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Columbia Phonograph Company antique phonograph
The phonograph is a tool developed in 1877 for the mechanical taking and reproduction of sound. In its later forms additionally it is called a gramophone (as a trademark since 1887, as a generic name since c. 1900). The sound vibration waveforms are recorded as equivalent physical deviations of an spiral groove imprinted, etched, incised, or impressed in to the surface of the rotating disk or cylinder, called a "record". To recreate the sound, the surface is in the same way rotated while a playback stylus traces the groove and it is therefore vibrated by it, very reproducing the saved sound faintly. In early acoustic phonographs, the stylus vibrated a diaphragm which produced sound waves that have been coupled to the open air by way of a flaring horn, or right to the listener's ears through stethoscope-type earphones. In later electric phonographs (also called record players (since 1940s) or, lately, turntables), the motions of the stylus are changed into an analogous electronic signal by the transducer, then altered back into audio by a loudspeaker.
The phonograph was developed in 1877 by Thomas Edison. While other inventors experienced produced devices that could record tones, Edison's phonograph was the first ever to have the ability to reproduce the documented audio. His phonograph actually recorded audio onto a tinfoil sheet wrapped around a spinning cylinder. A stylus responding to sound vibrations produced an and down or hill-and-dale groove in the foil up. Alexander Graham Bell's Volta Laboratory made several improvements in the 1880s, including the use of wax-coated cardboard cylinders, and a cutting stylus that moved from side to side in a "zig zag" groove round the record.
Inside the 1890s, Emile Berliner initiated the change from phonograph cylinders to flat discs with a spiral groove working from the periphery to near the center. Later improvements through the entire years included changes to the turntable and its drive system, the needle or stylus, and the audio and equalization systems.
The disc phonograph record was the prominent audio saving format throughout almost all of the 20th hundred years. From the mid-1980s on, phonograph use on a standard record player declined as a result of rise of the cassette tape sharply, compact disk and other digital taking formats. Details remain a well liked format for some audiophiles and DJs. Vinyl records are still used by some DJs and musicians in their concert performances. Musicians continue steadily to release their recordings on vinyl records. The original recordings of music artists are re-issued on vinyl sometimes.
Usage of terminology is not standard across the English-speaking world (see below). In more modern usage, the playback device is categorised as a "turntable", "record player", or "record changer". When found in conjunction with a mixing machine as part of a DJ set up, turntables tend to be called "decks".
The term phonograph ("sound writing") was produced from the Greek words ???? (phon?, "sound" or "voice") and ????? (graph?, "writing"). The similar related terms gramophone (from the Greek ?????? gramma "letter" and ???? ph?n? "tone of voice") and graphophone have similar root meanings. The origins were already familiar from existing 19th-century words such as photograph ("light writing"), telegraph ("distant writing"), and cell phone ("distant sound"). The new term might have been inspired by the prevailing words phonographic and phonography, which described a system of phonetic shorthand; in 1852 The New York Times transported an advert for "Professor Webster's phonographic class", and in 1859 the brand new York State Educators Association tabled a action to "employ a phonographic recorder" to track record its meetings.
Probably, any device used to track record audio or reproduce registered sound could be called a type of "phonograph", however in common practice the portrayed expression has come to imply ancient technology of sound saving, affecting audio-frequency modulations of any physical track or groove.
In the late 19th and early on 20th ages, "Phonograph", "Gramophone", "Graphophone", "Zonophone" and so on were still brands specific to various makers of sometimes very different (i.e. cylinder and disk) machines; so significant use was manufactured from the common term "talking machine", in print especially. "Talking machine" had earlier been used to refer to complicated devices which produced a crude imitation of speech, by simulating the workings of the vocal cords, tongue, and lip area - a potential source of dilemma both and today then.
In British British, "gramophone" may refer to any sound-reproducing machine using disc records, that have been presented and popularized in the united kingdom by the Gramophone Company. Originally, "gramophone" was a proprietary trademark of this company and any use of the name by competing makers of disc records was vigorously prosecuted in the courts, however in 1910 an English court decision decreed that this had turn into a generic term; it has been so used in the UK and most Commonwealth countries ever since. The term "phonograph" was usually limited to machines that used cylinder records.
"Gramophone" generally referred to a wind-up machine. Following the release of the softer vinyl files, 33 1/3-rpm LPs (long-playing documents) and 45-rpm "single" or two-song information, and EPs (extended-play recordings), the common name became "record player" or "turntable". Often the home record player was part of a system that included a radio (radiogram) and, later, may also play audiotape cassettes. From about 1960, such a system began to certainly be a "hi-fi" (high-fidelity, monophonic) or a "stereo" (most systems being stereophonic by the mid-1960s).
In Australian British, "record player" was the term; "turntable" was a far more specialized term; "gramophone" was restricted to the old mechanised (i.e., wind-up) players; and "phonograph" was used as in British English.
phonographs for sale antique phonographs graphophones gramophones
https://s-media-cache-ak0.pinimg.com/564x/7e/b7/f0/7eb7f047dfec2aab213435eff892f6b9.jpg252: COLUMBIA GRAFONOLA UPRIGHT PHONOGRAPH WITH CARVED : Lot 252
https://p2.liveauctioneers.com/286/10976/2683075_1_l.jpgphonographs for sale antique phonographs graphophones gramophones
Antiques, Art, and Collectibles: Columbia Graphophone Phonograph
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2B66B69D0720F886DD5BA77DE83533FE32B7B8E80http://www.8-track-shack.com/antique-harmony-portable-junior-victrola-by-columbia-phonograph-co-music-machines-phonographs-p-126502.html
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Antique Harmony Portable Junior Victrola By Columbia Phonograph Co
Columbia Phonograph Company antique phonograph
The phonograph is a tool developed in 1877 for the mechanical reproduction and tracking of sound. In its later forms additionally it is called a gramophone (as a trademark since 1887, as a generic name since c. 1900). The audio vibration waveforms are saved as matching physical deviations of any spiral groove engraved, etched, incised, or impressed into the surface of a spinning cylinder or disc, called a "record". To recreate the sound, the surface is in the same way rotated while a playback stylus traces the groove and it is therefore vibrated because of it, very reproducing the noted sound faintly. In early acoustic phonographs, the stylus vibrated a diaphragm which produced sound waves that have been coupled to the open air by using a flaring horn, or right to the listener's ears through stethoscope-type earphones. In later electric phonographs (also known as record players (since 1940s) or, lately, turntables), the movements of the stylus are converted into an analogous electronic signal by a transducer, then transformed back into sound by the loudspeaker.
The phonograph was created in 1877 by Thomas Edison. While other inventors acquired produced devices that can record sounds, Edison's phonograph was the first ever to be able to reproduce the recorded sound. His phonograph at first recorded sound onto a tinfoil sheet covered around a rotating cylinder. A stylus giving an answer to acoustics vibrations produced an up and down or hill-and-dale groove in the foil. Alexander Graham Bell's Volta Laboratory made several improvements in the 1880s, including the use of wax-coated cardboard cylinders, and a cutting stylus that moved laterally in a "zig zag" groove around the record.
In the 1890s, Emile Berliner initiated the transition from phonograph cylinders to flat discs with a spiral groove working from the periphery to near the center. Later improvements over time included modifications to the turntable and its own drive system, the needle or stylus, and the audio and equalization systems.
The disk phonograph record was the dominating audio saving format throughout the majority of the 20th hundred years. From your mid-1980s on, phonograph use on a standard record player declined as a result of rise of the cassette tape sharply, compact disk and other digital recording formats. Documents are a favorite format for some audiophiles and DJs still. Vinyl records are still used by some DJs and musicians in their concert performances. Musicians continue to release their recordings on vinyl records. The original recordings of music artists are sometimes re-issued on vinyl.
Using terminology is not homogeneous across the English-speaking world (see below). In newer usage, the playback device is named a "turntable", "record player", or "record changer". When used in conjunction with a mixer within a DJ set up, turntables are often called "decks".
The term phonograph ("sound writing") was produced from the Greek words ???? (phon?, "sound" or "voice") and ????? (graph?, "writing"). The similar related conditions gramophone (from the Greek ?????? gramma "notice" and ???? ph?n? "words") and graphophone have similar main meanings. The roots were already familiar from existing 19th-century words such as photograph ("light writing"), telegraph ("distant writing"), and mobile phone ("distant sound"). The new term might have been influenced by the prevailing words phonographic and phonography, which described something of phonetic shorthand; in 1852 THE BRAND NEW York Times transported an advertisement for "Professor Webster's phonographic class", and in 1859 the brand new York State Educators Association tabled a movement to "employ a phonographic recorder" to record its meetings.
Arguably, any device used to record audio or reproduce noted audio could be called a kind of "phonograph", however in common practice the expressed word has come to suggest traditional solutions of sound recording, regarding audio-frequency modulations of an physical track or groove.
In the overdue 19th and early on 20th ages, "Phonograph", "Gramophone", "Graphophone", "Zonophone" and the like were still brands specific to various producers of sometimes completely different (i.e. cylinder and disk) machines; so extensive use was manufactured from the common term "talking machine", in print especially. "Talking machine" had earlier been used to refer to complicated devices which produced a crude imitation of speech, by simulating the workings of the vocal cords, tongue, and lip area - a potential way to obtain distress both and now then.
In British English, "gramophone" may refer to any sound-reproducing machine using disk records, that have been popularized and launched in the UK by the Gramophone Company. Originally, "gramophone" was a proprietary trademark of that company and any use of the name by competing makers of disc records was vigorously prosecuted in the courts, but in 1910 an English court decision decreed that it had become a generic term; it's been so used in the united kingdom and most Commonwealth countries ever since. The term "phonograph" was usually limited to machines that used cylinder records.
"Gramophone" generally described a wind-up machine. Following the introduction of the softer vinyl files, 33 1/3-rpm LPs (long-playing records) and 45-rpm "single" or two-song data, and EPs (extended-play recordings), the common name became "record player" or "turntable". Usually the home record player was part of a system that included a radio (radiogram) and, later, may also play audiotape cassettes. From about 1960, such a system began to be described as a "hi-fi" (high-fidelity, monophonic) or a "stereo" (most systems being stereophonic by the mid-1960s).
In Australian English, "record player" was the word; "turntable" was a far more technical term; "gramophone" was limited to the old mechanical (i.e., wind-up) players; and "phonograph" was used just as British English.
Antique Harmony Portable Junior Victrola By Columbia Phonograph Co. at
Lot 1190: Antique Columbia Graphophone Cylinder Phonograph
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Columbia Gramophone Phonograph Type BN 25 Antique Graphophone Rare
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13936946321BA135674AAF215A193E63CBF5E36A2http://8-track-shack.com/antique-harmony-portable-junior-victrola-by-columbia-phonograph-co-p-126502.html
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Antique Harmony Portable Junior Victrola By Columbia Phonograph Co. at
Columbia Phonograph Company antique phonograph
The phonograph is a device invented in 1877 for the mechanised taking and duplication of audio. In its later forms additionally it is called a gramophone (as a trademark since 1887, as a generic name since c. 1900). The sound vibration waveforms are noted as matching physical deviations of any spiral groove engraved, etched, incised, or impressed into the surface of a rotating cylinder or disk, called a "record". To recreate the sound, the surface is likewise rotated while a playback stylus traces the groove and it is therefore vibrated by it, very reproducing the registered sound faintly. In early acoustic phonographs, the stylus vibrated a diaphragm which produced sound waves which were coupled to the open air via a flaring horn, or right to the listener's ears through stethoscope-type earphones. In later electric phonographs (also known as record players (since 1940s) or, lately, turntables), the motions of the stylus are changed into an analogous electronic signal by the transducer, then changed back into sound by way of a loudspeaker.
The phonograph was invented in 1877 by Thomas Edison. While other inventors possessed produced devices which could record noises, Edison's phonograph was the first ever to have the ability to reproduce the recorded audio. His phonograph actually recorded sound onto a tinfoil sheet twisted around a revolving cylinder. A stylus giving an answer to acoustics vibrations produced an along or hill-and-dale groove in the foil. Alexander Graham Bell's Volta Laboratory made several improvements in the 1880s, like the use of wax-coated cardboard cylinders, and a cutting stylus that moved from side to side in a "zig zag" groove across the record.
In the 1890s, Emile Berliner initiated the change from phonograph cylinders to even discs with a spiral groove working from the periphery to near the center. Later improvements through the full years included changes to the turntable and its own drive system, the needle or stylus, and the equalization and audio systems.
The disc phonograph record was the dominating audio taking format throughout the majority of the 20th hundred years. In the mid-1980s on, phonograph use on a standard record player declined because of the rise of the cassette tape sharply, compact disk and other digital taking formats. Data remain a popular format for a few audiophiles and DJs. Vinyl records are still used by some DJs and musicians in their concert performances. Musicians continue steadily to release their recordings on vinyl records. The initial recordings of musicians are sometimes re-issued on vinyl.
Using terminology is not standard across the English-speaking world (see below). In newer usage, the playback device is often called a "turntable", "record player", or "record changer". When used in conjunction with a mixer as part of a DJ installation, turntables are often called "decks".
The word phonograph ("sound writing") was derived from the Greek words ???? (phon?, "sound" or "voice") and ????? (graph?, "writing"). The similar related conditions gramophone (from the Greek ?????? gramma "notice" and ???? ph?n? "tone") and graphophone have similar main meanings. The origins were already familiar from existing 19th-century words such as photo ("light writing"), telegraph ("distant writing"), and phone ("distant sound"). The brand new term might have been inspired by the prevailing words phonographic and phonography, which referred to something of phonetic shorthand; in 1852 The New York Times transported an advert for "Professor Webster's phonographic class", and in 1859 the brand new York State Professors Relationship tabled a motion to "hire a phonographic recorder" to record its meetings.
Probably, any device used to track record sound or reproduce noted audio could be called a kind of "phonograph", however in common practice the expressed term has come to signify ancient systems of audio recording, concerning audio-frequency modulations of an physical trace or groove.
In the past due 19th and early on 20th decades, "Phonograph", "Gramophone", "Graphophone", "Zonophone" and the like were still brands specific to various producers of sometimes very different (i.e. cylinder and disk) machines; so substantial use was manufactured from the common term "talking machine", in print especially. "Talking machine" had earlier been used to make reference to complicated devices which produced a crude imitation of speech, by simulating the workings of the vocal cords, tongue, and lips - a potential source of confusion both then and today.
In British British, "gramophone" may make reference to any sound-reproducing machine using disc records, which were popularized and unveiled in the united kingdom by the Gramophone Company. Originally, "gramophone" was a proprietary trademark of that company and any use of the name by competing makers of disc records was vigorously prosecuted in the courts, but in 1910 an English court decision decreed that it had turn into a generic term; it has been so used in the UK & most Commonwealth countries ever since. The word "phonograph" was usually restricted to machines that used cylinder records.
"Gramophone" generally referred to a wind-up machine. After the release of the softer vinyl details, 33 1/3-rpm LPs (long-playing details) and 45-rpm "single" or two-song details, and EPs (extended-play recordings), the common name became "record player" or "turntable". Often the home record player was part of a system that included a radio (radiogram) and, later, might play audiotape cassettes also. From about 1960, such something began to certainly be a "hi-fi" (high-fidelity, monophonic) or a "stereo" (most systems being stereophonic by the mid-1960s).
In Australian English, "record player" was the word; "turntable" was a more complex term; "gramophone" was restricted to the old mechanical (i.e., wind-up) players; and "phonograph" was used just as British English.
ANTIQPEDIA Columbia BN phonograph 1910
Antique Columbia Graphophone Model BK Cylinder Player Phonograph
Antique Phonograph Information Website: Victor Talking Machine
Antique Columbia Graphophone at Cylinder Oak Phonograph eBay
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7B66B69D0720F886DD5BAFDF4EF4062327D95CCA9http://www.8-track-shack.com/antique-harmony-portable-junior-victrola-by-columbia-phonograph-co-music-machines-phonographs-p-126502.html
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