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Graphophone antique phonograph
The phonograph is a tool developed in 1877 for the mechanical saving and reproduction of sound. In its later forms it is also called a gramophone (as a trademark since 1887, as a generic name since c. 1900). The sound vibration waveforms are noted as matching physical deviations of the spiral groove etched, etched, incised, or impressed in to the surface of your spinning disk or cylinder, called a "record". To recreate the audio, the surface is similarly rotated while a playback stylus traces the groove and is therefore vibrated by it, very faintly reproducing the saved sound. In early acoustic phonographs, the stylus vibrated a diaphragm which produced sound waves which were coupled to the open air through a flaring horn, or right to the listener's ears through stethoscope-type earphones. In later electric phonographs (also called record players (since 1940s) or, lately, turntables), the motions of the stylus are changed into an analogous electrical power signal by the transducer, then turned back to sound with a loudspeaker.
The phonograph was developed in 1877 by Thomas Edison. While other inventors experienced produced devices which could record sounds, Edison's phonograph was the first ever to have the ability to reproduce the registered sound. His phonograph originally recorded audio onto a tinfoil sheet twisted around a rotating cylinder. A stylus giving an answer to appear vibrations produced an and down or hill-and-dale groove in the foil up. Alexander Graham Bell's Volta Laboratory made several improvements in the 1880s, like the use of wax-coated cardboard cylinders, and a cutting stylus that moved laterally in a "zig zag" groove about the record.
Within the 1890s, Emile Berliner initiated the change from phonograph cylinders to toned discs with a spiral groove running from the periphery to near the center. Later improvements through the full years included modifications to the turntable and its own drive system, the stylus or needle, and the equalization and audio systems.
The disc phonograph record was the dominating audio recording format throughout the majority of the 20th hundred years. From mid-1980s on, phonograph use on a standard record player declined sharply due to rise of the cassette tape, compact disk and other digital saving formats. Data remain a popular format for some audiophiles and DJs. Vinyl records are still used by some DJs and musicians in their concert performances. Musicians continue steadily to release their recordings on vinyl records. The original recordings of music artists are re-issued on vinyl sometimes.
Using terminology is not homogeneous over the English-speaking world (see below). In more modern usage, the playback device is categorised as a "turntable", "record player", or "record changer". When used in conjunction with a mixer as part of a DJ setup, turntables are often called "decks".
The word phonograph ("sound writing") was derived from the Greek words ???? (phon?, "sound" or "voice") and ????? (graph?, "writing"). The similar related terms gramophone (from the Greek ?????? gramma "letter" and ???? ph?n? "words") and graphophone have similar root meanings. The root base were already familiar from existing 19th-century words such as photo ("light writing"), telegraph ("distant writing"), and cell phone ("distant sound"). The new term may have been influenced by the prevailing words phonographic and phonography, which referred to something of phonetic shorthand; in 1852 THE BRAND NEW York Times taken an ad for "Professor Webster's phonographic class", and in 1859 the brand new York State Teachers Connection tabled a motion to "employ a phonographic recorder" to record its meetings.
Probably, any device used to track record audio or reproduce documented sound could be called a type of "phonograph", however in common practice the portrayed expression has come to suggest historic systems of sound recording, affecting audio-frequency modulations of any physical groove or track.
In the past due 19th and early 20th generations, "Phonograph", "Gramophone", "Graphophone", "Zonophone" and the like were still brands specific to various designers of sometimes very different (i.e. cylinder and disk) machines; so substantial use was manufactured from the common term "talking machine", in print especially. "Talking machine" had earlier been used to make reference to complicated devices which produced a crude imitation of speech, by simulating the workings of the vocal cords, tongue, and mouth - a potential way to obtain misunderstandings both and today then.
In British English, "gramophone" may make reference to any sound-reproducing machine using disc records, which were introduced and popularized in the united kingdom by the Gramophone Company. Originally, "gramophone" was a proprietary trademark of this company and any use of the name by competing makers of disc records was vigorously prosecuted in the courts, but in 1910 an English court decision decreed that this had turn into a generic term; it has been so used in the UK & most Commonwealth countries since. The term "phonograph" was usually restricted to machines that used cylinder records.
"Gramophone" generally referred to a wind-up machine. After the intro of the softer vinyl data, 33 1/3-rpm LPs (long-playing records) and 45-rpm "single" or two-song documents, and EPs (extended-play recordings), the common name became "record player" or "turntable". Usually the home record player was part of something that included a radio (radiogram) and, later, may also play audiotape cassettes. From about 1960, such a system began to be described as a "hi-fi" (high-fidelity, monophonic) or a "stereo" (most systems being stereophonic by the mid-1960s).
In Australian British, "record player" was the term; "turntable" was a more technological term; "gramophone" was restricted to the old mechanised (i.e., wind-up) players; and "phonograph" was used just as British English.
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Antique Columbia Graphophone Model BK Cylinder Player Phonograph
Columbia Graphophone Company antique phonograph
The phonograph is a device developed in 1877 for the mechanical reproduction and saving of audio. In its later forms additionally it is called a gramophone (as a trademark since 1887, as a generic name since c. 1900). The audio vibration waveforms are noted as matching physical deviations of your spiral groove engraved, etched, incised, or impressed into the surface of an revolving cylinder or disc, called a "record". To recreate the audio, the top is in the same way rotated while a playback stylus traces the groove which is therefore vibrated because of it, very reproducing the registered sound faintly. In early acoustic phonographs, the stylus vibrated a diaphragm which produced sound waves that have been coupled to the open air by having a flaring horn, or right to the listener's ears through stethoscope-type earphones. In later electric phonographs (also known as record players (since 1940s) or, most recently, turntables), the motions of the stylus are converted into an analogous electric powered signal by the transducer, altered back into sound by the loudspeaker then.
The phonograph was invented in 1877 by Thomas Edison. While other inventors experienced produced devices that could record tones, Edison's phonograph was the first to have the ability to reproduce the noted sound. His phonograph actually recorded audio onto a tinfoil sheet covered around a rotating cylinder. A stylus responding to appear vibrations produced an and down or hill-and-dale groove in the foil up. Alexander Graham Bell's Volta Laboratory made several improvements in the 1880s, like the use of wax-coated cardboard cylinders, and a cutting stylus that moved laterally in a "zig zag" groove throughout the record.
Within the 1890s, Emile Berliner initiated the changeover from phonograph cylinders to flat discs with a spiral groove jogging from the periphery to close to the center. Later improvements through the years included adjustments to the turntable and its own drive system, the stylus or needle, and the sound and equalization systems.
The disk phonograph record was the dominant audio tracking format throughout the majority of the 20th century. From mid-1980s on, phonograph use on a standard record player declined due to rise of the cassette tape sharply, compact disc and other digital tracking formats. Files are a favorite format for some audiophiles and DJs still. Vinyl records are still utilized by some DJs and musicians in their concert performances. Musicians continue to release their recordings on vinyl records. The initial recordings of musicians are sometimes re-issued on vinyl.
Using terminology is not uniform across the English-speaking world (see below). In newer usage, the playback device is categorised as a "turntable", "record player", or "record changer". When found in conjunction with a mixing machine as part of a DJ setup, turntables tend to be called "decks".
The word phonograph ("sound writing") was derived from the Greek words ???? (phon?, "sound" or "voice") and ????? (graph?, "writing"). The similar related conditions gramophone (from the Greek ?????? gramma "letter" and ???? ph?n? "tone of voice") and graphophone have similar main meanings. The origins were already familiar from existing 19th-century words such as photograph ("light writing"), telegraph ("distant writing"), and phone ("distant sound"). The new term might have been affected by the prevailing words phonographic and phonography, which described a system of phonetic shorthand; in 1852 THE BRAND NEW York Times carried an advertising campaign for "Professor Webster's phonographic class", and in 1859 the brand new York State Teachers Association tabled a movement to "employ a phonographic recorder" to record its meetings.
Arguably, any device used to record audio or reproduce saved audio could be called a type of "phonograph", however in common practice the portrayed term has come to suggest historical technology of sound documenting, affecting audio-frequency modulations of the physical groove or trace.
In the later 19th and early on 20th generations, "Phonograph", "Gramophone", "Graphophone", "Zonophone" and so on were still brands specific to various designers of sometimes very different (i.e. cylinder and disc) machines; so extensive use was made of the common term "talking machine", especially in print. "Talking machine" had earlier been used to refer to complicated devices which produced a crude imitation of speech, by simulating the workings of the vocal cords, tongue, and lips - a potential source of misunderstandings both and now then.
In British English, "gramophone" may make reference to any sound-reproducing machine using disc records, that have been popularized and created in the united kingdom by the Gramophone Company. Originally, "gramophone" was a proprietary trademark of that company and any use of the name by competing makers of disc records was vigorously prosecuted in the courts, but in 1910 an English court decision decreed that it had turn into a generic term; it has been so used in the united kingdom and most Commonwealth countries ever since. The word "phonograph" was usually restricted to machines that used cylinder records.
"Gramophone" generally referred to a wind-up machine. After the benefits of the softer vinyl documents, 33 1/3-rpm LPs (long-playing information) and 45-rpm "single" or two-song documents, and EPs (extended-play recordings), the common name became "record player" or "turntable". Often the home record player was part of a system that included a radio (radiogram) and, later, may also play audiotape cassettes. From about 1960, such something began to certainly be a "hi-fi" (high-fidelity, monophonic) or a "stereo" (most systems being stereophonic by the mid-1960s).
In Australian English, "record player" was the word; "turntable" was a far more technical term; "gramophone" was limited to the old mechanised (i.e., wind-up) players; and "phonograph" was used as with British English.
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Antique Columbia Graphophone Model BK Cylinder Player Phonograph
Luxman antique phonograph
The phonograph is a device created in 1877 for the mechanised recording and reproduction of sound. In its later forms additionally it is called a gramophone (as a trademark since 1887, as a generic name since c. 1900). The audio vibration waveforms are recorded as equivalent physical deviations of your spiral groove engraved, etched, incised, or impressed into the surface of an spinning disk or cylinder, called a "record". To recreate the sound, the top is in the same way rotated while a playback stylus traces the groove and it is therefore vibrated by it, very faintly reproducing the documented audio. In early acoustic phonographs, the stylus vibrated a diaphragm which produced sound waves that have been coupled to the open air by using a flaring horn, or directly to the listener's ears through stethoscope-type earphones. In later electric phonographs (also called record players (since 1940s) or, lately, turntables), the movements of the stylus are changed into an analogous electrical power signal by way of a transducer, transformed back into audio by a loudspeaker then.
The phonograph was invented in 1877 by Thomas Edison. While other inventors got produced devices that can record noises, Edison's phonograph was the first to have the ability to reproduce the saved audio. His phonograph originally recorded sound onto a tinfoil sheet twisted around a rotating cylinder. A stylus responding to sound vibrations produced an and down or hill-and-dale groove in the foil up. Alexander Graham Bell's Volta Laboratory made several improvements in the 1880s, like the use of wax-coated cardboard cylinders, and a cutting stylus that moved from side to side in a "zig zag" groove round the record.
Inside the 1890s, Emile Berliner initiated the change from phonograph cylinders to toned discs with a spiral groove running from the periphery to nearby the center. Later advancements over time included adjustments to the turntable and its own drive system, the stylus or needle, and the audio and equalization systems.
The disc phonograph record was the prominent audio tracking format throughout most of the 20th century. From your mid-1980s on, phonograph use on a standard record player declined sharply as a result of rise of the cassette tape, compact disk and other digital saving formats. Details are a well liked format for a few audiophiles and DJs still. Vinyl records are being used by some DJs and musicians in their concert performances still. Musicians continue to release their recordings on vinyl records. The initial recordings of musicians are occasionally re-issued on vinyl fabric.
Usage of terminology is not consistent across the English-speaking world (see below). In newer usage, the playback device is categorised as a "turntable", "record player", or "record changer". When used in conjunction with a mixing machine as part of a DJ set up, turntables tend to be called "decks".
The term phonograph ("sound writing") was derived from the Greek words ???? (phon?, "sound" or "voice") and ????? (graph?, "writing"). The similar related conditions gramophone (from the Greek ?????? gramma "notice" and ???? ph?n? "words") and graphophone have similar root meanings. The roots were already familiar from existing 19th-century words such as picture ("light writing"), telegraph ("distant writing"), and phone ("distant sound"). The brand new term may have been influenced by the prevailing words phonographic and phonography, which referred to a system of phonetic shorthand; in 1852 The New York Times carried an ad for "Professor Webster's phonographic class", and in 1859 the New York State Teachers Relationship tabled a movement to "hire a phonographic recorder" to record its meetings.
Probably, any device used to record sound or reproduce recorded sound could be called a kind of "phonograph", but in common practice the indicated term has come to imply historical solutions of sound saving, relating audio-frequency modulations of an physical track or groove.
In the past due 19th and early 20th hundreds of years, "Phonograph", "Gramophone", "Graphophone", "Zonophone" and so on were still brand names specific to various creators of sometimes very different (i.e. cylinder and disk) machines; so considerable use was made of the universal term "talking machine", especially in print. "Talking machine" had earlier been used to make reference to complicated devices which produced a crude imitation of speech, by simulating the workings of the vocal cords, tongue, and mouth - a potential source of dilemma both and today then.
In British British, "gramophone" may make reference to any sound-reproducing machine using disc records, which were introduced and popularized in the UK by the Gramophone Company. Originally, "gramophone" was a proprietary trademark of that company and any use of the name by competing makers of disc records was vigorously prosecuted in the courts, however in 1910 an English court decision decreed so it had become a generic term; it has been so used in the united kingdom & most Commonwealth countries ever since. The term "phonograph" was usually restricted to machines that used cylinder records.
"Gramophone" generally referred to a wind-up machine. After the release of the softer vinyl fabric records, 33 1/3-rpm LPs (long-playing data) and 45-rpm "single" or two-song records, and EPs (extended-play recordings), the common name became "record player" or "turntable". Usually the home record player was part of a system that included a radio (radiogram) and, later, might also play audiotape cassettes. From about 1960, such something began to be described as a "hi-fi" (high-fidelity, monophonic) or a "stereo" (most systems being stereophonic by the mid-1960s).
In Australian British, "record player" was the term; "turntable" was a more complex term; "gramophone" was restricted to the old mechanised (i.e., wind-up) players; and "phonograph" was used as with British English.
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465C3B91C7F79A4DA6DBE87825B6BF7DD0D76CB3Fhttp://www.stereopal.com/HomeVisit/Victorla.htm
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WE 300B Model 91A Replica, NOT the original WE.
analogueworks antique phonograph
The phonograph is a tool created in 1877 for the mechanised duplication and taking of sound. In its later forms it is also called a gramophone (as a trademark since 1887, as a generic name since c. 1900). The sound vibration waveforms are saved as equivalent physical deviations of an spiral groove imprinted, etched, incised, or impressed into the surface of any rotating disk or cylinder, called a "record". To recreate the sound, the top is similarly rotated while a playback stylus traces the groove and it is therefore vibrated because of it, very reproducing the documented sound faintly. In early acoustic phonographs, the stylus vibrated a diaphragm which produced sound waves that have been coupled to the open air by way of a flaring horn, or directly to the listener's ears through stethoscope-type earphones. In later electric phonographs (also called record players (since 1940s) or, most recently, turntables), the motions of the stylus are converted into an analogous electrical power signal with a transducer, then changed back into sound by way of a loudspeaker.
The phonograph was invented in 1877 by Thomas Edison. While other inventors possessed produced devices that can record sounds, Edison's phonograph was the first to be able to reproduce the saved audio. His phonograph actually recorded sound onto a tinfoil sheet covered around a rotating cylinder. A stylus responding to appear vibrations produced an and down or hill-and-dale groove in the foil up. Alexander Graham Bell's Volta Laboratory made several improvements in the 1880s, including the use of wax-coated cardboard cylinders, and a cutting stylus that moved laterally in a "zig zag" groove around the record.
In the 1890s, Emile Berliner initiated the transition from phonograph cylinders to even discs with a spiral groove running from the periphery to near to the center. Later improvements through the entire years included modifications to the turntable and its drive system, the needle or stylus, and the equalization and audio systems.
The disc phonograph record was the dominating audio recording format throughout most of the 20th century. Through the mid-1980s on, phonograph use on a standard record player declined sharply due to rise of the cassette tape, compact disc and other digital tracking formats. Data are a favorite format for some audiophiles and DJs still. Vinyl records are still employed by some DJs and musicians in their concert performances. Musicians continue steadily to release their recordings on vinyl records. The original recordings of musicians are re-issued on vinyl fabric sometimes.
Using terminology is not consistent over the English-speaking world (see below). In more modern usage, the playback device is categorised as a "turntable", "record player", or "record changer". When found in conjunction with a mixing machine as part of a DJ installation, turntables are often called "decks".
The term phonograph ("sound writing") was produced from the Greek words ???? (phon?, "sound" or "voice") and ????? (graph?, "writing"). The similar related conditions gramophone (from the Greek ?????? gramma "notice" and ???? ph?n? "tone") and graphophone have similar main meanings. The root base were already familiar from existing 19th-century words such as photo ("light writing"), telegraph ("distant writing"), and mobile phone ("distant sound"). The brand new term may have been influenced by the existing words phonographic and phonography, which described a system of phonetic shorthand; in 1852 THE BRAND NEW York Times taken an ad for "Professor Webster's phonographic class", and in 1859 the brand new York State Instructors Connection tabled a motion to "hire a phonographic recorder" to record its meetings.
Arguably, any device used to track record audio or reproduce registered audio could be called a type of "phonograph", but in common practice the term has come to mean traditional systems of sound taking, regarding audio-frequency modulations of your physical trace or groove.
In the overdue 19th and early 20th ages, "Phonograph", "Gramophone", "Graphophone", "Zonophone" and so on were still brands specific to various makers of sometimes completely different (i.e. cylinder and disc) machines; so substantial use was made of the common term "talking machine", especially in print. "Talking machine" had earlier been used to refer to complicated devices which produced a crude imitation of speech, by simulating the workings of the vocal cords, tongue, and lip area - a potential source of dilemma both and today then.
In British British, "gramophone" may refer to any sound-reproducing machine using disk records, which were released and popularized in the united kingdom by the Gramophone Company. Originally, "gramophone" was a proprietary trademark of that company and any use of the name by competing makers of disc records was vigorously prosecuted in the courts, however in 1910 an English court decision decreed that this had become a generic term; it's been so used in the UK and most Commonwealth countries since. The term "phonograph" was usually restricted to machines that used cylinder records.
"Gramophone" generally referred to a wind-up machine. Following the release of the softer vinyl details, 33 1/3-rpm LPs (long-playing details) and 45-rpm "single" or two-song files, and EPs (extended-play recordings), the normal name became "record player" or "turntable". Usually the home record player was part of something that included a radio (radiogram) and, later, might play audiotape cassettes also. From about 1960, such something began to be described as a "hi-fi" (high-fidelity, monophonic) or a "stereo" (most systems being stereophonic by the mid-1960s).
In Australian English, "record player" was the word; "turntable" was a far more specialized term; "gramophone" was limited to the old mechanised (i.e., wind-up) players; and "phonograph" was used as with British English.
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70 years old 78 rpm shellac records followed by one 33 rpm odean vinyl
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