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MY Classic : Radio pick up Garrard Soldhttps://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgnghoZiz9uZFSA0z7MSaWJokBR47tlFZXrSg7KS0FP69wugmNRBZWBuWoxttgLWkx6T1EFHwp99zGzm0m__ZjkzP5zWCTkmLpjOrrSz1j5kN-mxfVwtFuVkyH41RZpD4AZPpYPGS2I_U2-/s1600/garrard.jpgGarrard Engineering and Manufacturing Company antique phonograph
The phonograph is a device invented in 1877 for the mechanical tracking and reproduction of audio. In its later forms it is also called a gramophone (as a trademark since 1887, as a generic name since c. 1900). The sound vibration waveforms are noted as related physical deviations of the spiral groove imprinted, etched, incised, or impressed in to the surface of any revolving cylinder or disk, called a "record". To recreate the audio, the top is in the same way rotated while a playback stylus traces the groove and it is therefore vibrated by it, very faintly reproducing the registered sound. In early acoustic phonographs, the stylus vibrated a diaphragm which produced sound waves which were coupled to the open air via a flaring horn, or directly to the listener's ears through stethoscope-type earphones. In later electric phonographs (also known as record players (since 1940s) or, lately, turntables), the motions of the stylus are changed into an analogous electronic signal by way of a transducer, then changed back into sound by the loudspeaker.
The phonograph was developed in 1877 by Thomas Edison. While other inventors possessed produced devices that may record tones, Edison's phonograph was the first ever to be able to reproduce the registered sound. His phonograph formerly recorded sound onto a tinfoil sheet twisted around a rotating cylinder. A stylus responding to sensible vibrations produced an along or hill-and-dale groove in the foil. Alexander Graham Bell's Volta Laboratory made several improvements in the 1880s, including the use of wax-coated cardboard cylinders, and a cutting stylus that moved laterally in a "zig zag" groove across the record.
Inside the 1890s, Emile Berliner initiated the change from phonograph cylinders to chiseled discs with a spiral groove operating from the periphery to near the center. Later advancements through the entire years included alterations to the turntable and its drive system, the stylus or needle, and the equalization and sound systems.
The disk phonograph record was the dominating audio taking format throughout the majority of the 20th century. In the mid-1980s on, phonograph use on a standard record player declined sharply because of the rise of the cassette tape, compact disk and other digital taking formats. Data are still a well liked format for some audiophiles and DJs. Vinyl records are used by some DJs and musicians in their concert performances still. Musicians continue steadily to release their recordings on vinyl records. The initial recordings of music artists are occasionally re-issued on vinyl.
Using terminology is not homogeneous across the English-speaking world (see below). In newer usage, the playback device is often called a "turntable", "record player", or "record changer". When used in conjunction with a mixer within a DJ set up, turntables tend to be called "decks".
The term phonograph ("sound writing") was produced from the Greek words ???? (phon?, "sound" or "voice") and ????? (graph?, "writing"). The similar related conditions gramophone (from the Greek ?????? gramma "letter" and ???? ph?n? "words") and graphophone have similar root meanings. The roots were already familiar from existing 19th-century words such as photo ("light writing"), telegraph ("distant writing"), and cell phone ("distant sound"). The new term may have been affected by the prevailing words phonographic and phonography, which described a system of phonetic shorthand; in 1852 The New York Times carried an advertisements for "Professor Webster's phonographic class", and in 1859 the New York State Teachers Association tabled a action to "employ a phonographic recorder" to record its meetings.
Probably, any device used to track record audio or reproduce recorded sound could be called a kind of "phonograph", but in common practice the word has come to indicate ancient systems of sound tracking, involving audio-frequency modulations of an physical trace or groove.
In the past due 19th and early on 20th ages, "Phonograph", "Gramophone", "Graphophone", "Zonophone" and the like were still brand names specific to various designers of sometimes completely different (i.e. cylinder and disc) machines; so appreciable use was made of the common term "talking machine", in print especially. "Talking machine" had earlier been used to refer to complicated devices which produced a crude imitation of speech, by simulating the workings of the vocal cords, tongue, and lips - a potential source of confusion both then and today.
In British English, "gramophone" may make reference to any sound-reproducing machine using disc records, which were popularized and created in the UK by the Gramophone Company. Originally, "gramophone" was a proprietary trademark of that company and any use of the name by competing makers of disc records was vigorously prosecuted in the courts, but in 1910 an English court decision decreed it had turn into a generic term; it's been so used in the united kingdom & most Commonwealth countries since. The term "phonograph" was usually restricted to machines which used cylinder records.
"Gramophone" generally described a wind-up machine. After the introduction of the softer vinyl fabric information, 33 1/3-rpm LPs (long-playing information) and 45-rpm "single" or two-song details, and EPs (extended-play recordings), the normal name became "record player" or "turntable". Usually the home record player was part of something that included a radio (radiogram) and, later, may also play audiotape cassettes. From about 1960, such a system began to certainly be a "hi-fi" (high-fidelity, monophonic) or a "stereo" (most systems being stereophonic by the mid-1960s).
In Australian British, "record player" was the term; "turntable" was a far more complex term; "gramophone" was limited to the old mechanised (i.e., wind-up) players; and "phonograph" was used such as British English.
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MY Classic : Radio pick up Garrard Sold
Garrard Engineering and Manufacturing Companyhttp://www.rewindmuseum.com/images3/garrardstylusgaugekit.jpgGarrard Engineering and Manufacturing Company antique phonograph
The phonograph is a device invented in 1877 for the mechanical saving and reproduction of audio. In its later forms additionally it is called a gramophone (as a trademark since 1887, as a generic name since c. 1900). The sound vibration waveforms are registered as matching physical deviations of a spiral groove imprinted, etched, incised, or impressed into the surface of your revolving cylinder or disc, called a "record". To recreate the audio, the top is similarly rotated while a playback stylus traces the groove and is also therefore vibrated by it, very faintly reproducing the recorded audio. In early acoustic phonographs, the stylus vibrated a diaphragm which produced sound waves which were coupled to the open air through a flaring horn, or right to the listener's ears through stethoscope-type earphones. In later electric phonographs (also called record players (since 1940s) or, lately, turntables), the motions of the stylus are converted into an analogous electrical signal with a transducer, then turned back into sound with a loudspeaker.
The phonograph was invented in 1877 by Thomas Edison. While other inventors got produced devices that may record may seem, Edison's phonograph was the first ever to have the ability to reproduce the registered sound. His phonograph formerly recorded audio onto a tinfoil sheet wrapped around a rotating cylinder. A stylus giving an answer to appear vibrations produced an and down or hill-and-dale groove in the foil up. Alexander Graham Bell's Volta Laboratory made several improvements in the 1880s, like the use of wax-coated cardboard cylinders, and a cutting stylus that moved from side to side in a "zig zag" groove across the record.
Within the 1890s, Emile Berliner initiated the transition from phonograph cylinders to smooth discs with a spiral groove running from the periphery to near the center. Later improvements through the full years included changes to the turntable and its own drive system, the stylus or needle, and the audio and equalization systems.
The disk phonograph record was the dominant audio recording format throughout the majority of the 20th century. Through the mid-1980s on, phonograph use on a standard record player declined sharply because of the rise of the cassette tape, compact disc and other digital taking formats. Information are still a well liked format for some audiophiles and DJs. Vinyl records are still used by some DJs and musicians in their concert performances. Musicians continue steadily to release their recordings on vinyl records. The initial recordings of music artists are re-issued on vinyl sometimes.
Usage of terminology is not standard over the English-speaking world (see below). In more modern usage, the playback device is often called a "turntable", "record player", or "record changer". When found in conjunction with a mixer within a DJ set up, turntables are often called "decks".
The term phonograph ("sound writing") was produced from the Greek words ???? (phon?, "sound" or "voice") and ????? (graph?, "writing"). The similar related terms gramophone (from the Greek ?????? gramma "notice" and ???? ph?n? "voice") and graphophone have similar root meanings. The root base were already familiar from existing 19th-century words such as photo ("light writing"), telegraph ("distant writing"), and mobile phone ("distant sound"). The new term might have been inspired by the prevailing words phonographic and phonography, which referred to a system of phonetic shorthand; in 1852 The New York Times taken an advertisements for "Professor Webster's phonographic class", and in 1859 the New York State Professors Connection tabled a movement to "hire a phonographic recorder" to record its meetings.
Arguably, any device used to record sound or reproduce registered sound could be called a kind of "phonograph", however in common practice the term has come to mean traditional technology of sound recording, affecting audio-frequency modulations of any physical groove or trace.
In the later 19th and early 20th hundreds of years, "Phonograph", "Gramophone", "Graphophone", "Zonophone" and so on were still brands specific to various producers of sometimes completely different (i.e. cylinder and disk) machines; so considerable use was made of the universal term "talking machine", especially in print. "Talking machine" had earlier been used to make reference to complicated devices which produced a crude imitation of speech, by simulating the workings of the vocal cords, tongue, and lips - a potential source of confusion both and now then.
In British British, "gramophone" may make reference to any sound-reproducing machine using disk records, which were popularized and launched in the united kingdom by the Gramophone Company. Originally, "gramophone" was a proprietary trademark of that company and any use of the name by competing makers of disc records was vigorously prosecuted in the courts, however in 1910 an English court decision decreed that this had become a generic term; it's been so used in the UK & most Commonwealth countries ever since. The term "phonograph" was usually restricted to machines that used cylinder records.
"Gramophone" generally described a wind-up machine. Following the introduction of the softer vinyl fabric information, 33 1/3-rpm LPs (long-playing files) and 45-rpm "single" or two-song records, and EPs (extended-play recordings), the normal name became "record player" or "turntable". Usually the home record player was part of a system that included a radio (radiogram) and, later, might also play audiotape cassettes. From about 1960, such a system began to be described as a "hi-fi" (high-fidelity, monophonic) or a "stereo" (most systems being stereophonic by the mid-1960s).
In Australian English, "record player" was the word; "turntable" was a far more technical term; "gramophone" was restricted to the old mechanised (i.e., wind-up) players; and "phonograph" was used such as British English.
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7784C2E7708A49CA1B8D6E38223A0E10C25B6E7F5http://www.quazoo.com/q/Garrard_Engineering_and_Manufacturing_Company
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Garrard Engineering and Manufacturing Company
Robert Garrard II of Naturalistic Spoonhttp://cefiro.main.jp/_src/sc1437/ImperialCrownOfIndia2.jpgGarrard Engineering and Manufacturing Company antique phonograph
The phonograph is a device developed in 1877 for the mechanical recording and duplication of audio. In its later forms additionally it is called a gramophone (as a trademark since 1887, as a generic name since c. 1900). The audio vibration waveforms are saved as related physical deviations of your spiral groove etched, etched, incised, or impressed in to the surface of any rotating cylinder or disk, called a "record". To recreate the sound, the top is likewise rotated while a playback stylus traces the groove and is therefore vibrated because of it, very reproducing the recorded sound faintly. In early acoustic phonographs, the stylus vibrated a diaphragm which produced sound waves that have been coupled to the open air by using a flaring horn, or directly to the listener's ears through stethoscope-type earphones. In later electric phonographs (also called record players (since 1940s) or, most recently, turntables), the motions of the stylus are changed into an analogous electric powered signal by way of a transducer, then converted back into audio by way of a loudspeaker.
The phonograph was created in 1877 by Thomas Edison. While other inventors had produced devices that may record may seem, Edison's phonograph was the first ever to have the ability to reproduce the registered sound. His phonograph actually recorded audio onto a tinfoil sheet twisted around a rotating cylinder. A stylus giving an answer to acoustics vibrations produced an up and down or hill-and-dale groove in the foil. Alexander Graham Bell's Volta Laboratory made several improvements in the 1880s, like the use of wax-coated cardboard cylinders, and a cutting stylus that moved from side to side in a "zig zag" groove throughout the record.
Inside the 1890s, Emile Berliner initiated the transition from phonograph cylinders to smooth discs with a spiral groove operating from the periphery to near the center. Later advancements through the full years included improvements to the turntable and its drive system, the needle or stylus, and the equalization and audio systems.
The disc phonograph record was the dominating audio recording format throughout almost all of the 20th hundred years. Through the mid-1980s on, phonograph use on a standard record player declined as a result of rise of the cassette tape sharply, compact disk and other digital saving formats. Records are a popular format for some audiophiles and DJs still. Vinyl records are still employed by some DJs and musicians in their concert performances. Musicians continue to release their recordings on vinyl records. The original recordings of musicians are re-issued on vinyl fabric sometimes.
Usage of terminology is not consistent over the English-speaking world (see below). In newer usage, the playback device is often called a "turntable", "record player", or "record changer". When found in conjunction with a mixer as part of a DJ setup, turntables tend to be called "decks".
The term phonograph ("sound writing") was derived from the Greek words ???? (phon?, "sound" or "voice") and ????? (graph?, "writing"). The similar related conditions gramophone (from the Greek ?????? gramma "letter" and ???? ph?n? "voice") and graphophone have similar root meanings. The origins were already familiar from existing 19th-century words such as picture ("light writing"), telegraph ("distant writing"), and mobile phone ("distant sound"). The brand new term may have been affected by the existing words phonographic and phonography, which described something of phonetic shorthand; in 1852 The New York Times taken an advertisement for "Professor Webster's phonographic class", and in 1859 the New York State Instructors Association tabled a motion to "employ a phonographic recorder" to track record its meetings.
Probably, any device used to track record audio or reproduce documented audio could be called a kind of "phonograph", but in common practice the indicated term has come to suggest historical technologies of sound documenting, involving audio-frequency modulations of a physical track or groove.
In the past due 19th and early 20th decades, "Phonograph", "Gramophone", "Graphophone", "Zonophone" and so on were still brands specific to various creators of sometimes completely different (i.e. cylinder and disc) machines; so significant use was made of the general term "talking machine", especially in print. "Talking machine" had earlier been used to refer to complicated devices which produced a crude imitation of speech, by simulating the workings of the vocal cords, tongue, and lips - a potential way to obtain confusion both and today then.
In British British, "gramophone" may refer to any sound-reproducing machine using disk records, that have been created and popularized in the united kingdom by the Gramophone Company. Originally, "gramophone" was a proprietary trademark of this company and any use of the name by competing makers of disc records was vigorously prosecuted in the courts, but in 1910 an English court decision decreed so it had become a generic term; it has been so used in the united kingdom and most Commonwealth countries ever since. The word "phonograph" was usually restricted to machines which used cylinder records.
"Gramophone" generally described a wind-up machine. After the benefits of the softer vinyl data, 33 1/3-rpm LPs (long-playing details) and 45-rpm "single" or two-song details, and EPs (extended-play recordings), the normal name became "record player" or "turntable". Often the home record player was part of a system that included a radio (radiogram) and, later, might also play audiotape cassettes. From about 1960, such something began to certainly be a "hi-fi" (high-fidelity, monophonic) or a "stereo" (most systems being stereophonic by the mid-1960s).
In Australian British, "record player" was the term; "turntable" was a more technological term; "gramophone" was restricted to the old mechanised (i.e., wind-up) players; and "phonograph" was used as with British English.
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http://images1.americanlisted.com/nlarge/antique-1900-s-pathe-phonograph-xii-universal-tone-arm-w-vinyls-needle-americanlisted_33380713.jpgThe TT1650 is a directdrive turntable manufactured by Numark. [1]
![The TT1650 is a directdrive turntable manufactured by Numark. [1]](https://lh3.googleusercontent.com/blogger_img_proxy/AEn0k_uAxAiPiJYOS6YIvmdiPnwai5L508D-8K_BHwWvwxahiDS6Xxks8mGLtpy0AQWEkDJJKQgqMbaZDppYGSOFe1trQwdHz5TiqSWVSx9mAd4TgEk4bu9JKPWM3nNcyxNZd84_386e4WObTis0fa7XFfFGMNToch_t-lKz=s0-d "The TT1650 is a directdrive turntable manufactured by Numark. [1]")
http://upload.wikimedia.org/wikipedia/commons/e/e0/Consumer_Music_Formats_UK_Graph.pngOIP.Md85cedb1ea973c35b461ddbb46a44671o0
1B65D19F690C588E4D3E835BEE42D1CC8349D536Fhttp://cefiro.main.jp/Robert_Garrard.html
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