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The phonograph is a tool invented in 1877 for the mechanical recording and reproduction of audio. In its later forms it is also called a gramophone (as a trademark since 1887, as a generic name since c. 1900). The audio vibration waveforms are noted as matching physical deviations of any spiral groove imprinted, etched, incised, or impressed into the surface of a rotating cylinder or disc, called a "record". To recreate the sound, the surface is in the same way rotated while a playback stylus traces the groove and it is therefore vibrated because of it, very faintly reproducing the noted sound. In early acoustic phonographs, the stylus vibrated a diaphragm which produced sound waves that have been coupled to the open air through the flaring horn, or right to the listener's ears through stethoscope-type earphones. In later electric phonographs (also called record players (since 1940s) or, lately, turntables), the movements of the stylus are converted into an analogous electronic signal with a transducer, turned back to audio with a loudspeaker then.
The phonograph was developed in 1877 by Thomas Edison. While other inventors got produced devices that could record sounds, Edison's phonograph was the first ever to be able to reproduce the registered audio. His phonograph at first recorded sound onto a tinfoil sheet covered around a rotating cylinder. A stylus giving an answer to reasonable vibrations produced an along or hill-and-dale groove in the foil. Alexander Graham Bell's Volta Laboratory made several improvements in the 1880s, like the use of wax-coated cardboard cylinders, and a cutting stylus that moved from side to side in a "zig zag" groove surrounding the record.
Inside the 1890s, Emile Berliner initiated the transition from phonograph cylinders to flat discs with a spiral groove operating from the periphery to near the center. Later improvements over time included modifications to the turntable and its drive system, the needle or stylus, and the equalization and sound systems.
The disk phonograph record was the dominating audio tracking format throughout the majority of the 20th hundred years. From your mid-1980s on, phonograph use on a standard record player declined due to rise of the cassette tape sharply, compact disk and other digital taking formats. Data are a favorite format for a few audiophiles and DJs still. Vinyl records are being used by some DJs and musicians in their concert performances still. Musicians continue to release their recordings on vinyl records. The initial recordings of music artists are sometimes re-issued on vinyl.
Usage of terminology is not homogeneous across the English-speaking world (see below). In more modern usage, the playback device is often called a "turntable", "record player", or "record changer". When found in conjunction with a mixer as part of a DJ installation, turntables are often called "decks".
The term phonograph ("sound writing") was derived from the Greek words ???? (phon?, "sound" or "voice") and ????? (graph?, "writing"). The similar related conditions gramophone (from the Greek ?????? gramma "letter" and ???? ph?n? "speech") and graphophone have similar main meanings. The roots were already familiar from existing 19th-century words such as photograph ("light writing"), telegraph ("distant writing"), and telephone ("distant sound"). The brand new term may have been inspired by the existing words phonographic and phonography, which referred to something of phonetic shorthand; in 1852 The New York Times carried an advert for "Professor Webster's phonographic class", and in 1859 the New York State Educators Connection tabled a action to "hire a phonographic recorder" to record its meetings.
Arguably, any device used to record audio or reproduce recorded audio could be called a kind of "phonograph", however in common practice the word has come to indicate ancient technologies of reasonable saving, affecting audio-frequency modulations of the physical track or groove.
In the past due 19th and early 20th ages, "Phonograph", "Gramophone", "Graphophone", "Zonophone" and so on were still brand names specific to various manufacturers of sometimes very different (i.e. cylinder and disk) machines; so substantial use was made of the universal term "talking machine", especially in print. "Talking machine" had earlier been used to make reference to complicated devices which produced a crude imitation of speech, by simulating the workings of the vocal cords, tongue, and mouth - a potential way to obtain misunderstanding both and now then.
In British English, "gramophone" may refer to any sound-reproducing machine using disc records, that have been presented and popularized in the united kingdom by the Gramophone Company. Originally, "gramophone" was a proprietary trademark of this company and any use of the name by competing makers of disc records was vigorously prosecuted in the courts, but in 1910 an English court decision decreed which it had become a generic term; it's been so used in the united kingdom and most Commonwealth countries ever since. The term "phonograph" was usually restricted to machines that used cylinder records.
"Gramophone" generally described a wind-up machine. After the intro of the softer vinyl fabric documents, 33 1/3-rpm LPs (long-playing records) and 45-rpm "single" or two-song data, and EPs (extended-play recordings), the normal name became "record player" or "turntable". Usually the home record player was part of something that included a radio (radiogram) and, later, may also play audiotape cassettes. From about 1960, such something began to certainly be a "hi-fi" (high-fidelity, monophonic) or a "stereo" (most systems being stereophonic by the mid-1960s).
In Australian English, "record player" was the word; "turntable" was a more technical term; "gramophone" was restricted to the old mechanical (i.e., wind-up) players; and "phonograph" was used as in British English.
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The phonograph is a device created in 1877 for the mechanical taking and duplication of sound. In its later forms additionally it is called a gramophone (as a trademark since 1887, as a generic name since c. 1900). The audio vibration waveforms are recorded as matching physical deviations of an spiral groove etched, etched, incised, or impressed into the surface of a spinning disc or cylinder, called a "record". To recreate the sound, the surface is in the same way rotated while a playback stylus traces the groove which is therefore vibrated by it, very reproducing the documented audio faintly. In early acoustic phonographs, the stylus vibrated a diaphragm which produced sound waves that have been coupled to the open air through the flaring horn, or directly to the listener's ears through stethoscope-type earphones. In later electric phonographs (also called record players (since 1940s) or, lately, turntables), the motions of the stylus are converted into an analogous electronic signal by a transducer, transformed back to sound by the loudspeaker then.
The phonograph was created in 1877 by Thomas Edison. While other inventors got produced devices that may record tones, Edison's phonograph was the first to have the ability to reproduce the registered sound. His phonograph at first recorded sound onto a tinfoil sheet wrapped around a rotating cylinder. A stylus giving an answer to sound vibrations produced an and down or hill-and-dale groove in the foil up. Alexander Graham Bell's Volta Laboratory made several improvements in the 1880s, including the use of wax-coated cardboard cylinders, and a cutting stylus that moved from side to side in a "zig zag" groove round the record.
Within the 1890s, Emile Berliner initiated the changeover from phonograph cylinders to chiseled discs with a spiral groove running from the periphery to nearby the center. Later advancements through the years included modifications to the turntable and its own drive system, the needle or stylus, and the audio and equalization systems.
The disk phonograph record was the dominating audio recording format throughout almost all of the 20th hundred years. From mid-1980s on, phonograph use on a standard record player declined sharply due to rise of the cassette tape, compact disc and other digital tracking formats. Data are a popular format for a few audiophiles and DJs still. Vinyl records are used by some DJs and musicians in their concert performances still. Musicians continue to release their recordings on vinyl records. The original recordings of music artists are sometimes re-issued on vinyl fabric.
Usage of terminology is not homogeneous across the English-speaking world (see below). In more modern usage, the playback device is often called a "turntable", "record player", or "record changer". When found in conjunction with a mixing machine as part of a DJ installation, turntables are often called "decks".
The word phonograph ("sound writing") was derived from the Greek words ???? (phon?, "sound" or "voice") and ????? (graph?, "writing"). The similar related terms gramophone (from the Greek ?????? gramma "notice" and ???? ph?n? "words") and graphophone have similar main meanings. The roots were already familiar from existing 19th-century words such as photograph ("light writing"), telegraph ("distant writing"), and cell phone ("distant sound"). The new term might have been inspired by the existing words phonographic and phonography, which described a system of phonetic shorthand; in 1852 THE BRAND NEW York Times taken an ad for "Professor Webster's phonographic class", and in 1859 the brand new York State Instructors Relationship tabled a movement to "hire a phonographic recorder" to record its meetings.
Probably, any device used to track record audio or reproduce recorded sound could be called a type of "phonograph", but in common practice the expressed word has come to mean historic systems of audio saving, regarding audio-frequency modulations of a physical track or groove.
In the overdue 19th and early on 20th generations, "Phonograph", "Gramophone", "Graphophone", "Zonophone" and so on were still brand names specific to various makers of sometimes completely different (i.e. cylinder and disk) machines; so considerable use was made of the common term "talking machine", especially in print. "Talking machine" had earlier been used to refer to complicated devices which produced a crude imitation of speech, by simulating the workings of the vocal cords, tongue, and lip area - a potential source of dilemma both and now then.
In British English, "gramophone" may make reference to any sound-reproducing machine using disk records, that have been unveiled and popularized in the united kingdom by the Gramophone Company. Originally, "gramophone" was a proprietary trademark of this company and any use of the name by competing makers of disc records was vigorously prosecuted in the courts, however in 1910 an English court decision decreed which it had become a generic term; it's been so used in the UK & most Commonwealth countries since. The term "phonograph" was usually restricted to machines that used cylinder records.
"Gramophone" generally described a wind-up machine. After the intro of the softer vinyl documents, 33 1/3-rpm LPs (long-playing details) and 45-rpm "single" or two-song details, and EPs (extended-play recordings), the normal name became "record player" or "turntable". Often the home record player was part of a system that included a radio (radiogram) and, later, might play audiotape cassettes also. From about 1960, such something began to be described as a "hi-fi" (high-fidelity, monophonic) or a "stereo" (most systems being stereophonic by the mid-1960s).
In Australian English, "record player" was the word; "turntable" was a far more technical term; "gramophone" was restricted to the old mechanical (i.e., wind-up) players; and "phonograph" was used as with British English.
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Beloved Spear: Bang, Saith the Lordhttps://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgnFFiThxZ1GUJIrTCT0FG8hTTLcq0vzAKoKeuTVC55cTEH2Chhtl8jaqiW9XRg_ULo19Uy_OyzrLzEXk-HbY97VOkMeboBxH8Hw_hvtIc2bXbJcg7egR-6R9KlRQhpxxFauOYCYmQYstD2/s1600/Bang.pngBang & Olufsen antique phonograph
The phonograph is a tool developed in 1877 for the mechanised taking and duplication of sound. In its later forms additionally it is called a gramophone (as a trademark since 1887, as a generic name since c. 1900). The audio vibration waveforms are saved as related physical deviations of the spiral groove etched, etched, incised, or impressed into the surface of any revolving disk or cylinder, called a "record". To recreate the audio, the surface is similarly rotated while a playback stylus traces the groove and it is therefore vibrated because of it, very reproducing the registered sound faintly. In early acoustic phonographs, the stylus vibrated a diaphragm which produced sound waves that have been coupled to the open air by way of a flaring horn, or right to the listener's ears through stethoscope-type earphones. In later electric phonographs (also known as record players (since 1940s) or, most recently, turntables), the motions of the stylus are changed into an analogous electro-mechanical signal by the transducer, converted back to audio with a loudspeaker then.
The phonograph was developed in 1877 by Thomas Edison. While other inventors possessed produced devices that could record noises, Edison's phonograph was the first ever to have the ability to reproduce the saved sound. His phonograph at first recorded sound onto a tinfoil sheet covered around a spinning cylinder. A stylus giving an answer to sound vibrations produced an and down or hill-and-dale groove in the foil up. Alexander Graham Bell's Volta Laboratory made several improvements in the 1880s, including the use of wax-coated cardboard cylinders, and a cutting stylus that moved laterally in a "zig zag" groove about the record.
Within the 1890s, Emile Berliner initiated the move from phonograph cylinders to even discs with a spiral groove jogging from the periphery to near to the center. Later improvements through the full years included adjustments to the turntable and its drive system, the needle or stylus, and the equalization and audio systems.
The disk phonograph record was the prominent audio recording format throughout most of the 20th century. From the mid-1980s on, phonograph use on a standard record player declined due to rise of the cassette tape sharply, compact disk and other digital taking formats. Files are still a favorite format for some audiophiles and DJs. Vinyl records are still employed by some DJs and musicians in their concert performances. Musicians continue steadily to release their recordings on vinyl records. The initial recordings of musicians are re-issued on vinyl sometimes.
Using terminology is not consistent over the English-speaking world (see below). In more modern usage, the playback device is often called a "turntable", "record player", or "record changer". When found in conjunction with a mixer as part of a DJ setup, turntables are often called "decks".
The term phonograph ("sound writing") was produced from the Greek words ???? (phon?, "sound" or "voice") and ????? (graph?, "writing"). The similar related conditions gramophone (from the Greek ?????? gramma "notice" and ???? ph?n? "tone of voice") and graphophone have similar main meanings. The origins were already familiar from existing 19th-century words such as picture ("light writing"), telegraph ("distant writing"), and mobile phone ("distant sound"). The new term may have been influenced by the existing words phonographic and phonography, which referred to a system of phonetic shorthand; in 1852 The New York Times taken an advertising campaign for "Professor Webster's phonographic class", and in 1859 the brand new York State Instructors Connection tabled a action to "employ a phonographic recorder" to record its meetings.
Probably, any device used to track record sound or reproduce noted audio could be called a type of "phonograph", but in common practice the portrayed phrase has come to signify ancient technology of sound documenting, regarding audio-frequency modulations of the physical trace or groove.
In the overdue 19th and early 20th ages, "Phonograph", "Gramophone", "Graphophone", "Zonophone" and the like were still brand names specific to various creators of sometimes very different (i.e. cylinder and disc) machines; so significant use was made of the common term "talking machine", especially in print. "Talking machine" had earlier been used to make reference to complicated devices which produced a crude imitation of speech, by simulating the workings of the vocal cords, tongue, and lips - a potential way to obtain dilemma both and now then.
In British British, "gramophone" may refer to any sound-reproducing machine using disk records, which were unveiled and popularized in the UK by the Gramophone Company. Originally, "gramophone" was a proprietary trademark of that company and any use of the name by competing makers of disc records was vigorously prosecuted in the courts, but in 1910 an English court decision decreed that this had become a generic term; it has been so used in the united kingdom and most Commonwealth countries since. The term "phonograph" was usually restricted to machines that used cylinder records.
"Gramophone" generally referred to a wind-up machine. Following the release of the softer vinyl fabric details, 33 1/3-rpm LPs (long-playing files) and 45-rpm "single" or two-song information, and EPs (extended-play recordings), the common name became "record player" or "turntable". Often the home record player was part of something that included a radio (radiogram) and, later, might play audiotape cassettes also. From about 1960, such something began to certainly be a "hi-fi" (high-fidelity, monophonic) or a "stereo" (most systems being stereophonic by the mid-1960s).
In Australian British, "record player" was the term; "turntable" was a far more specialized term; "gramophone" was restricted to the old mechanised (i.e., wind-up) players; and "phonograph" was used as in British English.
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The phonograph is a tool developed in 1877 for the mechanised taking and reproduction of audio. In its later forms it is also called a gramophone (as a trademark since 1887, as a generic name since c. 1900). The audio vibration waveforms are registered as equivalent physical deviations of your spiral groove etched, etched, incised, or impressed in to the surface of the rotating cylinder or disk, called a "record". To recreate the audio, the top is likewise rotated while a playback stylus traces the groove which is therefore vibrated by it, very reproducing the saved sound faintly. In early acoustic phonographs, the stylus vibrated a diaphragm which produced sound waves that have been coupled to the open air through the flaring horn, or right to the listener's ears through stethoscope-type earphones. In later electric phonographs (also called record players (since 1940s) or, lately, turntables), the movements of the stylus are converted into an analogous electro-mechanical signal by a transducer, altered back into sound with a loudspeaker then.
The phonograph was invented in 1877 by Thomas Edison. While other inventors got produced devices that can record looks, Edison's phonograph was the first to have the ability to reproduce the saved sound. His phonograph at first recorded audio onto a tinfoil sheet twisted around a spinning cylinder. A stylus responding to acoustics vibrations produced an up and down or hill-and-dale groove in the foil. Alexander Graham Bell's Volta Laboratory made several improvements in the 1880s, including the use of wax-coated cardboard cylinders, and a cutting stylus that moved from side to side in a "zig zag" groove around the record.
Inside the 1890s, Emile Berliner initiated the move from phonograph cylinders to even discs with a spiral groove working from the periphery to near to the center. Later improvements over time included changes to the turntable and its own drive system, the stylus or needle, and the equalization and audio systems.
The disc phonograph record was the dominating audio saving format throughout the majority of the 20th century. From the mid-1980s on, phonograph use on a standard record player declined because of the rise of the cassette tape sharply, compact disc and other digital recording formats. Details are a favorite format for a few audiophiles and DJs still. Vinyl records are still used by some DJs and musicians in their concert performances. Musicians continue to release their recordings on vinyl records. The original recordings of musicians are sometimes re-issued on vinyl fabric.
Usage of terminology is not uniform across the English-speaking world (see below). In newer usage, the playback device is often called a "turntable", "record player", or "record changer". When used in conjunction with a mixer within a DJ set up, turntables are often called "decks".
The term phonograph ("sound writing") was derived from the Greek words ???? (phon?, "sound" or "voice") and ????? (graph?, "writing"). The similar related conditions gramophone (from the Greek ?????? gramma "letter" and ???? ph?n? "speech") and graphophone have similar root meanings. The roots were already familiar from existing 19th-century words such as photograph ("light writing"), telegraph ("distant writing"), and phone ("distant sound"). The new term might have been influenced by the existing words phonographic and phonography, which described a system of phonetic shorthand; in 1852 THE BRAND NEW York Times taken an advertising campaign for "Professor Webster's phonographic class", and in 1859 the New York State Professors Association tabled a motion to "employ a phonographic recorder" to track record its meetings.
Arguably, any device used to record audio or reproduce documented audio could be called a type of "phonograph", but in common practice the portrayed expression has come to suggest historical systems of sound recording, affecting audio-frequency modulations of a physical groove or track.
In the overdue 19th and early 20th ages, "Phonograph", "Gramophone", "Graphophone", "Zonophone" and the like were still brands specific to various makers of sometimes very different (i.e. cylinder and disk) machines; so considerable use was manufactured from the general term "talking machine", in print especially. "Talking machine" had earlier been used to make reference to complicated devices which produced a crude imitation of speech, by simulating the workings of the vocal cords, tongue, and lips - a potential source of confusion both and now then.
In British English, "gramophone" may make reference to any sound-reproducing machine using disc records, that have been popularized and presented in the UK by the Gramophone Company. Originally, "gramophone" was a proprietary trademark of that company and any use of the name by competing makers of disc records was vigorously prosecuted in the courts, but in 1910 an English court decision decreed that this had turn into a generic term; it has been so used in the UK & most Commonwealth countries ever since. The word "phonograph" was usually limited to machines that used cylinder records.
"Gramophone" generally referred to a wind-up machine. Following the benefits of the softer vinyl information, 33 1/3-rpm LPs (long-playing records) and 45-rpm "single" or two-song details, and EPs (extended-play recordings), the common name became "record player" or "turntable". Often the home record player was part of a system that included a radio (radiogram) and, later, might also play audiotape cassettes. From about 1960, such something began to be described as a "hi-fi" (high-fidelity, monophonic) or a "stereo" (most systems being stereophonic by the mid-1960s).
In Australian English, "record player" was the word; "turntable" was a far more technological term; "gramophone" was restricted to the old mechanical (i.e., wind-up) players; and "phonograph" was used as in British English.
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