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Lyric Phonograph Company phonographhttps://upload.wikimedia.org/wikipedia/commons/thumb/e/ee/Lyric_phonograph_-_Bayernhof_Museum_-_DSC06375.JPG/220px-Lyric_phonograph_-_Bayernhof_Museum_-_DSC06375.JPGIGB Eletrônica antique phonograph
The phonograph is a device created in 1877 for the mechanical recording and duplication of audio. In its later forms it is also called a gramophone (as a trademark since 1887, as a generic name since c. 1900). The audio vibration waveforms are saved as corresponding physical deviations of a spiral groove engraved, etched, incised, or impressed into the surface of any spinning disc or cylinder, called a "record". To recreate the sound, the top is likewise rotated while a playback stylus traces the groove and is therefore vibrated because of it, very reproducing the saved audio faintly. In early acoustic phonographs, the stylus vibrated a diaphragm which produced sound waves which were coupled to the open air through the flaring horn, or directly to the listener's ears through stethoscope-type earphones. In later electric phonographs (also known as record players (since 1940s) or, most recently, turntables), the movements of the stylus are converted into an analogous electrical power signal by the transducer, changed back into audio by the loudspeaker then.
The phonograph was developed in 1877 by Thomas Edison. While other inventors possessed produced devices that could record tones, Edison's phonograph was the first ever to have the ability to reproduce the registered sound. His phonograph originally recorded audio onto a tinfoil sheet covered around a spinning cylinder. A stylus giving an answer to sound vibrations produced an and down or hill-and-dale groove in the foil up. Alexander Graham Bell's Volta Laboratory made several improvements in the 1880s, including the use of wax-coated cardboard cylinders, and a cutting stylus that moved from side to side in a "zig zag" groove across the record.
Inside the 1890s, Emile Berliner initiated the change from phonograph cylinders to chiseled discs with a spiral groove jogging from the periphery to near the center. Later advancements over time included alterations to the turntable and its drive system, the needle or stylus, and the equalization and audio systems.
The disc phonograph record was the dominating audio recording format throughout the majority of the 20th hundred years. In the mid-1980s on, phonograph use on a standard record player declined as a result of rise of the cassette tape sharply, compact disk and other digital tracking formats. Files are a popular format for some audiophiles and DJs still. Vinyl records are used by some DJs and musicians in their concert performances still. Musicians continue to release their recordings on vinyl records. The initial recordings of music artists are re-issued on vinyl sometimes.
Usage of terminology is not uniform over the English-speaking world (see below). In newer usage, the playback device is often called a "turntable", "record player", or "record changer". When used in conjunction with a mixing machine as part of a DJ setup, turntables are often called "decks".
The term phonograph ("sound writing") was produced from the Greek words ???? (phon?, "sound" or "voice") and ????? (graph?, "writing"). The similar related terms gramophone (from the Greek ?????? gramma "letter" and ???? ph?n? "voice") and graphophone have similar main meanings. The root base were already familiar from existing 19th-century words such as photo ("light writing"), telegraph ("distant writing"), and cell phone ("distant sound"). The brand new term might have been inspired by the existing words phonographic and phonography, which described a system of phonetic shorthand; in 1852 THE BRAND NEW York Times taken an advertising campaign for "Professor Webster's phonographic class", and in 1859 the brand new York State Instructors Association tabled a motion to "hire a phonographic recorder" to track record its meetings.
Arguably, any device used to track record audio or reproduce noted sound could be called a type of "phonograph", but in common practice the expressed term has come to mean traditional systems of audio documenting, regarding audio-frequency modulations of the physical groove or trace.
In the late 19th and early on 20th generations, "Phonograph", "Gramophone", "Graphophone", "Zonophone" and the like were still brand names specific to various creators of sometimes very different (i.e. cylinder and disk) machines; so significant use was manufactured from the universal term "talking machine", in print especially. "Talking machine" had earlier been used to make reference to complicated devices which produced a crude imitation of speech, by simulating the workings of the vocal cords, tongue, and mouth - a potential way to obtain misunderstanding both and now then.
In British British, "gramophone" may make reference to any sound-reproducing machine using disc records, that have been unveiled and popularized in the united kingdom by the Gramophone Company. Originally, "gramophone" was a proprietary trademark of this company and any use of the name by competing makers of disc records was vigorously prosecuted in the courts, however in 1910 an English court decision decreed so it had become a generic term; it has been so used in the UK & most Commonwealth countries ever since. The term "phonograph" was usually limited to machines which used cylinder records.
"Gramophone" generally described a wind-up machine. Following the intro of the softer vinyl details, 33 1/3-rpm LPs (long-playing documents) and 45-rpm "single" or two-song files, and EPs (extended-play recordings), the normal name became "record player" or "turntable". Often the home record player was part of something that included a radio (radiogram) and, later, may also play audiotape cassettes. From about 1960, such a system began to be described as a "hi-fi" (high-fidelity, monophonic) or a "stereo" (most systems being stereophonic by the mid-1960s).
In Australian English, "record player" was the word; "turntable" was a more technical term; "gramophone" was restricted to the old mechanised (i.e., wind-up) players; and "phonograph" was used such as British English.
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66337B5A4F101820DC83762F3D58928FF7B0FF754https://en.wikipedia.org/wiki/List_of_phonograph_manufacturers
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Lyric Phonograph Company phonograph
Lyric Phonograph Company phonographhttps://upload.wikimedia.org/wikipedia/commons/thumb/e/ee/Lyric_phonograph_-_Bayernhof_Museum_-_DSC06375.JPG/220px-Lyric_phonograph_-_Bayernhof_Museum_-_DSC06375.JPGGarrard Engineering and Manufacturing Company antique phonograph
The phonograph is a tool invented in 1877 for the mechanical duplication and tracking of sound. In its later forms additionally it is called a gramophone (as a trademark since 1887, as a generic name since c. 1900). The sound vibration waveforms are registered as corresponding physical deviations of a spiral groove imprinted, etched, incised, or impressed in to the surface of any revolving disk or cylinder, called a "record". To recreate the sound, the top is likewise rotated while a playback stylus traces the groove and is therefore vibrated by it, very reproducing the saved audio faintly. In early acoustic phonographs, the stylus vibrated a diaphragm which produced sound waves which were coupled to the open air by way of a flaring horn, or right to the listener's ears through stethoscope-type earphones. In later electric phonographs (also known as record players (since 1940s) or, lately, turntables), the movements of the stylus are changed into an analogous electrical power signal by way of a transducer, modified back into sound by way of a loudspeaker then.
The phonograph was created in 1877 by Thomas Edison. While other inventors had produced devices that could record looks, Edison's phonograph was the first ever to have the ability to reproduce the registered audio. His phonograph originally recorded audio onto a tinfoil sheet wrapped around a spinning cylinder. A stylus giving an answer to sound vibrations produced an up and down or hill-and-dale groove in the foil. Alexander Graham Bell's Volta Laboratory made several improvements in the 1880s, like the use of wax-coated cardboard cylinders, and a cutting stylus that moved from side to side in a "zig zag" groove about the record.
Within the 1890s, Emile Berliner initiated the move from phonograph cylinders to flat discs with a spiral groove jogging from the periphery to near to the center. Later improvements through the full years included improvements to the turntable and its own drive system, the needle or stylus, and the equalization and sound systems.
The disc phonograph record was the prominent audio saving format throughout most of the 20th century. From your mid-1980s on, phonograph use on a standard record player declined due to rise of the cassette tape sharply, compact disk and other digital taking formats. Records remain a well liked format for some audiophiles and DJs. Vinyl records are still used by some DJs and musicians in their concert performances. Musicians continue to release their recordings on vinyl records. The original recordings of music artists are re-issued on vinyl fabric sometimes.
Usage of terminology is not consistent over the English-speaking world (see below). In more modern usage, the playback device is often called a "turntable", "record player", or "record changer". When used in conjunction with a mixing machine as part of a DJ installation, turntables tend to be called "decks".
The word phonograph ("sound writing") was produced from the Greek words ???? (phon?, "sound" or "voice") and ????? (graph?, "writing"). The similar related conditions gramophone (from the Greek ?????? gramma "letter" and ???? ph?n? "voice") and graphophone have similar main meanings. The origins were already familiar from existing 19th-century words such as photograph ("light writing"), telegraph ("distant writing"), and mobile phone ("distant sound"). The new term might have been inspired by the prevailing words phonographic and phonography, which referred to a system of phonetic shorthand; in 1852 The New York Times transported an advertisement for "Professor Webster's phonographic class", and in 1859 the brand new York State Teachers Relationship tabled a movement to "employ a phonographic recorder" to track record its meetings.
Probably, any device used to track record sound or reproduce recorded audio could be called a kind of "phonograph", however in common practice the expressed expression has come to signify traditional systems of sound saving, affecting audio-frequency modulations of your physical groove or track.
In the overdue 19th and early on 20th decades, "Phonograph", "Gramophone", "Graphophone", "Zonophone" and so on were still brands specific to various creators of sometimes completely different (i.e. cylinder and disk) machines; so significant use was made of the common term "talking machine", in print especially. "Talking machine" had earlier been used to refer to complicated devices which produced a crude imitation of speech, by simulating the workings of the vocal cords, tongue, and lips - a potential source of confusion both then and now.
In British British, "gramophone" may make reference to any sound-reproducing machine using disk records, which were created and popularized in the UK by the Gramophone Company. Originally, "gramophone" was a proprietary trademark of that company and any use of the name by competing makers of disc records was vigorously prosecuted in the courts, however in 1910 an English court decision decreed so it had turn into a generic term; it has been so used in the UK and most Commonwealth countries since. The word "phonograph" was usually restricted to machines which used cylinder records.
"Gramophone" generally described a wind-up machine. After the introduction of the softer vinyl fabric documents, 33 1/3-rpm LPs (long-playing data) and 45-rpm "single" or two-song documents, and EPs (extended-play recordings), the common name became "record player" or "turntable". Usually the home record player was part of a system that included a radio (radiogram) and, later, might play audiotape cassettes also. From about 1960, such something began to be described as a "hi-fi" (high-fidelity, monophonic) or a "stereo" (most systems being stereophonic by the mid-1960s).
In Australian British, "record player" was the term; "turntable" was a more technical term; "gramophone" was restricted to the old mechanical (i.e., wind-up) players; and "phonograph" was used just as British English.
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26337B5A4F101820DC83762F3D58928FF7B0FF754https://en.wikipedia.org/wiki/List_of_phonograph_manufacturers
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