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Electronics gt; Vintage Electronics gt; Vintage Audio amp; Video gt; Vinthttp://i.ebayimg.com/00/s/MTEwOVgxMjUz/z/0iIAAOSwqu9VEak1/$_35.JPGNAD Electronics antique phonograph
The phonograph is a tool developed in 1877 for the mechanised taking and duplication of audio. In its later forms it is also called a gramophone (as a trademark since 1887, as a generic name since c. 1900). The audio vibration waveforms are documented as equivalent physical deviations of an spiral groove imprinted, etched, incised, or impressed in to the surface of a spinning cylinder or disk, called a "record". To recreate the audio, the surface is similarly rotated while a playback stylus traces the groove and it is therefore vibrated because of it, very faintly reproducing the noted sound. In early acoustic phonographs, the stylus vibrated a diaphragm which produced sound waves which were coupled to the open air by way of a flaring horn, or directly to the listener's ears through stethoscope-type earphones. In later electric phonographs (also known as record players (since 1940s) or, most recently, turntables), the motions of the stylus are converted into an analogous electric powered signal by a transducer, then turned back into audio with a loudspeaker.
The phonograph was created in 1877 by Thomas Edison. While other inventors had produced devices that may record noises, Edison's phonograph was the first ever to have the ability to reproduce the registered sound. His phonograph originally recorded audio onto a tinfoil sheet twisted around a rotating cylinder. A stylus giving an answer to appear vibrations produced an and down or hill-and-dale groove in the foil up. Alexander Graham Bell's Volta Laboratory made several improvements in the 1880s, including the use of wax-coated cardboard cylinders, and a cutting stylus that moved laterally in a "zig zag" groove about the record.
Within the 1890s, Emile Berliner initiated the move from phonograph cylinders to smooth discs with a spiral groove working from the periphery to close to the center. Later improvements through the full years included modifications to the turntable and its drive system, the needle or stylus, and the audio and equalization systems.
The disk phonograph record was the prominent audio tracking format throughout most of the 20th hundred years. Through the mid-1980s on, phonograph use on a standard record player declined as a result of rise of the cassette tape sharply, compact disc and other digital saving formats. Details are still a well liked format for some audiophiles and DJs. Vinyl records are still employed by some DJs and musicians in their concert performances. Musicians continue to release their recordings on vinyl records. The initial recordings of musicians are re-issued on vinyl sometimes.
Using terminology is not homogeneous over the English-speaking world (see below). In more modern usage, the playback device is named a "turntable", "record player", or "record changer". When found in conjunction with a mixer as part of a DJ installation, turntables tend to be called "decks".
The term phonograph ("sound writing") was derived from the Greek words ???? (phon?, "sound" or "voice") and ????? (graph?, "writing"). The similar related terms gramophone (from the Greek ?????? gramma "letter" and ???? ph?n? "words") and graphophone have similar main meanings. The root base were already familiar from existing 19th-century words such as picture ("light writing"), telegraph ("distant writing"), and telephone ("distant sound"). The brand new term might have been inspired by the existing words phonographic and phonography, which described something of phonetic shorthand; in 1852 THE BRAND NEW York Times carried an advertisement for "Professor Webster's phonographic class", and in 1859 the New York State Professors Connection tabled a motion to "hire a phonographic recorder" to record its meetings.
Arguably, any device used to track record sound or reproduce documented audio could be called a kind of "phonograph", but in common practice the term has come to mean ancient systems of reasonable saving, involving audio-frequency modulations of an physical groove or trace.
In the later 19th and early 20th centuries, "Phonograph", "Gramophone", "Graphophone", "Zonophone" and so on were still brand names specific to various creators of sometimes very different (i.e. cylinder and disc) machines; so appreciable use was made of the general term "talking machine", especially in print. "Talking machine" had earlier been used to make reference to complicated devices which produced a crude imitation of speech, by simulating the workings of the vocal cords, tongue, and lips - a potential source of confusion both then and now.
In British British, "gramophone" may refer to any sound-reproducing machine using disc records, that have been presented and popularized in the UK by the Gramophone Company. Originally, "gramophone" was a proprietary trademark of this company and any use of the name by competing makers of disc records was vigorously prosecuted in the courts, but in 1910 an English court decision decreed that it had turn into a generic term; it's been so used in the UK & most Commonwealth countries ever since. The word "phonograph" was usually restricted to machines which used cylinder records.
"Gramophone" generally referred to a wind-up machine. Following the launch of the softer vinyl fabric records, 33 1/3-rpm LPs (long-playing details) and 45-rpm "single" or two-song information, and EPs (extended-play recordings), the normal name became "record player" or "turntable". Often the home record player was part of something that included a radio (radiogram) and, later, may also play audiotape cassettes. From about 1960, such a system began to be described as a "hi-fi" (high-fidelity, monophonic) or a "stereo" (most systems being stereophonic by the mid-1960s).
In Australian English, "record player" was the term; "turntable" was a more specialized term; "gramophone" was limited to the old mechanical (i.e., wind-up) players; and "phonograph" was used as in British English.
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Electronics gt; Vintage Electronics gt; Vintage Audio amp; Video gt; Vint
SoundStage Reviews the T 175 AV PreAmp NAD Electronicshttp://nadelectronics.com/img/articles/reviews/T175-MDC-Boards.jpgNAD Electronics antique phonograph
The phonograph is a tool developed in 1877 for the mechanical saving and duplication of sound. In its later forms it is also called a gramophone (as a trademark since 1887, as a generic name since c. 1900). The sound vibration waveforms are documented as equivalent physical deviations of the spiral groove imprinted, etched, incised, or impressed in to the surface of the rotating cylinder or disc, called a "record". To recreate the audio, the top is in the same way rotated while a playback stylus traces the groove and is therefore vibrated because of it, very reproducing the recorded audio faintly. In early acoustic phonographs, the stylus vibrated a diaphragm which produced sound waves that have been coupled to the open air by using a flaring horn, or right to the listener's ears through stethoscope-type earphones. In later electric phonographs (also called record players (since 1940s) or, most recently, turntables), the movements of the stylus are changed into an analogous electronic signal by the transducer, converted back to audio by way of a loudspeaker then.
The phonograph was invented in 1877 by Thomas Edison. While other inventors acquired produced devices that could record tones, Edison's phonograph was the first to be able to reproduce the recorded sound. His phonograph originally recorded audio onto a tinfoil sheet twisted around a spinning cylinder. A stylus responding to appear vibrations produced an and down or hill-and-dale groove in the foil up. Alexander Graham Bell's Volta Laboratory made several improvements in the 1880s, including the use of wax-coated cardboard cylinders, and a cutting stylus that moved from side to side in a "zig zag" groove throughout the record.
In the 1890s, Emile Berliner initiated the transition from phonograph cylinders to toned discs with a spiral groove jogging from the periphery to nearby the center. Later advancements through the full years included adjustments to the turntable and its own drive system, the needle or stylus, and the sound and equalization systems.
The disk phonograph record was the dominant audio taking format throughout most of the 20th hundred years. In the mid-1980s on, phonograph use on a standard record player declined sharply because of the rise of the cassette tape, compact disc and other digital tracking formats. Records are a well liked format for a few audiophiles and DJs still. Vinyl records are still employed by some DJs and musicians in their concert performances. Musicians continue steadily to release their recordings on vinyl records. The initial recordings of music artists are re-issued on vinyl sometimes.
Using terminology is not consistent over the English-speaking world (see below). In newer usage, the playback device is often called a "turntable", "record player", or "record changer". When found in conjunction with a mixing machine as part of a DJ installation, turntables are often called "decks".
The word phonograph ("sound writing") was produced from the Greek words ???? (phon?, "sound" or "voice") and ????? (graph?, "writing"). The similar related conditions gramophone (from the Greek ?????? gramma "notice" and ???? ph?n? "speech") and graphophone have similar root meanings. The root base were already familiar from existing 19th-century words such as picture ("light writing"), telegraph ("distant writing"), and mobile phone ("distant sound"). The new term may have been influenced by the prevailing words phonographic and phonography, which described a system of phonetic shorthand; in 1852 THE BRAND NEW York Times transported an advertising campaign for "Professor Webster's phonographic class", and in 1859 the New York State Educators Association tabled a motion to "employ a phonographic recorder" to track record its meetings.
Probably, any device used to record audio or reproduce recorded audio could be called a type of "phonograph", but in common practice the indicated phrase has come to mean traditional technology of sound recording, concerning audio-frequency modulations of the physical groove or trace.
In the past due 19th and early on 20th decades, "Phonograph", "Gramophone", "Graphophone", "Zonophone" and the like were still brands specific to various manufacturers of sometimes very different (i.e. cylinder and disc) machines; so extensive use was made of the generic term "talking machine", especially in print. "Talking machine" had earlier been used to make reference to complicated devices which produced a crude imitation of speech, by simulating the workings of the vocal cords, tongue, and lips - a potential source of confusion both then and today.
In British British, "gramophone" may refer to any sound-reproducing machine using disk records, that have been unveiled and popularized in the united kingdom by the Gramophone Company. Originally, "gramophone" was a proprietary trademark of this company and any use of the name by competing makers of disc records was vigorously prosecuted in the courts, but in 1910 an English court decision decreed so it had turn into a generic term; it's been so used in the UK and most Commonwealth countries since. The term "phonograph" was usually restricted to machines which used cylinder records.
"Gramophone" generally referred to a wind-up machine. After the benefits of the softer vinyl fabric data, 33 1/3-rpm LPs (long-playing records) and 45-rpm "single" or two-song records, and EPs (extended-play recordings), the normal name became "record player" or "turntable". Usually the home record player was part of something that included a radio (radiogram) and, later, may also play audiotape cassettes. From about 1960, such something began to certainly be a "hi-fi" (high-fidelity, monophonic) or a "stereo" (most systems being stereophonic by the mid-1960s).
In Australian British, "record player" was the term; "turntable" was a more specialized term; "gramophone" was restricted to the old mechanised (i.e., wind-up) players; and "phonograph" was used as with British English.
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SoundStage Reviews the T 175 AV PreAmp NAD Electronics
Museum of Antique Electronics amp; Phonographs MacauHoliday Travelhttp://www.macauholiday.com/image-files/phonograph-museum-010.jpgClearaudio Electronic antique phonograph
The phonograph is a device created in 1877 for the mechanical recording and reproduction of sound. In its later forms additionally it is called a gramophone (as a trademark since 1887, as a generic name since c. 1900). The audio vibration waveforms are documented as matching physical deviations of the spiral groove imprinted, etched, incised, or impressed in to the surface of the rotating disk or cylinder, called a "record". To recreate the audio, the top is similarly rotated while a playback stylus traces the groove which is therefore vibrated by it, very faintly reproducing the recorded sound. In early acoustic phonographs, the stylus vibrated a diaphragm which produced sound waves that have been coupled to the open air through the flaring horn, or directly to the listener's ears through stethoscope-type earphones. In later electric phonographs (also called record players (since 1940s) or, most recently, turntables), the movements of the stylus are converted into an analogous electric powered signal by the transducer, converted back into sound by way of a loudspeaker then.
The phonograph was created in 1877 by Thomas Edison. While other inventors experienced produced devices which could record looks, Edison's phonograph was the first to be able to reproduce the documented sound. His phonograph actually recorded audio onto a tinfoil sheet wrapped around a spinning cylinder. A stylus giving an answer to sound vibrations produced an and down or hill-and-dale groove in the foil up. Alexander Graham Bell's Volta Laboratory made several improvements in the 1880s, like the use of wax-coated cardboard cylinders, and a cutting stylus that moved laterally in a "zig zag" groove across the record.
Within the 1890s, Emile Berliner initiated the changeover from phonograph cylinders to level discs with a spiral groove running from the periphery to nearby the center. Later advancements through the years included changes to the turntable and its drive system, the stylus or needle, and the sound and equalization systems.
The disc phonograph record was the prominent audio saving format throughout almost all of the 20th hundred years. In the mid-1980s on, phonograph use on a standard record player declined because of the rise of the cassette tape sharply, compact disk and other digital taking formats. Files are still a well liked format for some audiophiles and DJs. Vinyl records are being used by some DJs and musicians in their concert performances still. Musicians continue steadily to release their recordings on vinyl records. The initial recordings of music artists are re-issued on vinyl fabric sometimes.
Usage of terminology is not even over the English-speaking world (see below). In more modern usage, the playback device is called a "turntable", "record player", or "record changer". When used in conjunction with a mixer within a DJ set up, turntables are often called "decks".
The term phonograph ("sound writing") was derived from the Greek words ???? (phon?, "sound" or "voice") and ????? (graph?, "writing"). The similar related conditions gramophone (from the Greek ?????? gramma "notice" and ???? ph?n? "tone") and graphophone have similar root meanings. The origins were already familiar from existing 19th-century words such as picture ("light writing"), telegraph ("distant writing"), and telephone ("distant sound"). The brand new term might have been inspired by the existing words phonographic and phonography, which described a system of phonetic shorthand; in 1852 The New York Times taken an ad for "Professor Webster's phonographic class", and in 1859 the brand new York State Teachers Connection tabled a motion to "hire a phonographic recorder" to record its meetings.
Arguably, any device used to record audio or reproduce documented sound could be called a type of "phonograph", but in common practice the term has come to indicate ancient systems of sound tracking, affecting audio-frequency modulations of a physical trace or groove.
In the late 19th and early 20th centuries, "Phonograph", "Gramophone", "Graphophone", "Zonophone" and so on were still brand names specific to various producers of sometimes completely different (i.e. cylinder and disc) machines; so appreciable use was manufactured from the common term "talking machine", especially in print. "Talking machine" had earlier been used to refer to complicated devices which produced a crude imitation of speech, by simulating the workings of the vocal cords, tongue, and lips - a potential way to obtain confusion both then and today.
In British English, "gramophone" may make reference to any sound-reproducing machine using disc records, which were released and popularized in the united kingdom by the Gramophone Company. Originally, "gramophone" was a proprietary trademark of that company and any use of the name by competing makers of disc records was vigorously prosecuted in the courts, however in 1910 an English court decision decreed which it had turn into a generic term; it has been so used in the united kingdom & most Commonwealth countries ever since. The term "phonograph" was usually restricted to machines that used cylinder records.
"Gramophone" generally referred to a wind-up machine. After the benefits of the softer vinyl files, 33 1/3-rpm LPs (long-playing documents) and 45-rpm "single" or two-song details, and EPs (extended-play recordings), the common name became "record player" or "turntable". Often the home record player was part of a system that included a radio (radiogram) and, later, might play audiotape cassettes also. From about 1960, such something began to be described as a "hi-fi" (high-fidelity, monophonic) or a "stereo" (most systems being stereophonic by the mid-1960s).
In Australian British, "record player" was the word; "turntable" was a far more technological term; "gramophone" was restricted to the old mechanical (i.e., wind-up) players; and "phonograph" was used such as British English.
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