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Showing posts with label gramophone. Show all posts

 victrola old style vintage quality antique gramophone phonograph HB 08victrola old style vintage quality antique gramophone phonograph HB 08http://thumbs2.picclick.com/d/w1600/pict/291856419345_/beautiful-victrola-old-style-vintage-quality-antique-gramophone.jpg

91 days antique phonograph

The phonograph is a device invented in 1877 for the mechanised tracking and duplication of sound. In its later forms it is also called a gramophone (as a trademark since 1887, as a generic name since c. 1900). The sound vibration waveforms are noted as matching physical deviations of the spiral groove imprinted, etched, incised, or impressed into the surface of the revolving disk or cylinder, called a "record". To recreate the sound, the surface is in the same way rotated while a playback stylus traces the groove and is also therefore vibrated by it, very reproducing the documented audio faintly. In early acoustic phonographs, the stylus vibrated a diaphragm which produced sound waves that have been coupled to the open air through the flaring horn, or directly to the listener's ears through stethoscope-type earphones. In later electric phonographs (also called record players (since 1940s) or, lately, turntables), the movements of the stylus are changed into an analogous electrical power signal with a transducer, then converted back to sound by the loudspeaker.

The phonograph was developed in 1877 by Thomas Edison. While other inventors acquired produced devices that may record looks, Edison's phonograph was the first ever to be able to reproduce the noted audio. His phonograph originally recorded sound onto a tinfoil sheet covered around a revolving cylinder. A stylus responding to sensible vibrations produced an along or hill-and-dale groove in the foil. Alexander Graham Bell's Volta Laboratory made several improvements in the 1880s, including the use of wax-coated cardboard cylinders, and a cutting stylus that moved from side to side in a "zig zag" groove around the record.

Within the 1890s, Emile Berliner initiated the changeover from phonograph cylinders to chiseled discs with a spiral groove running from the periphery to nearby the center. Later advancements through the years included improvements to the turntable and its own drive system, the stylus or needle, and the sound and equalization systems.

The disk phonograph record was the dominant audio recording format throughout almost all of the 20th century. Through the mid-1980s on, phonograph use on a standard record player declined sharply because of the rise of the cassette tape, compact disc and other digital tracking formats. Details are still a popular format for some audiophiles and DJs. Vinyl records are still utilized by some DJs and musicians in their concert performances. Musicians continue to release their recordings on vinyl records. The initial recordings of music artists are occasionally re-issued on vinyl.

Usage of terminology is not consistent over the English-speaking world (see below). In more modern usage, the playback device is categorised as a "turntable", "record player", or "record changer". When used in conjunction with a mixer as part of a DJ setup, turntables are often called "decks".

The word phonograph ("sound writing") was derived from the Greek words ???? (phon?, "sound" or "voice") and ????? (graph?, "writing"). The similar related conditions gramophone (from the Greek ?????? gramma "notice" and ???? ph?n? "speech") and graphophone have similar main meanings. The roots were already familiar from existing 19th-century words such as picture ("light writing"), telegraph ("distant writing"), and mobile phone ("distant sound"). The new term may have been affected by the existing words phonographic and phonography, which described something of phonetic shorthand; in 1852 The New York Times taken an advertisement for "Professor Webster's phonographic class", and in 1859 the brand new York State Instructors Connection tabled a action to "employ a phonographic recorder" to track record its meetings.

Probably, any device used to track record audio or reproduce saved sound could be called a type of "phonograph", but in common practice the word has come to imply historic systems of acoustics tracking, concerning audio-frequency modulations of an physical groove or track.

In the late 19th and early on 20th ages, "Phonograph", "Gramophone", "Graphophone", "Zonophone" and the like were still brand names specific to various manufacturers of sometimes very different (i.e. cylinder and disc) machines; so considerable use was made of the generic term "talking machine", in print especially. "Talking machine" had earlier been used to make reference to complicated devices which produced a crude imitation of speech, by simulating the workings of the vocal cords, tongue, and mouth - a potential way to obtain confusion both and now then.

In British British, "gramophone" may make reference to any sound-reproducing machine using disc records, which were created and popularized in the united kingdom by the Gramophone Company. Originally, "gramophone" was a proprietary trademark of that company and any use of the name by competing makers of disc records was vigorously prosecuted in the courts, but in 1910 an English court decision decreed which it had turn into a generic term; it's been so used in the united kingdom and most Commonwealth countries ever since. The word "phonograph" was usually limited to machines which used cylinder records.

"Gramophone" generally described a wind-up machine. After the advantages of the softer vinyl records, 33 1/3-rpm LPs (long-playing data) and 45-rpm "single" or two-song information, and EPs (extended-play recordings), the normal name became "record player" or "turntable". Often the home record player was part of something that included a radio (radiogram) and, later, might play audiotape cassettes also. From about 1960, such something began to be described as a "hi-fi" (high-fidelity, monophonic) or a "stereo" (most systems being stereophonic by the mid-1960s).

In Australian British, "record player" was the word; "turntable" was a far more technical term; "gramophone" was restricted to the old mechanised (i.e., wind-up) players; and "phonograph" was used just as British English.

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Linn Products antique phonograph

The phonograph is a device created in 1877 for the mechanical reproduction and taking of sound. In its later forms it is also called a gramophone (as a trademark since 1887, as a generic name since c. 1900). The sound vibration waveforms are recorded as matching physical deviations of any spiral groove imprinted, etched, incised, or impressed into the surface of a rotating cylinder or disc, called a "record". To recreate the audio, the surface is likewise rotated while a playback stylus traces the groove and is therefore vibrated because of it, very reproducing the noted sound faintly. In early acoustic phonographs, the stylus vibrated a diaphragm which produced sound waves which were coupled to the open air through a flaring horn, or right to the listener's ears through stethoscope-type earphones. In later electric phonographs (also called record players (since 1940s) or, lately, turntables), the movements of the stylus are converted into an analogous electrical power signal by a transducer, then modified back to sound by the loudspeaker.

The phonograph was invented in 1877 by Thomas Edison. While other inventors got produced devices that may record noises, Edison's phonograph was the first to have the ability to reproduce the documented sound. His phonograph formerly recorded audio onto a tinfoil sheet twisted around a rotating cylinder. A stylus responding to sound vibrations produced an and down or hill-and-dale groove in the foil up. Alexander Graham Bell's Volta Laboratory made several improvements in the 1880s, including the use of wax-coated cardboard cylinders, and a cutting stylus that moved from side to side in a "zig zag" groove across the record.

In the 1890s, Emile Berliner initiated the change from phonograph cylinders to smooth discs with a spiral groove working from the periphery to near to the center. Later improvements through the years included adjustments to the turntable and its drive system, the needle or stylus, and the audio and equalization systems.

The disk phonograph record was the dominating audio saving format throughout the majority of the 20th century. Through the mid-1980s on, phonograph use on a standard record player declined sharply because of the rise of the cassette tape, compact disc and other digital tracking formats. Details are a well liked format for some audiophiles and DJs still. Vinyl records are being used by some DJs and musicians in their concert performances still. Musicians continue steadily to release their recordings on vinyl records. The initial recordings of musicians are re-issued on vinyl sometimes.

Usage of terminology is not standard over the English-speaking world (see below). In more modern usage, the playback device is often called a "turntable", "record player", or "record changer". When found in conjunction with a mixing machine as part of a DJ installation, turntables tend to be called "decks".

The word phonograph ("sound writing") was produced from the Greek words ???? (phon?, "sound" or "voice") and ????? (graph?, "writing"). The similar related conditions gramophone (from the Greek ?????? gramma "notice" and ???? ph?n? "voice") and graphophone have similar root meanings. The origins were already familiar from existing 19th-century words such as picture ("light writing"), telegraph ("distant writing"), and telephone ("distant sound"). The new term may have been affected by the prevailing words phonographic and phonography, which described a system of phonetic shorthand; in 1852 The New York Times transported an advertisements for "Professor Webster's phonographic class", and in 1859 the brand new York State Instructors Relationship tabled a movement to "employ a phonographic recorder" to record its meetings.

Probably, any device used to record sound or reproduce registered audio could be called a type of "phonograph", however in common practice the term has come to signify historical solutions of acoustics taking, concerning audio-frequency modulations of a physical groove or track.

In the overdue 19th and early on 20th hundreds of years, "Phonograph", "Gramophone", "Graphophone", "Zonophone" and the like were still brand names specific to various makers of sometimes completely different (i.e. cylinder and disc) machines; so appreciable use was made of the common term "talking machine", especially in print. "Talking machine" had earlier been used to make reference to complicated devices which produced a crude imitation of speech, by simulating the workings of the vocal cords, tongue, and lips - a potential way to obtain confusion both then and now.

In British English, "gramophone" may make reference to any sound-reproducing machine using disc records, that have been popularized and released in the UK by the Gramophone Company. Originally, "gramophone" was a proprietary trademark of this company and any use of the name by competing makers of disc records was vigorously prosecuted in the courts, but in 1910 an English court decision decreed which it had turn into a generic term; it's been so used in the UK & most Commonwealth countries since. The term "phonograph" was usually limited to machines which used cylinder records.

"Gramophone" generally described a wind-up machine. Following the benefits of the softer vinyl files, 33 1/3-rpm LPs (long-playing details) and 45-rpm "single" or two-song details, and EPs (extended-play recordings), the common name became "record player" or "turntable". Usually the home record player was part of a system that included a radio (radiogram) and, later, might also play audiotape cassettes. From about 1960, such a system began to be described as a "hi-fi" (high-fidelity, monophonic) or a "stereo" (most systems being stereophonic by the mid-1960s).

In Australian British, "record player" was the word; "turntable" was a more specialized term; "gramophone" was limited to the old mechanised (i.e., wind-up) players; and "phonograph" was used just as British English.

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