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Posted by : Laila September 05, 2016

Beloved Spear: Bang, Saith the LordBeloved Spear: Bang, Saith the Lordhttps://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgnFFiThxZ1GUJIrTCT0FG8hTTLcq0vzAKoKeuTVC55cTEH2Chhtl8jaqiW9XRg_ULo19Uy_OyzrLzEXk-HbY97VOkMeboBxH8Hw_hvtIc2bXbJcg7egR-6R9KlRQhpxxFauOYCYmQYstD2/s1600/Bang.png

Bang & Olufsen antique phonograph

The phonograph is a tool developed in 1877 for the mechanised taking and duplication of sound. In its later forms additionally it is called a gramophone (as a trademark since 1887, as a generic name since c. 1900). The audio vibration waveforms are saved as related physical deviations of the spiral groove etched, etched, incised, or impressed into the surface of any revolving disk or cylinder, called a "record". To recreate the audio, the surface is similarly rotated while a playback stylus traces the groove and it is therefore vibrated because of it, very reproducing the registered sound faintly. In early acoustic phonographs, the stylus vibrated a diaphragm which produced sound waves that have been coupled to the open air by way of a flaring horn, or right to the listener's ears through stethoscope-type earphones. In later electric phonographs (also known as record players (since 1940s) or, most recently, turntables), the motions of the stylus are changed into an analogous electro-mechanical signal by the transducer, converted back to audio with a loudspeaker then.

The phonograph was developed in 1877 by Thomas Edison. While other inventors possessed produced devices that could record noises, Edison's phonograph was the first ever to have the ability to reproduce the saved sound. His phonograph at first recorded sound onto a tinfoil sheet covered around a spinning cylinder. A stylus giving an answer to sound vibrations produced an and down or hill-and-dale groove in the foil up. Alexander Graham Bell's Volta Laboratory made several improvements in the 1880s, including the use of wax-coated cardboard cylinders, and a cutting stylus that moved laterally in a "zig zag" groove about the record.

Within the 1890s, Emile Berliner initiated the move from phonograph cylinders to even discs with a spiral groove jogging from the periphery to near to the center. Later improvements through the full years included adjustments to the turntable and its drive system, the needle or stylus, and the equalization and audio systems.

The disk phonograph record was the prominent audio recording format throughout most of the 20th century. From the mid-1980s on, phonograph use on a standard record player declined due to rise of the cassette tape sharply, compact disk and other digital taking formats. Files are still a favorite format for some audiophiles and DJs. Vinyl records are still employed by some DJs and musicians in their concert performances. Musicians continue steadily to release their recordings on vinyl records. The initial recordings of musicians are re-issued on vinyl sometimes.

Using terminology is not consistent over the English-speaking world (see below). In more modern usage, the playback device is often called a "turntable", "record player", or "record changer". When found in conjunction with a mixer as part of a DJ setup, turntables are often called "decks".

The term phonograph ("sound writing") was produced from the Greek words ???? (phon?, "sound" or "voice") and ????? (graph?, "writing"). The similar related conditions gramophone (from the Greek ?????? gramma "notice" and ???? ph?n? "tone of voice") and graphophone have similar main meanings. The origins were already familiar from existing 19th-century words such as picture ("light writing"), telegraph ("distant writing"), and mobile phone ("distant sound"). The new term may have been influenced by the existing words phonographic and phonography, which referred to a system of phonetic shorthand; in 1852 The New York Times taken an advertising campaign for "Professor Webster's phonographic class", and in 1859 the brand new York State Instructors Connection tabled a action to "employ a phonographic recorder" to record its meetings.

Probably, any device used to track record sound or reproduce noted audio could be called a type of "phonograph", but in common practice the portrayed phrase has come to signify ancient technology of sound documenting, regarding audio-frequency modulations of the physical trace or groove.

In the overdue 19th and early 20th ages, "Phonograph", "Gramophone", "Graphophone", "Zonophone" and the like were still brand names specific to various creators of sometimes very different (i.e. cylinder and disc) machines; so significant use was made of the common term "talking machine", especially in print. "Talking machine" had earlier been used to make reference to complicated devices which produced a crude imitation of speech, by simulating the workings of the vocal cords, tongue, and lips - a potential way to obtain dilemma both and now then.

In British British, "gramophone" may refer to any sound-reproducing machine using disk records, which were unveiled and popularized in the UK by the Gramophone Company. Originally, "gramophone" was a proprietary trademark of that company and any use of the name by competing makers of disc records was vigorously prosecuted in the courts, but in 1910 an English court decision decreed that this had become a generic term; it has been so used in the united kingdom and most Commonwealth countries since. The term "phonograph" was usually restricted to machines that used cylinder records.

"Gramophone" generally referred to a wind-up machine. Following the release of the softer vinyl fabric details, 33 1/3-rpm LPs (long-playing files) and 45-rpm "single" or two-song information, and EPs (extended-play recordings), the common name became "record player" or "turntable". Often the home record player was part of something that included a radio (radiogram) and, later, might play audiotape cassettes also. From about 1960, such something began to certainly be a "hi-fi" (high-fidelity, monophonic) or a "stereo" (most systems being stereophonic by the mid-1960s).

In Australian British, "record player" was the term; "turntable" was a far more specialized term; "gramophone" was restricted to the old mechanised (i.e., wind-up) players; and "phonograph" was used as in British English.

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