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: SOLD 194547 Handcrank Victrola style record player, 6 recordshttp://www.eternalgoods.com/P1010246.jpgConnoisseur antique phonograph
The phonograph is a device created in 1877 for the mechanical tracking and reproduction of sound. In its later forms it is also called a gramophone (as a trademark since 1887, as a generic name since c. 1900). The sound vibration waveforms are recorded as equivalent physical deviations of any spiral groove imprinted, etched, incised, or impressed into the surface of the spinning disk or cylinder, called a "record". To recreate the sound, the surface is in the same way rotated while a playback stylus traces the groove and it is therefore vibrated by it, very faintly reproducing the noted sound. In early acoustic phonographs, the stylus vibrated a diaphragm which produced sound waves which were coupled to the open air by way of a flaring horn, or directly to the listener's ears through stethoscope-type earphones. In later electric phonographs (also called record players (since 1940s) or, most recently, turntables), the movements of the stylus are changed into an analogous electronic signal by the transducer, modified back to audio by a loudspeaker then.
The phonograph was invented in 1877 by Thomas Edison. While other inventors got produced devices that can record does sound, Edison's phonograph was the first ever to have the ability to reproduce the registered audio. His phonograph actually recorded audio onto a tinfoil sheet twisted around a revolving cylinder. A stylus responding to acoustics vibrations produced an along or hill-and-dale groove in the foil. Alexander Graham Bell's Volta Laboratory made several improvements in the 1880s, like the use of wax-coated cardboard cylinders, and a cutting stylus that moved from side to side in a "zig zag" groove round the record.
Inside the 1890s, Emile Berliner initiated the move from phonograph cylinders to toned discs with a spiral groove operating from the periphery to close to the center. Later improvements through the entire years included improvements to the turntable and its own drive system, the stylus or needle, and the audio and equalization systems.
The disc phonograph record was the dominant audio recording format throughout almost all of the 20th hundred years. In the mid-1980s on, phonograph use on a standard record player declined because of the rise of the cassette tape sharply, compact disk and other digital recording formats. Data are a well liked format for a few audiophiles and DJs still. Vinyl records are used by some DJs and musicians in their concert performances still. Musicians continue to release their recordings on vinyl records. The initial recordings of musicians are sometimes re-issued on vinyl.
Usage of terminology is not standard over the English-speaking world (see below). In newer usage, the playback device is often called a "turntable", "record player", or "record changer". When found in conjunction with a mixing machine as part of a DJ setup, turntables tend to be called "decks".
The term phonograph ("sound writing") was produced from the Greek words ???? (phon?, "sound" or "voice") and ????? (graph?, "writing"). The similar related conditions gramophone (from the Greek ?????? gramma "letter" and ???? ph?n? "words") and graphophone have similar root meanings. The origins were already familiar from existing 19th-century words such as photo ("light writing"), telegraph ("distant writing"), and phone ("distant sound"). The brand new term might have been inspired by the existing words phonographic and phonography, which described a system of phonetic shorthand; in 1852 THE BRAND NEW York Times carried an advertisements for "Professor Webster's phonographic class", and in 1859 the brand new York State Professors Connection tabled a action to "hire a phonographic recorder" to record its meetings.
Arguably, any device used to track record audio or reproduce saved audio could be called a kind of "phonograph", however in common practice the portrayed word has come to indicate ancient solutions of sound recording, regarding audio-frequency modulations of any physical groove or track.
In the past due 19th and early 20th decades, "Phonograph", "Gramophone", "Graphophone", "Zonophone" and the like were still brand names specific to various producers of sometimes completely different (i.e. cylinder and disk) machines; so significant use was manufactured from the generic term "talking machine", in print especially. "Talking machine" had earlier been used to make reference to complicated devices which produced a crude imitation of speech, by simulating the workings of the vocal cords, tongue, and mouth - a potential way to obtain misunderstandings both and now then.
In British British, "gramophone" may make reference to any sound-reproducing machine using disk records, which were launched and popularized in the UK by the Gramophone Company. Originally, "gramophone" was a proprietary trademark of this company and any use of the name by competing makers of disc records was vigorously prosecuted in the courts, however in 1910 an English court decision decreed that this had become a generic term; it's been so used in the united kingdom and most Commonwealth countries since. The term "phonograph" was usually restricted to machines which used cylinder records.
"Gramophone" generally referred to a wind-up machine. After the advantages of the softer vinyl files, 33 1/3-rpm LPs (long-playing documents) and 45-rpm "single" or two-song documents, and EPs (extended-play recordings), the normal name became "record player" or "turntable". Often the home record player was part of a system that included a radio (radiogram) and, later, might play audiotape cassettes also. From about 1960, such a system began to certainly be a "hi-fi" (high-fidelity, monophonic) or a "stereo" (most systems being stereophonic by the mid-1960s).
In Australian English, "record player" was the word; "turntable" was a more complex term; "gramophone" was limited to the old mechanical (i.e., wind-up) players; and "phonograph" was used just as British English.
AM/FM Stereo Radio and Phonograph Photo 910162 Canuck Audio Mart
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65A41E8303839779D2559F0737A4CFB1C5BEFA9E7http://thefedoralounge.com/showthread.php?40974-sold-1945-47-hand-crank-victrola-style-record-player-6-records
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: SOLD 194547 Handcrank Victrola style record player, 6 records
: SOLD 194547 Handcrank Victrola style record player, 6 recordshttp://www.eternalgoods.com/P1010241.JPGConnoisseur antique phonograph
The phonograph is a tool created in 1877 for the mechanised tracking and reproduction of audio. In its later forms it is also called a gramophone (as a trademark since 1887, as a generic name since c. 1900). The audio vibration waveforms are recorded as related physical deviations of your spiral groove engraved, etched, incised, or impressed into the surface of an spinning cylinder or disk, called a "record". To recreate the audio, the top is in the same way rotated while a playback stylus traces the groove and is therefore vibrated because of it, very faintly reproducing the saved sound. In early acoustic phonographs, the stylus vibrated a diaphragm which produced sound waves which were coupled to the open air by way of a flaring horn, or right to the listener's ears through stethoscope-type earphones. In later electric phonographs (also called record players (since 1940s) or, lately, turntables), the motions of the stylus are changed into an analogous electronic signal with a transducer, transformed back to sound with a loudspeaker then.
The phonograph was invented in 1877 by Thomas Edison. While other inventors had produced devices which could record looks, Edison's phonograph was the first to be able to reproduce the registered sound. His phonograph formerly recorded audio onto a tinfoil sheet wrapped around a revolving cylinder. A stylus responding to reasonable vibrations produced an along or hill-and-dale groove in the foil. Alexander Graham Bell's Volta Laboratory made several improvements in the 1880s, like the use of wax-coated cardboard cylinders, and a cutting stylus that moved from side to side in a "zig zag" groove across the record.
Within the 1890s, Emile Berliner initiated the transition from phonograph cylinders to flat discs with a spiral groove operating from the periphery to close to the center. Later advancements through the years included changes to the turntable and its drive system, the needle or stylus, and the sound and equalization systems.
The disc phonograph record was the prominent audio taking format throughout almost all of the 20th century. From your mid-1980s on, phonograph use on a standard record player declined sharply as a result of rise of the cassette tape, compact disc and other digital tracking formats. Information are a favorite format for some audiophiles and DJs still. Vinyl records are used by some DJs and musicians in their concert performances still. Musicians continue steadily to release their recordings on vinyl records. The original recordings of musicians are sometimes re-issued on vinyl.
Using terminology is not homogeneous across the English-speaking world (see below). In more modern usage, the playback device is categorised as a "turntable", "record player", or "record changer". When used in conjunction with a mixer within a DJ set up, turntables tend to be called "decks".
The term phonograph ("sound writing") was derived from the Greek words ???? (phon?, "sound" or "voice") and ????? (graph?, "writing"). The similar related conditions gramophone (from the Greek ?????? gramma "notice" and ???? ph?n? "tone of voice") and graphophone have similar main meanings. The root base were already familiar from existing 19th-century words such as picture ("light writing"), telegraph ("distant writing"), and phone ("distant sound"). The brand new term may have been inspired by the prevailing words phonographic and phonography, which described a system of phonetic shorthand; in 1852 THE BRAND NEW York Times taken an ad for "Professor Webster's phonographic class", and in 1859 the brand new York State Educators Connection tabled a action to "employ a phonographic recorder" to track record its meetings.
Probably, any device used to record audio or reproduce noted audio could be called a type of "phonograph", however in common practice the portrayed phrase has come to suggest historical solutions of audio saving, involving audio-frequency modulations of your physical groove or trace.
In the past due 19th and early on 20th generations, "Phonograph", "Gramophone", "Graphophone", "Zonophone" and so on were still brands specific to various makers of sometimes completely different (i.e. cylinder and disk) machines; so appreciable use was manufactured from the common term "talking machine", in print especially. "Talking machine" had earlier been used to make reference to complicated devices which produced a crude imitation of speech, by simulating the workings of the vocal cords, tongue, and lips - a potential source of confusion both and now then.
In British English, "gramophone" may make reference to any sound-reproducing machine using disk records, which were introduced and popularized in the UK by the Gramophone Company. Originally, "gramophone" was a proprietary trademark of that company and any use of the name by competing makers of disc records was vigorously prosecuted in the courts, but in 1910 an English court decision decreed which it had turn into a generic term; it has been so used in the united kingdom & most Commonwealth countries ever since. The word "phonograph" was usually restricted to machines that used cylinder records.
"Gramophone" generally referred to a wind-up machine. After the benefits of the softer vinyl details, 33 1/3-rpm LPs (long-playing records) and 45-rpm "single" or two-song information, and EPs (extended-play recordings), the common name became "record player" or "turntable". Usually the home record player was part of something that included a radio (radiogram) and, later, might also play audiotape cassettes. From about 1960, such a system began to certainly be a "hi-fi" (high-fidelity, monophonic) or a "stereo" (most systems being stereophonic by the mid-1960s).
In Australian British, "record player" was the term; "turntable" was a far more complex term; "gramophone" was restricted to the old mechanised (i.e., wind-up) players; and "phonograph" was used as with British English.
This is an archive / photo reference page of Stereo Turntables we have
http://www.oaktreeent.com/web_photos/Stereo_Turntables_CD/Connoisseur_BD-2A_web.jpgThis is an archive / photo reference page of Stereo Turntables we have
http://www.oaktreevintage.com/web_photos/Stereo_Turntables_CD/BIC-980_Stereo_Turntables_collage.jpgFisher_14397951800_BeltDriven_Semiautomatic_Stereo_Turntable_collage
http://www.oaktreevintage.com/web_photos/Stereo_Turntables_CD/Fisher_143-97951800_Belt-Driven_Semiautomatic_Stereo_Turntable_collage.jpg115. Phonographes amp; Cinématographes LUX, 1906 + Force et Lumière
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15A41E8303839779D255928B287EF075416B660B2http://thefedoralounge.com/showthread.php?40974-sold-1945-47-hand-crank-victrola-style-record-player-6-records
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: SOLD 194547 Handcrank Victrola style record player, 6 records
: SOLD 194547 Handcrank Victrola style record player, 6 recordshttp://www.eternalgoods.com/P1010242.JPGConnoisseur antique phonograph
The phonograph is a tool invented in 1877 for the mechanised duplication and tracking of sound. In its later forms it is also called a gramophone (as a trademark since 1887, as a generic name since c. 1900). The sound vibration waveforms are documented as matching physical deviations of the spiral groove engraved, etched, incised, or impressed into the surface of a spinning disk or cylinder, called a "record". To recreate the audio, the top is similarly rotated while a playback stylus traces the groove which is therefore vibrated by it, very reproducing the noted audio faintly. In early acoustic phonographs, the stylus vibrated a diaphragm which produced sound waves which were coupled to the open air by using a flaring horn, or directly to the listener's ears through stethoscope-type earphones. In later electric phonographs (also known as record players (since 1940s) or, most recently, turntables), the movements of the stylus are changed into an analogous electro-mechanical signal by way of a transducer, changed back to audio with a loudspeaker then.
The phonograph was invented in 1877 by Thomas Edison. While other inventors possessed produced devices that could record looks, Edison's phonograph was the first ever to have the ability to reproduce the documented sound. His phonograph at first recorded audio onto a tinfoil sheet covered around a spinning cylinder. A stylus giving an answer to sound vibrations produced an and down or hill-and-dale groove in the foil up. Alexander Graham Bell's Volta Laboratory made several improvements in the 1880s, including the use of wax-coated cardboard cylinders, and a cutting stylus that moved from side to side in a "zig zag" groove surrounding the record.
Inside the 1890s, Emile Berliner initiated the changeover from phonograph cylinders to smooth discs with a spiral groove jogging from the periphery to near to the center. Later advancements through the entire years included adjustments to the turntable and its own drive system, the stylus or needle, and the sound and equalization systems.
The disc phonograph record was the dominating audio saving format throughout most of the 20th hundred years. From mid-1980s on, phonograph use on a standard record player declined due to rise of the cassette tape sharply, compact disk and other digital recording formats. Information remain a popular format for some audiophiles and DJs. Vinyl records are still utilized by some DJs and musicians in their concert performances. Musicians continue steadily to release their recordings on vinyl records. The initial recordings of musicians are occasionally re-issued on vinyl.
Using terminology is not uniform across the English-speaking world (see below). In more modern usage, the playback device is categorised as a "turntable", "record player", or "record changer". When used in conjunction with a mixing machine as part of a DJ setup, turntables tend to be called "decks".
The word phonograph ("sound writing") was produced from the Greek words ???? (phon?, "sound" or "voice") and ????? (graph?, "writing"). The similar related terms gramophone (from the Greek ?????? gramma "notice" and ???? ph?n? "voice") and graphophone have similar root meanings. The roots were already familiar from existing 19th-century words such as photo ("light writing"), telegraph ("distant writing"), and phone ("distant sound"). The new term may have been influenced by the existing words phonographic and phonography, which described a system of phonetic shorthand; in 1852 The New York Times carried an advertisements for "Professor Webster's phonographic class", and in 1859 the brand new York State Teachers Association tabled a action to "hire a phonographic recorder" to record its meetings.
Probably, any device used to record sound or reproduce documented audio could be called a type of "phonograph", however in common practice the expressed word has come to mean historic systems of audio documenting, concerning audio-frequency modulations of a physical trace or groove.
In the late 19th and early 20th ages, "Phonograph", "Gramophone", "Graphophone", "Zonophone" and so on were still brand names specific to various designers of sometimes completely different (i.e. cylinder and disk) machines; so sizeable use was made of the universal term "talking machine", in print especially. "Talking machine" had earlier been used to make reference to complicated devices which produced a crude imitation of speech, by simulating the workings of the vocal cords, tongue, and mouth - a potential source of distress both and today then.
In British English, "gramophone" may refer to any sound-reproducing machine using disk records, that have been unveiled and popularized in the UK by the Gramophone Company. Originally, "gramophone" was a proprietary trademark of that company and any use of the name by competing makers of disc records was vigorously prosecuted in the courts, but in 1910 an English court decision decreed that it had turn into a generic term; it has been so used in the UK and most Commonwealth countries ever since. The term "phonograph" was usually limited to machines that used cylinder records.
"Gramophone" generally referred to a wind-up machine. After the launch of the softer vinyl details, 33 1/3-rpm LPs (long-playing data) and 45-rpm "single" or two-song information, and EPs (extended-play recordings), the common name became "record player" or "turntable". Usually the home record player was part of a system that included a radio (radiogram) and, later, might play audiotape cassettes also. From about 1960, such something began to be described as a "hi-fi" (high-fidelity, monophonic) or a "stereo" (most systems being stereophonic by the mid-1960s).
In Australian British, "record player" was the term; "turntable" was a far more technical term; "gramophone" was restricted to the old mechanised (i.e., wind-up) players; and "phonograph" was used as in British English.
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https://i.ytimg.com/vi/5aw4SI7yUMM/hqdefault.jpgVintage turntable advertising, from HiFi News, October 1967
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45A41E8303839779D25590BFBE593FFB39819AE34http://thefedoralounge.com/showthread.php?40974-sold-1945-47-hand-crank-victrola-style-record-player-6-records
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: SOLD 194547 Handcrank Victrola style record player, 6 records
: SOLD 194547 Handcrank Victrola style record player, 6 recordshttp://www.eternalgoods.com/P1010250.jpgConnoisseur antique phonograph
The phonograph is a device created in 1877 for the mechanised duplication and tracking of audio. In its later forms it is also called a gramophone (as a trademark since 1887, as a generic name since c. 1900). The sound vibration waveforms are documented as corresponding physical deviations of a spiral groove engraved, etched, incised, or impressed in to the surface of your rotating disk or cylinder, called a "record". To recreate the sound, the top is similarly rotated while a playback stylus traces the groove and is also therefore vibrated because of it, very reproducing the registered audio faintly. In early acoustic phonographs, the stylus vibrated a diaphragm which produced sound waves which were coupled to the open air through a flaring horn, or directly to the listener's ears through stethoscope-type earphones. In later electric phonographs (also called record players (since 1940s) or, most recently, turntables), the motions of the stylus are changed into an analogous electric signal by the transducer, transformed back into sound with a loudspeaker then.
The phonograph was created in 1877 by Thomas Edison. While other inventors possessed produced devices which could record looks, Edison's phonograph was the first ever to be able to reproduce the saved sound. His phonograph formerly recorded audio onto a tinfoil sheet wrapped around a spinning cylinder. A stylus giving an answer to appear vibrations produced an and down or hill-and-dale groove in the foil up. Alexander Graham Bell's Volta Laboratory made several improvements in the 1880s, like the use of wax-coated cardboard cylinders, and a cutting stylus that moved from side to side in a "zig zag" groove around the record.
In the 1890s, Emile Berliner initiated the changeover from phonograph cylinders to flat discs with a spiral groove running from the periphery to nearby the center. Later improvements through the years included improvements to the turntable and its own drive system, the stylus or needle, and the sound and equalization systems.
The disk phonograph record was the prominent audio tracking format throughout almost all of the 20th century. In the mid-1980s on, phonograph use on a standard record player declined sharply due to rise of the cassette tape, compact disk and other digital recording formats. Documents are a favorite format for some audiophiles and DJs still. Vinyl records are used by some DJs and musicians in their concert performances still. Musicians continue to release their recordings on vinyl records. The initial recordings of musicians are re-issued on vinyl sometimes.
Usage of terminology is not homogeneous across the English-speaking world (see below). In more modern usage, the playback device is called a "turntable", "record player", or "record changer". When found in conjunction with a mixer within a DJ setup, turntables are often called "decks".
The term phonograph ("sound writing") was produced from the Greek words ???? (phon?, "sound" or "voice") and ????? (graph?, "writing"). The similar related terms gramophone (from the Greek ?????? gramma "letter" and ???? ph?n? "words") and graphophone have similar main meanings. The origins were already familiar from existing 19th-century words such as picture ("light writing"), telegraph ("distant writing"), and mobile phone ("distant sound"). The new term may have been inspired by the prevailing words phonographic and phonography, which described something of phonetic shorthand; in 1852 THE BRAND NEW York Times taken an advert for "Professor Webster's phonographic class", and in 1859 the brand new York State Professors Relationship tabled a motion to "employ a phonographic recorder" to track record its meetings.
Arguably, any device used to track record sound or reproduce documented sound could be called a kind of "phonograph", however in common practice the indicated expression has come to suggest traditional technology of audio documenting, affecting audio-frequency modulations of any physical groove or track.
In the later 19th and early on 20th hundreds of years, "Phonograph", "Gramophone", "Graphophone", "Zonophone" and the like were still brands specific to various manufacturers of sometimes very different (i.e. cylinder and disk) machines; so substantial use was manufactured from the general term "talking machine", especially in print. "Talking machine" had earlier been used to make reference to complicated devices which produced a crude imitation of speech, by simulating the workings of the vocal cords, tongue, and lips - a potential way to obtain confusion both then and today.
In British British, "gramophone" may refer to any sound-reproducing machine using disk records, that have been popularized and released in the UK by the Gramophone Company. Originally, "gramophone" was a proprietary trademark of this company and any use of the name by competing makers of disc records was vigorously prosecuted in the courts, however in 1910 an English court decision decreed it had become a generic term; it has been so used in the united kingdom & most Commonwealth countries since. The word "phonograph" was usually restricted to machines which used cylinder records.
"Gramophone" generally described a wind-up machine. After the advantages of the softer vinyl details, 33 1/3-rpm LPs (long-playing details) and 45-rpm "single" or two-song documents, and EPs (extended-play recordings), the common name became "record player" or "turntable". Often the home record player was part of a system that included a radio (radiogram) and, later, might play audiotape cassettes also. From about 1960, such something began to certainly be a "hi-fi" (high-fidelity, monophonic) or a "stereo" (most systems being stereophonic by the mid-1960s).
In Australian English, "record player" was the word; "turntable" was a more specialized term; "gramophone" was restricted to the old mechanised (i.e., wind-up) players; and "phonograph" was used just as British English.
This is an archive / photo reference page of Stereo Turntables we have
http://www.oaktreevintage.com/web_photos/Stereo_Turntables_CD/BIC-980_Stereo_Turntables_web.jpgVINTAGE CONNOISSEUR BD/2A
http://www.oaktreeent.com/web_photos/Stereo_Turntables_CD/HK_HD100_CDplayer_collage.jpgantique music boxes antique desks antique chairs antique lamps antique
http://souhantq.com/wp-content/uploads/2015/11/vi1-1024x754.jpgReginaphone Govornor Gear Antique Music Box Parts Al Meekins eBay
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55A41E8303839779D25597126B5CAFEBE29369A72http://thefedoralounge.com/showthread.php?40974-sold-1945-47-hand-crank-victrola-style-record-player-6-records
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