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Victrola Antique Phonograph Record Player Harp Gallery Antiquehttp://www.harpgallery.com/extimg/r3/1024__1024____sz__vic194rec.JPGAkai (recording) antique phonograph
The phonograph is a device developed in 1877 for the mechanised taking and duplication of audio. In its later forms additionally it is called a gramophone (as a trademark since 1887, as a generic name since c. 1900). The audio vibration waveforms are registered as matching physical deviations of a spiral groove engraved, etched, incised, or impressed into the surface of an rotating disc or cylinder, called a "record". To recreate the audio, the top is in the same way rotated while a playback stylus traces the groove and it is therefore vibrated by it, very faintly reproducing the recorded sound. In early acoustic phonographs, the stylus vibrated a diaphragm which produced sound waves which were coupled to the open air by having a flaring horn, or right to the listener's ears through stethoscope-type earphones. In later electric phonographs (also known as record players (since 1940s) or, most recently, turntables), the movements of the stylus are converted into an analogous electrical signal by the transducer, then modified back to sound with a loudspeaker.
The phonograph was invented in 1877 by Thomas Edison. While other inventors experienced produced devices that can record tones, Edison's phonograph was the first to be able to reproduce the recorded sound. His phonograph at first recorded audio onto a tinfoil sheet wrapped around a rotating cylinder. A stylus responding to sound vibrations produced an along or hill-and-dale groove in the foil. Alexander Graham Bell's Volta Laboratory made several improvements in the 1880s, including the use of wax-coated cardboard cylinders, and a cutting stylus that moved from side to side in a "zig zag" groove across the record.
Inside the 1890s, Emile Berliner initiated the transition from phonograph cylinders to toned discs with a spiral groove jogging from the periphery to close to the center. Later advancements through the years included alterations to the turntable and its own drive system, the stylus or needle, and the equalization and sound systems.
The disc phonograph record was the prominent audio tracking format throughout most of the 20th hundred years. From your mid-1980s on, phonograph use on a standard record player declined sharply as a result of rise of the cassette tape, compact disc and other digital tracking formats. Information are a favorite format for a few audiophiles and DJs still. Vinyl records are being used by some DJs and musicians in their concert performances still. Musicians continue steadily to release their recordings on vinyl records. The original recordings of musicians are re-issued on vinyl fabric sometimes.
Using terminology is not standard across the English-speaking world (see below). In newer usage, the playback device is categorised as a "turntable", "record player", or "record changer". When used in conjunction with a mixing machine as part of a DJ set up, turntables tend to be called "decks".
The term phonograph ("sound writing") was derived from the Greek words ???? (phon?, "sound" or "voice") and ????? (graph?, "writing"). The similar related conditions gramophone (from the Greek ?????? gramma "letter" and ???? ph?n? "words") and graphophone have similar root meanings. The root base were already familiar from existing 19th-century words such as picture ("light writing"), telegraph ("distant writing"), and phone ("distant sound"). The new term might have been influenced by the existing words phonographic and phonography, which referred to something of phonetic shorthand; in 1852 THE BRAND NEW York Times transported an ad for "Professor Webster's phonographic class", and in 1859 the brand new York State Professors Relationship tabled a motion to "employ a phonographic recorder" to record its meetings.
Arguably, any device used to track record audio or reproduce documented sound could be called a type of "phonograph", but in common practice the indicated phrase has come to signify historical solutions of sound saving, involving audio-frequency modulations of your physical groove or trace.
In the past due 19th and early 20th hundreds of years, "Phonograph", "Gramophone", "Graphophone", "Zonophone" and so on were still brands specific to various creators of sometimes completely different (i.e. cylinder and disk) machines; so sizeable use was manufactured from the common term "talking machine", in print especially. "Talking machine" had earlier been used to refer to complicated devices which produced a crude imitation of speech, by simulating the workings of the vocal cords, tongue, and lips - a potential source of misunderstandings both and today then.
In British British, "gramophone" may refer to any sound-reproducing machine using disc records, which were popularized and released in the united kingdom by the Gramophone Company. Originally, "gramophone" was a proprietary trademark of that company and any use of the name by competing makers of disc records was vigorously prosecuted in the courts, however in 1910 an English court decision decreed so it had turn into a generic term; it's been so used in the united kingdom & most Commonwealth countries since. The word "phonograph" was usually limited to machines which used cylinder records.
"Gramophone" generally described a wind-up machine. After the launch of the softer vinyl data, 33 1/3-rpm LPs (long-playing documents) and 45-rpm "single" or two-song data, and EPs (extended-play recordings), the normal name became "record player" or "turntable". Often the home record player was part of something that included a radio (radiogram) and, later, might also play audiotape cassettes. From about 1960, such a system began to certainly be a "hi-fi" (high-fidelity, monophonic) or a "stereo" (most systems being stereophonic by the mid-1960s).
In Australian English, "record player" was the term; "turntable" was a more complex term; "gramophone" was restricted to the old mechanised (i.e., wind-up) players; and "phonograph" was used just as British English.
Horn or Gramophone w Horn Record Player Phonograph 78RPM Antique Style
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https://img0.etsystatic.com/000/0/6271970/il_fullxfull.336804178.jpgAntique 1915 Phonograph Wind Up Record Player Harp Gallery Antique
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Victrola Antique Phonograph Record Player Harp Gallery Antique
SOLD Columbia Grafonola Antique Phonograph Harp Gallery Antiquehttp://www.harpgallery.com/extimg/r3/1024__1024____er__phono1340tab.JPGColumbia Phonograph Company antique phonograph
The phonograph is a device developed in 1877 for the mechanical saving and duplication of sound. In its later forms additionally it is called a gramophone (as a trademark since 1887, as a generic name since c. 1900). The audio vibration waveforms are documented as corresponding physical deviations of a spiral groove imprinted, etched, incised, or impressed in to the surface of the rotating cylinder or disc, called a "record". To recreate the sound, the surface is similarly rotated while a playback stylus traces the groove and is therefore vibrated by it, very faintly reproducing the noted audio. In early acoustic phonographs, the stylus vibrated a diaphragm which produced sound waves that have been coupled to the open air through a flaring horn, or directly to the listener's ears through stethoscope-type earphones. In later electric phonographs (also called record players (since 1940s) or, lately, turntables), the movements of the stylus are changed into an analogous electric signal by way of a transducer, altered back into audio by the loudspeaker then.
The phonograph was developed in 1877 by Thomas Edison. While other inventors acquired produced devices that can record does sound, Edison's phonograph was the first to have the ability to reproduce the saved sound. His phonograph at first recorded sound onto a tinfoil sheet covered around a spinning cylinder. A stylus giving an answer to appear vibrations produced an and down or hill-and-dale groove in the foil up. Alexander Graham Bell's Volta Laboratory made several improvements in the 1880s, including the use of wax-coated cardboard cylinders, and a cutting stylus that moved from side to side in a "zig zag" groove around the record.
Within the 1890s, Emile Berliner initiated the change from phonograph cylinders to chiseled discs with a spiral groove working from the periphery to close to the center. Later advancements through the entire years included changes to the turntable and its own drive system, the needle or stylus, and the sound and equalization systems.
The disc phonograph record was the prominent audio recording format throughout the majority of the 20th century. From mid-1980s on, phonograph use on a standard record player declined sharply because of the rise of the cassette tape, compact disc and other digital recording formats. Information remain a favorite format for some audiophiles and DJs. Vinyl records are still utilized by some DJs and musicians in their concert performances. Musicians continue steadily to release their recordings on vinyl records. The original recordings of musicians are sometimes re-issued on vinyl fabric.
Using terminology is not homogeneous over the English-speaking world (see below). In newer usage, the playback device is called a "turntable", "record player", or "record changer". When found in conjunction with a mixer within a DJ installation, turntables are often called "decks".
The word phonograph ("sound writing") was derived from the Greek words ???? (phon?, "sound" or "voice") and ????? (graph?, "writing"). The similar related conditions gramophone (from the Greek ?????? gramma "letter" and ???? ph?n? "tone of voice") and graphophone have similar root meanings. The root base were already familiar from existing 19th-century words such as photograph ("light writing"), telegraph ("distant writing"), and cell phone ("distant sound"). The new term might have been influenced by the existing words phonographic and phonography, which described a system of phonetic shorthand; in 1852 THE BRAND NEW York Times carried an advertising campaign for "Professor Webster's phonographic class", and in 1859 the New York State Professors Connection tabled a movement to "employ a phonographic recorder" to track record its meetings.
Arguably, any device used to track record sound or reproduce noted audio could be called a kind of "phonograph", however in common practice the expressed word has come to mean ancient technology of sound saving, relating audio-frequency modulations of any physical trace or groove.
In the overdue 19th and early on 20th centuries, "Phonograph", "Gramophone", "Graphophone", "Zonophone" and the like were still brand names specific to various makers of sometimes very different (i.e. cylinder and disk) machines; so significant use was manufactured from the general term "talking machine", especially in print. "Talking machine" had earlier been used to make reference to complicated devices which produced a crude imitation of speech, by simulating the workings of the vocal cords, tongue, and lips - a potential source of confusion both then and today.
In British British, "gramophone" may refer to any sound-reproducing machine using disk records, which were popularized and presented in the united kingdom by the Gramophone Company. Originally, "gramophone" was a proprietary trademark of that company and any use of the name by competing makers of disc records was vigorously prosecuted in the courts, however in 1910 an English court decision decreed that it had turn into a generic term; it has been so used in the united kingdom and most Commonwealth countries ever since. The word "phonograph" was usually limited to machines that used cylinder records.
"Gramophone" generally referred to a wind-up machine. Following the launch of the softer vinyl fabric information, 33 1/3-rpm LPs (long-playing details) and 45-rpm "single" or two-song files, and EPs (extended-play recordings), the common name became "record player" or "turntable". Often the home record player was part of something that included a radio (radiogram) and, later, might also play audiotape cassettes. From about 1960, such something began to certainly be a "hi-fi" (high-fidelity, monophonic) or a "stereo" (most systems being stereophonic by the mid-1960s).
In Australian English, "record player" was the word; "turntable" was a far more specialized term; "gramophone" was limited to the old mechanical (i.e., wind-up) players; and "phonograph" was used just as British English.
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10BCDBB6070BB631E7FF6D5EDFA9AAA91C59185B32http://harpgallery.com/showroom/item9629.html
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