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Linn Products antique phonograph
The phonograph is a device developed in 1877 for the mechanical reproduction and tracking of audio. In its later forms additionally it is called a gramophone (as a trademark since 1887, as a generic name since c. 1900). The sound vibration waveforms are registered as related physical deviations of your spiral groove imprinted, etched, incised, or impressed into the surface of your revolving disk or cylinder, called a "record". To recreate the audio, the top is likewise rotated while a playback stylus traces the groove and is also therefore vibrated by it, very faintly reproducing the documented audio. In early acoustic phonographs, the stylus vibrated a diaphragm which produced sound waves which were coupled to the open air by using a flaring horn, or right to the listener's ears through stethoscope-type earphones. In later electric phonographs (also called record players (since 1940s) or, lately, turntables), the motions of the stylus are changed into an analogous electrical power signal by the transducer, converted back to audio by a loudspeaker then.
The phonograph was created in 1877 by Thomas Edison. While other inventors experienced produced devices that may record tones, Edison's phonograph was the first ever to have the ability to reproduce the documented audio. His phonograph at first recorded audio onto a tinfoil sheet covered around a rotating cylinder. A stylus responding to appear vibrations produced an and down or hill-and-dale groove in the foil up. Alexander Graham Bell's Volta Laboratory made several improvements in the 1880s, including the use of wax-coated cardboard cylinders, and a cutting stylus that moved laterally in a "zig zag" groove round the record.
In the 1890s, Emile Berliner initiated the move from phonograph cylinders to smooth discs with a spiral groove running from the periphery to near to the center. Later improvements through the entire years included changes to the turntable and its drive system, the needle or stylus, and the audio and equalization systems.
The disc phonograph record was the dominant audio taking format throughout the majority of the 20th century. In the mid-1980s on, phonograph use on a standard record player declined sharply due to rise of the cassette tape, compact disk and other digital taking formats. Information are a favorite format for a few audiophiles and DJs still. Vinyl records are still utilized by some DJs and musicians in their concert performances. Musicians continue to release their recordings on vinyl records. The original recordings of musicians are re-issued on vinyl fabric sometimes.
Using terminology is not uniform across the English-speaking world (see below). In newer usage, the playback device is categorised as a "turntable", "record player", or "record changer". When found in conjunction with a mixing machine within a DJ set up, turntables tend to be called "decks".
The word phonograph ("sound writing") was produced from the Greek words ???? (phon?, "sound" or "voice") and ????? (graph?, "writing"). The similar related terms gramophone (from the Greek ?????? gramma "notice" and ???? ph?n? "tone of voice") and graphophone have similar main meanings. The root base were already familiar from existing 19th-century words such as picture ("light writing"), telegraph ("distant writing"), and phone ("distant sound"). The new term might have been affected by the existing words phonographic and phonography, which described a system of phonetic shorthand; in 1852 THE BRAND NEW York Times carried an advertisement for "Professor Webster's phonographic class", and in 1859 the New York State Teachers Relationship tabled a movement to "employ a phonographic recorder" to record its meetings.
Probably, any device used to track record sound or reproduce recorded audio could be called a type of "phonograph", however in common practice the word has come to suggest traditional systems of reasonable tracking, affecting audio-frequency modulations of the physical groove or track.
In the past due 19th and early on 20th centuries, "Phonograph", "Gramophone", "Graphophone", "Zonophone" and the like were still brand names specific to various producers of sometimes very different (i.e. cylinder and disk) machines; so extensive use was made of the general term "talking machine", in print especially. "Talking machine" had earlier been used to refer to complicated devices which produced a crude imitation of speech, by simulating the workings of the vocal cords, tongue, and lips - a potential source of confusion both and now then.
In British British, "gramophone" may refer to any sound-reproducing machine using disk records, that have been popularized and released in the UK by the Gramophone Company. Originally, "gramophone" was a proprietary trademark of this company and any use of the name by competing makers of disc records was vigorously prosecuted in the courts, but in 1910 an English court decision decreed so it had become a generic term; it has been so used in the united kingdom and most Commonwealth countries since. The term "phonograph" was usually limited to machines which used cylinder records.
"Gramophone" generally described a wind-up machine. Following the release of the softer vinyl data, 33 1/3-rpm LPs (long-playing files) and 45-rpm "single" or two-song files, and EPs (extended-play recordings), the common name became "record player" or "turntable". Usually the home record player was part of a system that included a radio (radiogram) and, later, might also play audiotape cassettes. From about 1960, such a system began to be described as a "hi-fi" (high-fidelity, monophonic) or a "stereo" (most systems being stereophonic by the mid-1960s).
In Australian English, "record player" was the term; "turntable" was a more technological term; "gramophone" was restricted to the old mechanical (i.e., wind-up) players; and "phonograph" was used as with British English.
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