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The phonograph is a device developed in 1877 for the mechanical reproduction and tracking of audio. In its later forms additionally it is called a gramophone (as a trademark since 1887, as a generic name since c. 1900). The sound vibration waveforms are registered as related physical deviations of your spiral groove imprinted, etched, incised, or impressed into the surface of your revolving disk or cylinder, called a "record". To recreate the audio, the top is likewise rotated while a playback stylus traces the groove and is also therefore vibrated by it, very faintly reproducing the documented audio. In early acoustic phonographs, the stylus vibrated a diaphragm which produced sound waves which were coupled to the open air by using a flaring horn, or right to the listener's ears through stethoscope-type earphones. In later electric phonographs (also called record players (since 1940s) or, lately, turntables), the motions of the stylus are changed into an analogous electrical power signal by the transducer, converted back to audio by a loudspeaker then.
The phonograph was created in 1877 by Thomas Edison. While other inventors experienced produced devices that may record tones, Edison's phonograph was the first ever to have the ability to reproduce the documented audio. His phonograph at first recorded audio onto a tinfoil sheet covered around a rotating cylinder. A stylus responding to appear vibrations produced an and down or hill-and-dale groove in the foil up. Alexander Graham Bell's Volta Laboratory made several improvements in the 1880s, including the use of wax-coated cardboard cylinders, and a cutting stylus that moved laterally in a "zig zag" groove round the record.
In the 1890s, Emile Berliner initiated the move from phonograph cylinders to smooth discs with a spiral groove running from the periphery to near to the center. Later improvements through the entire years included changes to the turntable and its drive system, the needle or stylus, and the audio and equalization systems.
The disc phonograph record was the dominant audio taking format throughout the majority of the 20th century. In the mid-1980s on, phonograph use on a standard record player declined sharply due to rise of the cassette tape, compact disk and other digital taking formats. Information are a favorite format for a few audiophiles and DJs still. Vinyl records are still utilized by some DJs and musicians in their concert performances. Musicians continue to release their recordings on vinyl records. The original recordings of musicians are re-issued on vinyl fabric sometimes.
Using terminology is not uniform across the English-speaking world (see below). In newer usage, the playback device is categorised as a "turntable", "record player", or "record changer". When found in conjunction with a mixing machine within a DJ set up, turntables tend to be called "decks".
The word phonograph ("sound writing") was produced from the Greek words ???? (phon?, "sound" or "voice") and ????? (graph?, "writing"). The similar related terms gramophone (from the Greek ?????? gramma "notice" and ???? ph?n? "tone of voice") and graphophone have similar main meanings. The root base were already familiar from existing 19th-century words such as picture ("light writing"), telegraph ("distant writing"), and phone ("distant sound"). The new term might have been affected by the existing words phonographic and phonography, which described a system of phonetic shorthand; in 1852 THE BRAND NEW York Times carried an advertisement for "Professor Webster's phonographic class", and in 1859 the New York State Teachers Relationship tabled a movement to "employ a phonographic recorder" to record its meetings.
Probably, any device used to track record sound or reproduce recorded audio could be called a type of "phonograph", however in common practice the word has come to suggest traditional systems of reasonable tracking, affecting audio-frequency modulations of the physical groove or track.
In the past due 19th and early on 20th centuries, "Phonograph", "Gramophone", "Graphophone", "Zonophone" and the like were still brand names specific to various producers of sometimes very different (i.e. cylinder and disk) machines; so extensive use was made of the general term "talking machine", in print especially. "Talking machine" had earlier been used to refer to complicated devices which produced a crude imitation of speech, by simulating the workings of the vocal cords, tongue, and lips - a potential source of confusion both and now then.
In British British, "gramophone" may refer to any sound-reproducing machine using disk records, that have been popularized and released in the UK by the Gramophone Company. Originally, "gramophone" was a proprietary trademark of this company and any use of the name by competing makers of disc records was vigorously prosecuted in the courts, but in 1910 an English court decision decreed so it had become a generic term; it has been so used in the united kingdom and most Commonwealth countries since. The term "phonograph" was usually limited to machines which used cylinder records.
"Gramophone" generally described a wind-up machine. Following the release of the softer vinyl data, 33 1/3-rpm LPs (long-playing files) and 45-rpm "single" or two-song files, and EPs (extended-play recordings), the common name became "record player" or "turntable". Usually the home record player was part of a system that included a radio (radiogram) and, later, might also play audiotape cassettes. From about 1960, such a system began to be described as a "hi-fi" (high-fidelity, monophonic) or a "stereo" (most systems being stereophonic by the mid-1960s).
In Australian English, "record player" was the term; "turntable" was a more technological term; "gramophone" was restricted to the old mechanical (i.e., wind-up) players; and "phonograph" was used as with British English.
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This is an archive / photo reference page of Stereo Turntables we havehttp://www.oaktreevintage.com/web_photos/Stereo_Turntables_CD/Connoisseur_BD-2A_T-Table_collage.jpgConnoisseur antique phonograph
The phonograph is a device created in 1877 for the mechanical reproduction and recording of sound. In its later forms it is also called a gramophone (as a trademark since 1887, as a generic name since c. 1900). The audio vibration waveforms are registered as corresponding physical deviations of your spiral groove engraved, etched, incised, or impressed into the surface of an spinning disk or cylinder, called a "record". To recreate the sound, the surface is in the same way rotated while a playback stylus traces the groove and it is therefore vibrated by it, very faintly reproducing the noted audio. In early acoustic phonographs, the stylus vibrated a diaphragm which produced sound waves which were coupled to the open air via a flaring horn, or right to the listener's ears through stethoscope-type earphones. In later electric phonographs (also called record players (since 1940s) or, most recently, turntables), the motions of the stylus are changed into an analogous electronic signal by a transducer, converted back to audio by a loudspeaker then.
The phonograph was created in 1877 by Thomas Edison. While other inventors acquired produced devices that could record noises, Edison's phonograph was the first ever to have the ability to reproduce the noted sound. His phonograph originally recorded sound onto a tinfoil sheet wrapped around a revolving cylinder. A stylus responding to acoustics vibrations produced an along or hill-and-dale groove in the foil. Alexander Graham Bell's Volta Laboratory made several improvements in the 1880s, like the use of wax-coated cardboard cylinders, and a cutting stylus that moved laterally in a "zig zag" groove throughout the record.
In the 1890s, Emile Berliner initiated the move from phonograph cylinders to even discs with a spiral groove jogging from the periphery to near to the center. Later improvements through the entire years included modifications to the turntable and its own drive system, the needle or stylus, and the equalization and sound systems.
The disc phonograph record was the prominent audio saving format throughout the majority of the 20th hundred years. From your mid-1980s on, phonograph use on a standard record player declined sharply because of the rise of the cassette tape, compact disc and other digital saving formats. Data are still a favorite format for some audiophiles and DJs. Vinyl records are still employed by some DJs and musicians in their concert performances. Musicians continue steadily to release their recordings on vinyl records. The initial recordings of music artists are re-issued on vinyl fabric sometimes.
Using terminology is not standard across the English-speaking world (see below). In more modern usage, the playback device is named a "turntable", "record player", or "record changer". When used in conjunction with a mixing machine within a DJ setup, turntables tend to be called "decks".
The word phonograph ("sound writing") was derived from the Greek words ???? (phon?, "sound" or "voice") and ????? (graph?, "writing"). The similar related conditions gramophone (from the Greek ?????? gramma "letter" and ???? ph?n? "voice") and graphophone have similar root meanings. The root base were already familiar from existing 19th-century words such as photo ("light writing"), telegraph ("distant writing"), and phone ("distant sound"). The new term may have been affected by the existing words phonographic and phonography, which referred to a system of phonetic shorthand; in 1852 The New York Times taken an advertisement for "Professor Webster's phonographic class", and in 1859 the New York State Professors Association tabled a movement to "hire a phonographic recorder" to track record its meetings.
Probably, any device used to record audio or reproduce recorded sound could be called a type of "phonograph", but in common practice the word has come to mean ancient systems of sound tracking, including audio-frequency modulations of the physical groove or track.
In the overdue 19th and early on 20th centuries, "Phonograph", "Gramophone", "Graphophone", "Zonophone" and the like were still brand names specific to various manufacturers of sometimes completely different (i.e. cylinder and disk) machines; so considerable use was manufactured from the universal term "talking machine", in print especially. "Talking machine" had earlier been used to make reference to complicated devices which produced a crude imitation of speech, by simulating the workings of the vocal cords, tongue, and lips - a potential way to obtain confusion both then and now.
In British English, "gramophone" may refer to any sound-reproducing machine using disc records, that have been launched and popularized in the united kingdom by the Gramophone Company. Originally, "gramophone" was a proprietary trademark of that company and any use of the name by competing makers of disc records was vigorously prosecuted in the courts, but in 1910 an English court decision decreed which it had turn into a generic term; it's been so used in the united kingdom & most Commonwealth countries ever since. The word "phonograph" was usually limited to machines that used cylinder records.
"Gramophone" generally referred to a wind-up machine. Following the advantages of the softer vinyl fabric records, 33 1/3-rpm LPs (long-playing information) and 45-rpm "single" or two-song files, and EPs (extended-play recordings), the normal name became "record player" or "turntable". Often the home record player was part of a system that included a radio (radiogram) and, later, might play audiotape cassettes also. From about 1960, such a system began to certainly be a "hi-fi" (high-fidelity, monophonic) or a "stereo" (most systems being stereophonic by the mid-1960s).
In Australian English, "record player" was the term; "turntable" was a more technological term; "gramophone" was limited to the old mechanised (i.e., wind-up) players; and "phonograph" was used as in British English.
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http://imagehost.vendio.com/a/35112296/aview/__KGrHqYOKi_E2nLNY8kRBNyMfs_Tt____1.JPGThis is an archive / photo reference page of Stereo Turntables we have
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Naim Audio Nait 2 quot;olivequot; a must have Analog Lovers Pinteresthttp://www.vintagehificlub.com/wp-content/uploads/2013/09/ear-834p-signature.jpgLinn Products antique phonograph
The phonograph is a tool created in 1877 for the mechanical taking and duplication of audio. In its later forms additionally it is called a gramophone (as a trademark since 1887, as a generic name since c. 1900). The sound vibration waveforms are documented as corresponding physical deviations of any spiral groove etched, etched, incised, or impressed in to the surface of your rotating cylinder or disc, called a "record". To recreate the audio, the top is similarly rotated while a playback stylus traces the groove and is therefore vibrated by it, very reproducing the documented sound faintly. In early acoustic phonographs, the stylus vibrated a diaphragm which produced sound waves which were coupled to the open air through the flaring horn, or directly to the listener's ears through stethoscope-type earphones. In later electric phonographs (also known as record players (since 1940s) or, lately, turntables), the motions of the stylus are converted into an analogous electric signal by the transducer, then modified back into audio with a loudspeaker.
The phonograph was developed in 1877 by Thomas Edison. While other inventors experienced produced devices that may record does sound, Edison's phonograph was the first ever to be able to reproduce the noted audio. His phonograph formerly recorded sound onto a tinfoil sheet twisted around a revolving cylinder. A stylus giving an answer to sound vibrations produced an and down or hill-and-dale groove in the foil up. Alexander Graham Bell's Volta Laboratory made several improvements in the 1880s, including the use of wax-coated cardboard cylinders, and a cutting stylus that moved laterally in a "zig zag" groove surrounding the record.
In the 1890s, Emile Berliner initiated the move from phonograph cylinders to level discs with a spiral groove running from the periphery to near to the center. Later improvements through the entire years included adjustments to the turntable and its drive system, the needle or stylus, and the audio and equalization systems.
The disc phonograph record was the dominant audio tracking format throughout the majority of the 20th hundred years. From your mid-1980s on, phonograph use on a standard record player declined sharply due to rise of the cassette tape, compact disk and other digital taking formats. Files are a well liked format for some audiophiles and DJs still. Vinyl records are used by some DJs and musicians in their concert performances still. Musicians continue steadily to release their recordings on vinyl records. The original recordings of music artists are re-issued on vinyl fabric sometimes.
Using terminology is not even across the English-speaking world (see below). In more modern usage, the playback device is often called a "turntable", "record player", or "record changer". When used in conjunction with a mixing machine within a DJ setup, turntables are often called "decks".
The word phonograph ("sound writing") was derived from the Greek words ???? (phon?, "sound" or "voice") and ????? (graph?, "writing"). The similar related terms gramophone (from the Greek ?????? gramma "notice" and ???? ph?n? "words") and graphophone have similar main meanings. The root base were already familiar from existing 19th-century words such as photo ("light writing"), telegraph ("distant writing"), and cell phone ("distant sound"). The new term may have been affected by the prevailing words phonographic and phonography, which described something of phonetic shorthand; in 1852 The New York Times carried an advertising campaign for "Professor Webster's phonographic class", and in 1859 the brand new York State Professors Relationship tabled a action to "employ a phonographic recorder" to track record its meetings.
Arguably, any device used to record sound or reproduce noted sound could be called a kind of "phonograph", but in common practice the word has come to signify ancient technology of reasonable tracking, relating audio-frequency modulations of the physical groove or track.
In the past due 19th and early on 20th hundreds of years, "Phonograph", "Gramophone", "Graphophone", "Zonophone" and so on were still brands specific to various manufacturers of sometimes very different (i.e. cylinder and disc) machines; so appreciable use was manufactured from the universal term "talking machine", in print especially. "Talking machine" had earlier been used to refer to complicated devices which produced a crude imitation of speech, by simulating the workings of the vocal cords, tongue, and mouth - a potential way to obtain misunderstanding both and now then.
In British British, "gramophone" may make reference to any sound-reproducing machine using disk records, which were popularized and unveiled in the UK by the Gramophone Company. Originally, "gramophone" was a proprietary trademark of that company and any use of the name by competing makers of disc records was vigorously prosecuted in the courts, but in 1910 an English court decision decreed it had become a generic term; it has been so used in the united kingdom and most Commonwealth countries ever since. The word "phonograph" was usually limited to machines which used cylinder records.
"Gramophone" generally referred to a wind-up machine. Following the release of the softer vinyl details, 33 1/3-rpm LPs (long-playing details) and 45-rpm "single" or two-song records, and EPs (extended-play recordings), the normal name became "record player" or "turntable". Usually the home record player was part of a system that included a radio (radiogram) and, later, might play audiotape cassettes also. From about 1960, such something began to be described as a "hi-fi" (high-fidelity, monophonic) or a "stereo" (most systems being stereophonic by the mid-1960s).
In Australian British, "record player" was the term; "turntable" was a more specialized term; "gramophone" was restricted to the old mechanical (i.e., wind-up) players; and "phonograph" was used such as British English.
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