylinder and disc) machines; so considerable use was made of the universal term "talking machine", especially in print. "Talking machine" had earlier been used to make reference to complicated devices which produced a crude imitation of speech, by simulating the workings of the vocal cords, tongue, and lip area - a potential source of confusion both and today then.
In British British, "gramophone" may refer to any sound-reproducing machine using disk records, which were popularized and unveiled in the UK by the Gramophone Company. Originally, "gramophone" was a proprietary trademark of this company and any use of the name by competing makers of disc records was vigorously prosecuted in the courts, however in 1910 an English court decision decreed that it had turn into a generic term; it's been so used in the united kingdom and most Commonwealth countries ever since. The word "phonograph" was usually restricted to machines that used cylinder records.
"Gramophone" generally described a wind-up machine. After the advantages of the softer vinyl fabric information, 33 1/3-rpm LPs (long-playing documents) and 45-rpm "single" or two-song details, and EPs (extended-play recordings), the normal name became "record player" or "turntable". Usually the home record player was part of something that included a radio (radiogram) and, later, may also play audiotape cassettes. From about 1960, such a system began to be described as a "hi-fi" (high-fidelity, monophonic) or a "stereo" (most systems being stereophonic by the mid-1960s).
In Australian English, "record player" was the term; "turntable" was a more technological term; "gramophone" was restricted to the old mechanical (i.e., wind-up) players; and "phonograph" was used as in British English.
456: Phonograph quot;Columbia Graphophone BF Peerlessquot; c. : Lot 456
https://p2.liveauctioneers.com/364/2353/1017999_1_l.jpgGramophone Phonograph Type BN 25 Antique Graphophone Rare With Records
http://thumbs.picclick.com/00/s/MTIwMFgxNjAw/z/ta4AAOSwYmZXGBbD/$/Columbia-Gramophone-Phonograph-Type-BN-25-Antique-Graphophone-_57.jpgGraphophone39; Free Standing Phonograph by The Columbia Phonograph Co
http://c0728562.cdn.cloudfiles.rackspacecloud.com/SC221175_HR.jpgAntiques, Art, and Collectibles: Columbia Graphophone Phonograph
https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgco0vXjcmiZ0g6kUZo6HeBJqGIiUunWdY-uhG3PoUyhF_cLyayj1bjQcvfqGmr-IKcFjih0i4ARbcxdpcETt5_NSrqgFdG-UTvDHBlRd2-AxpJjjEKDP2-JE1GGnWX4nykGJIzuNqlsNKf/s1600/IMG_1217.JPGOIP.M1de1846d2de242f1d34886c2187717a0o0
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COLUMBIA GRAPHOPHONE TABLETOP PHONOGRAPH : Lot 1096
VINTAGE MOVABLE PHONOGRAPH RECORD PLAYER ENAMEL 14K GOLD CHARMhttp://media-cache-ec0.pinimg.com/736x/50/5c/a0/505ca0239af082256546f61d62a197ae.jpgGoldring antique phonograph
The phonograph is a device developed in 1877 for the mechanised tracking and reproduction of audio. In its later forms additionally it is called a gramophone (as a trademark since 1887, as a generic name since c. 1900). The audio vibration waveforms are noted as corresponding physical deviations of any spiral groove imprinted, etched, incised, or impressed in to the surface of any revolving cylinder or disk, called a "record". To recreate the sound, the surface is likewise rotated while a playback stylus traces the groove which is therefore vibrated because of it, very faintly reproducing the documented sound. In early acoustic phonographs, the stylus vibrated a diaphragm which produced sound waves which were coupled to the open air by way of a flaring horn, or right to the listener's ears through stethoscope-type earphones. In later electric phonographs (also called record players (since 1940s) or, most recently, turntables), the motions of the stylus are changed into an analogous electrical power signal by way of a transducer, then turned back to sound by the loudspeaker.
The phonograph was created in 1877 by Thomas Edison. While other inventors had produced devices which could record tones, Edison's phonograph was the first to be able to reproduce the saved sound. His phonograph at first recorded sound onto a tinfoil sheet twisted around a rotating cylinder. A stylus giving an answer to sound vibrations produced an and down or hill-and-dale groove in the foil up. Alexander Graham Bell's Volta Laboratory made several improvements in the 1880s, including the use of wax-coated cardboard cylinders, and a cutting stylus that moved from side to side in a "zig zag" groove surrounding the record.
In the 1890s, Emile Berliner initiated the change from phonograph cylinders to smooth discs with a spiral groove operating from the periphery to near to the center. Later advancements over time included alterations to the turntable and its own drive system, the needle or stylus, and the equalization and audio systems.
The disc phonograph record was the dominant audio taking format throughout almost all of the 20th century. From the mid-1980s on, phonograph use on a standard record player declined sharply as a result of rise of the cassette tape, compact disc and other digital saving formats. Documents are still a popular format for a few audiophiles and DJs. Vinyl records are still used by some DJs and musicians in their concert performances. Musicians continue steadily to release their recordings on vinyl records. The original recordings of music artists are occasionally re-issued on vinyl fabric.
Using terminology is not consistent over the English-speaking world (see below). In newer usage, the playback device is categorised as a "turntable", "record player", or "record changer". When found in conjunction with a mixer as part of a DJ installation, turntables are often called "decks".
The word phonograph ("sound writing") was derived from the Greek words ???? (phon?, "sound" or "voice") and ????? (graph?, "writing"). The similar related terms gramophone (from the Greek ?????? gramma "letter" and ???? ph?n? "words") and graphophone have similar root meanings. The origins were already familiar from existing 19th-century words such as photograph ("light writing"), telegraph ("distant writing"), and phone ("distant sound"). The brand new term might have been influenced by the existing words phonographic and phonography, which referred to something of phonetic shorthand; in 1852 THE BRAND NEW York Times transported an advertisement for "Professor Webster's phonographic class", and in 1859 the New York State Instructors Relationship tabled a action to "employ a phonographic recorder" to record its meetings.
Arguably, any device used to track record sound or reproduce saved sound could be called a kind of "phonograph", but in common practice the indicated term has come to signify historical technology of audio saving, involving audio-frequency modulations of the physical track or groove.
In the past due 19th and early on 20th centuries, "Phonograph", "Gramophone", "Graphophone", "Zonophone" and so on were still brands specific to various designers of sometimes completely different (i.e. cylinder and disc) machines; so extensive use was manufactured from the generic term "talking machine", especially in print. "Talking machine" had earlier been used to make reference to complicated devices which produced a crude imitation of speech, by simulating the workings of the vocal cords, tongue, and lips - a potential way to obtain confusion both then and now.
In British British, "gramophone" may refer to any sound-reproducing machine using disk records, which were popularized and released in the UK by the Gramophone Company. Originally, "gramophone" was a proprietary trademark of this company and any use of the name by competing makers of disc records was vigorously prosecuted in the courts, but in 1910 an English court decision decreed which it had turn into a generic term; it's been so used in the UK & most Commonwealth countries since. The word "phonograph" was usually restricted to machines which used cylinder records.
"Gramophone" generally described a wind-up machine. Following the benefits of the softer vinyl fabric records, 33 1/3-rpm LPs (long-playing files) and 45-rpm "single" or two-song data, and EPs (extended-play recordings), the normal name became "record player" or "turntable". Usually the home record player was part of a system that included a radio (radiogram) and, later, might also play audiotape cassettes. From about 1960, such something began to certainly be a "hi-fi" (high-fidelity, monophonic) or a "stereo" (most systems being stereophonic by the mid-1960s).
In Australian English, "record player" was the term; "turntable" was a far more specialized term; "gramophone" was restricted to the old mechanical (i.e., wind-up) players; and "phonograph" was used just as British English.
3040: Antique Rca Victor Phonograph With Gold Trim
https://p1.liveauctioneers.com/2863/83151/42998778_1_m.jpgRARE Antique German Brass Dollhouse Cylinder Gramophone Victrola With
https://cdn0.rubylane.com/shops/870081/0424.1L.jpgVintage Brunswick Phonograph Cabinet Key by Suite22 on Etsy. Great
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VINTAGE MOVABLE PHONOGRAPH RECORD PLAYER ENAMEL 14K GOLD CHARM
PHONOGRAPH NEEDLEDENON DSN81,DENON DSN81, DP26F, 25Fhttp://www.andersonsportsllc.com/dsn-81G.jpgDenon antique phonograph
The phonograph is a device invented in 1877 for the mechanised saving and duplication of sound. In its later forms it is also called a gramophone (as a trademark since 1887, as a generic name since c. 1900). The audio vibration waveforms are documented as equivalent physical deviations of any spiral groove etched, etched, incised, or impressed in to the surface of any revolving cylinder or disk, called a "record". To recreate the sound, the surface is likewise rotated while a playback stylus traces the groove and is therefore vibrated by it, very reproducing the recorded audio faintly. In early acoustic phonographs, the stylus vibrated a diaphragm which produced sound waves that have been coupled to the open air by way of a flaring horn, or right to the listener's ears through stethoscope-type earphones. In later electric phonographs (also called record players (since 1940s) or, lately, turntables), the movements of the stylus are converted into an analogous electronic signal by way of a transducer, converted back into sound by way of a loudspeaker then.
The phonograph was developed in 1877 by Thomas Edison. While other inventors experienced produced devices that could record may seem, Edison's phonograph was the first to have the ability to reproduce the documented audio. His phonograph at first recorded audio onto a tinfoil sheet wrapped around a spinning cylinder. A stylus giving an answer to appear vibrations produced an and down or hill-and-dale groove in the foil up. Alexander Graham Bell's Volta Laboratory made several improvements in the 1880s, like the use of wax-coated cardboard cylinders, and a cutting stylus that moved laterally in a "zig zag" groove about the record.
Inside the 1890s, Emile Berliner initiated the change from phonograph cylinders to flat discs with a spiral groove operating from the periphery to near to the center. Later improvements through the full years included alterations to the turntable and its drive system, the needle or stylus, and the equalization and sound systems.
The disk phonograph record was the prominent audio saving format throughout most of the 20th century. In the mid-1980s on, phonograph use on a standard record player declined due to rise of the cassette tape sharply, compact disc and other digital saving formats. Files remain a well liked format for some audiophiles and DJs. Vinyl records are being used by some DJs and musicians in their concert performances still. Musicians continue steadily to release their recordings on vinyl records. The original recordings of music artists are re-issued on vinyl sometimes.
Usage of terminology is not uniform across the English-speaking world (see below). In more modern usage, the playback device is called a "turntable", "record player", or "record changer". When used in conjunction with a mixer as part of a DJ set up, turntables are often called "decks".
The term phonograph ("sound writing") was derived from the Greek words ???? (phon?, "sound" or "voice") and ????? (graph?, "writing"). The similar related terms gramophone (from the Greek ?????? gramma "notice" and ???? ph?n? "words") and graphophone have similar main meanings. The roots were already familiar from existing 19th-century words such as picture ("light writing"), telegraph ("distant writing"), and mobile phone ("distant sound"). The new term might have been inspired by the prevailing words phonographic and phonography, which referred to a system of phonetic shorthand; in 1852 THE BRAND NEW York Times carried an advertisements for "Professor Webster's phonographic class", and in 1859 the brand new York State Instructors Association tabled a action to "hire a phonographic recorder" to record its meetings.
Arguably, any device used to track record audio or reproduce documented sound could be called a type of "phonograph", but in common practice the portrayed expression has come to imply ancient systems of audio documenting, including audio-frequency modulations of a physical groove or track.
In the overdue 19th and early 20th centuries, "Phonograph", "Gramophone", "Graphophone", "Zonophone" and so on were still brands specific to various producers of sometimes completely different (i.e. cylinder and disc) machines; so extensive use was manufactured from the universal term "talking machine", in print especially. "Talking machine" had earlier been used to make reference to complicated devices which produced a crude imitation of speech, by simulating the workings of the vocal cords, tongue, and lips - a potential way to obtain misunderstandings both and today then.
In British English, "gramophone" may refer to any sound-reproducing machine using disk records, that have been popularized and created in the UK by the Gramophone Company. Originally, "gramophone" was a proprietary trademark of that company and any use of the name by competing makers of disc records was vigorously prosecuted in the courts, however in 1910 an English court decision decreed so it had become a generic term; it has been so used in the united kingdom and most Commonwealth countries ever since. The term "phonograph" was usually limited to machines that used cylinder records.
"Gramophone" generally described a wind-up machine. After the release of the softer vinyl data, 33 1/3-rpm LPs (long-playing data) and 45-rpm "single" or two-song data, and EPs (extended-play recordings), the common name became "record player" or "turntable". Often the home record player was part of something that included a radio (radiogram) and, later, might play audiotape cassettes also. From about 1960, such something began to certainly be a "hi-fi" (high-fidelity, monophonic) or a "stereo" (most systems being stereophonic by the mid-1960s).
In Australian English, "record player" was the term; "turntable" was a more technological term; "gramophone" was limited to the old mechanical (i.e., wind-up) players; and "phonograph" was used as in British English.
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