Showing posts with label Gramophones. Show all posts
Antique Phonographs, Photos Gramophones, Victrolas, Photoshttp://www.razzarsharp.com/Phonographs/GuestPhotos/PhonosNov2013/MelissaPArnoldsville.JPGMichell antique phonograph
The phonograph is a device created in 1877 for the mechanical saving and reproduction of audio. In its later forms additionally it is called a gramophone (as a trademark since 1887, as a generic name since c. 1900). The audio vibration waveforms are noted as matching physical deviations of your spiral groove etched, etched, incised, or impressed in to the surface of an revolving cylinder or disk, called a "record". To recreate the sound, the surface is in the same way rotated while a playback stylus traces the groove and is therefore vibrated by it, very faintly reproducing the recorded audio. In early acoustic phonographs, the stylus vibrated a diaphragm which produced sound waves which were coupled to the open air through the flaring horn, or directly to the listener's ears through stethoscope-type earphones. In later electric phonographs (also known as record players (since 1940s) or, most recently, turntables), the movements of the stylus are converted into an analogous electric powered signal by the transducer, then altered back to audio by a loudspeaker.
The phonograph was developed in 1877 by Thomas Edison. While other inventors had produced devices that could record does sound, Edison's phonograph was the first to be able to reproduce the noted sound. His phonograph formerly recorded sound onto a tinfoil sheet twisted around a spinning cylinder. A stylus giving an answer to sound vibrations produced an and down or hill-and-dale groove in the foil up. Alexander Graham Bell's Volta Laboratory made several improvements in the 1880s, like the use of wax-coated cardboard cylinders, and a cutting stylus that moved from side to side in a "zig zag" groove surrounding the record.
Within the 1890s, Emile Berliner initiated the move from phonograph cylinders to smooth discs with a spiral groove jogging from the periphery to near to the center. Later improvements over time included adjustments to the turntable and its drive system, the needle or stylus, and the equalization and audio systems.
The disk phonograph record was the dominant audio taking format throughout almost all of the 20th century. From mid-1980s on, phonograph use on a standard record player declined as a result of rise of the cassette tape sharply, compact disc and other digital saving formats. Records are still a well liked format for some audiophiles and DJs. Vinyl records are still employed by some DJs and musicians in their concert performances. Musicians continue steadily to release their recordings on vinyl records. The original recordings of musicians are re-issued on vinyl fabric sometimes.
Usage of terminology is not standard across the English-speaking world (see below). In more modern usage, the playback device is named a "turntable", "record player", or "record changer". When used in conjunction with a mixer within a DJ setup, turntables are often called "decks".
The word phonograph ("sound writing") was derived from the Greek words ???? (phon?, "sound" or "voice") and ????? (graph?, "writing"). The similar related conditions gramophone (from the Greek ?????? gramma "notice" and ???? ph?n? "tone of voice") and graphophone have similar main meanings. The origins were already familiar from existing 19th-century words such as picture ("light writing"), telegraph ("distant writing"), and mobile phone ("distant sound"). The brand new term may have been influenced by the prevailing words phonographic and phonography, which referred to a system of phonetic shorthand; in 1852 The New York Times taken an advertising campaign for "Professor Webster's phonographic class", and in 1859 the New York State Professors Connection tabled a movement to "hire a phonographic recorder" to record its meetings.
Probably, any device used to track record audio or reproduce registered sound could be called a kind of "phonograph", however in common practice the expressed word has come to imply traditional technologies of sound saving, including audio-frequency modulations of your physical groove or track.
In the later 19th and early on 20th ages, "Phonograph", "Gramophone", "Graphophone", "Zonophone" and so on were still brands specific to various producers of sometimes very different (i.e. cylinder and disc) machines; so significant use was manufactured from the common term "talking machine", in print especially. "Talking machine" had earlier been used to make reference to complicated devices which produced a crude imitation of speech, by simulating the workings of the vocal cords, tongue, and lips - a potential way to obtain confusion both then and now.
In British British, "gramophone" may make reference to any sound-reproducing machine using disc records, that have been popularized and released in the UK by the Gramophone Company. Originally, "gramophone" was a proprietary trademark of this company and any use of the name by competing makers of disc records was vigorously prosecuted in the courts, however in 1910 an English court decision decreed it had become a generic term; it's been so used in the UK and most Commonwealth countries ever since. The word "phonograph" was usually limited to machines which used cylinder records.
"Gramophone" generally referred to a wind-up machine. After the advantages of the softer vinyl files, 33 1/3-rpm LPs (long-playing documents) and 45-rpm "single" or two-song data, and EPs (extended-play recordings), the common name became "record player" or "turntable". Often the home record player was part of a system that included a radio (radiogram) and, later, may also play audiotape cassettes. From about 1960, such something began to be described as a "hi-fi" (high-fidelity, monophonic) or a "stereo" (most systems being stereophonic by the mid-1960s).
In Australian English, "record player" was the term; "turntable" was a far more specialized term; "gramophone" was limited to the old mechanical (i.e., wind-up) players; and "phonograph" was used such as British English.
140. Vintage, 1920s New Columbia Phonograph. How cool! 1920s krrb
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https://s-media-cache-ak0.pinimg.com/600x315/0c/aa/6d/0caa6dc5db2a431fd67e2fe187edfe04.jpgThe Victrola Pendant with vintage phonograph horn aged bra
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Antique Phonographs, Photos Gramophones, Victrolas, Photos
Antique Phonographs, Photos Gramophones, Victrolas, Photoshttp://www.razzarsharp.com/Phonographs/GuestPhotos/PhonosNov2013/JanL.jpgMichell antique phonograph
The phonograph is a tool invented in 1877 for the mechanical reproduction and taking of sound. In its later forms it is also called a gramophone (as a trademark since 1887, as a generic name since c. 1900). The audio vibration waveforms are registered as equivalent physical deviations of a spiral groove imprinted, etched, incised, or impressed into the surface of a revolving disc or cylinder, called a "record". To recreate the audio, the top is likewise rotated while a playback stylus traces the groove and it is therefore vibrated because of it, very faintly reproducing the recorded audio. In early acoustic phonographs, the stylus vibrated a diaphragm which produced sound waves which were coupled to the open air by having a flaring horn, or directly to the listener's ears through stethoscope-type earphones. In later electric phonographs (also known as record players (since 1940s) or, lately, turntables), the motions of the stylus are converted into an analogous electrical signal by way of a transducer, transformed back into audio with a loudspeaker then.
The phonograph was created in 1877 by Thomas Edison. While other inventors got produced devices that may record does sound, Edison's phonograph was the first ever to have the ability to reproduce the noted sound. His phonograph at first recorded audio onto a tinfoil sheet twisted around a rotating cylinder. A stylus responding to sensible vibrations produced an up and down or hill-and-dale groove in the foil. Alexander Graham Bell's Volta Laboratory made several improvements in the 1880s, including the use of wax-coated cardboard cylinders, and a cutting stylus that moved laterally in a "zig zag" groove round the record.
In the 1890s, Emile Berliner initiated the changeover from phonograph cylinders to flat discs with a spiral groove working from the periphery to near to the center. Later improvements over time included changes to the turntable and its own drive system, the stylus or needle, and the sound and equalization systems.
The disk phonograph record was the dominant audio recording format throughout most of the 20th hundred years. From mid-1980s on, phonograph use on a standard record player declined as a result of rise of the cassette tape sharply, compact disk and other digital recording formats. Files remain a favorite format for a few audiophiles and DJs. Vinyl records are still used by some DJs and musicians in their concert performances. Musicians continue to release their recordings on vinyl records. The original recordings of music artists are re-issued on vinyl fabric sometimes.
Usage of terminology is not consistent over the English-speaking world (see below). In newer usage, the playback device is often called a "turntable", "record player", or "record changer". When used in conjunction with a mixing machine as part of a DJ installation, turntables tend to be called "decks".
The word phonograph ("sound writing") was produced from the Greek words ???? (phon?, "sound" or "voice") and ????? (graph?, "writing"). The similar related terms gramophone (from the Greek ?????? gramma "notice" and ???? ph?n? "tone") and graphophone have similar main meanings. The root base were already familiar from existing 19th-century words such as photo ("light writing"), telegraph ("distant writing"), and phone ("distant sound"). The new term might have been influenced by the prevailing words phonographic and phonography, which referred to a system of phonetic shorthand; in 1852 THE BRAND NEW York Times transported an ad for "Professor Webster's phonographic class", and in 1859 the brand new York State Instructors Relationship tabled a motion to "hire a phonographic recorder" to record its meetings.
Probably, any device used to track record sound or reproduce recorded sound could be called a kind of "phonograph", however in common practice the word has come to imply historic technology of sound saving, including audio-frequency modulations of any physical track or groove.
In the later 19th and early on 20th decades, "Phonograph", "Gramophone", "Graphophone", "Zonophone" and the like were still brand names specific to various producers of sometimes completely different (i.e. cylinder and disc) machines; so sizeable use was made of the universal term "talking machine", in print especially. "Talking machine" had earlier been used to refer to complicated devices which produced a crude imitation of speech, by simulating the workings of the vocal cords, tongue, and lips - a potential way to obtain confusion both then and today.
In British English, "gramophone" may refer to any sound-reproducing machine using disc records, that have been unveiled and popularized in the united kingdom by the Gramophone Company. Originally, "gramophone" was a proprietary trademark of that company and any use of the name by competing makers of disc records was vigorously prosecuted in the courts, but in 1910 an English court decision decreed that this had become a generic term; it's been so used in the united kingdom & most Commonwealth countries since. The word "phonograph" was usually restricted to machines that used cylinder records.
"Gramophone" generally referred to a wind-up machine. After the release of the softer vinyl details, 33 1/3-rpm LPs (long-playing files) and 45-rpm "single" or two-song details, and EPs (extended-play recordings), the common name became "record player" or "turntable". Often the home record player was part of a system that included a radio (radiogram) and, later, might also play audiotape cassettes. From about 1960, such a system began to be described as a "hi-fi" (high-fidelity, monophonic) or a "stereo" (most systems being stereophonic by the mid-1960s).
In Australian English, "record player" was the term; "turntable" was a more technical term; "gramophone" was limited to the old mechanical (i.e., wind-up) players; and "phonograph" was used as with British English.
Antique Phonographs, Photos Gramophones, Victrolas, Photos
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Antique Phonographs, Photos Gramophones, Victrolas, Photos
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The phonograph is a tool invented in 1877 for the mechanised duplication and saving of audio. In its later forms it is also called a gramophone (as a trademark since 1887, as a generic name since c. 1900). The audio vibration waveforms are noted as corresponding physical deviations of an spiral groove imprinted, etched, incised, or impressed in to the surface of any rotating cylinder or disc, called a "record". To recreate the sound, the surface is likewise rotated while a playback stylus traces the groove which is therefore vibrated by it, very faintly reproducing the noted audio. In early acoustic phonographs, the stylus vibrated a diaphragm which produced sound waves which were coupled to the open air via a flaring horn, or right to the listener's ears through stethoscope-type earphones. In later electric phonographs (also known as record players (since 1940s) or, most recently, turntables), the motions of the stylus are converted into an analogous electrical power signal by the transducer, turned back into audio with a loudspeaker then.
The phonograph was developed in 1877 by Thomas Edison. While other inventors possessed produced devices which could record noises, Edison's phonograph was the first ever to be able to reproduce the noted audio. His phonograph formerly recorded sound onto a tinfoil sheet covered around a rotating cylinder. A stylus responding to acoustics vibrations produced an up and down or hill-and-dale groove in the foil. Alexander Graham Bell's Volta Laboratory made several improvements in the 1880s, like the use of wax-coated cardboard cylinders, and a cutting stylus that moved from side to side in a "zig zag" groove around the record.
In the 1890s, Emile Berliner initiated the transition from phonograph cylinders to flat discs with a spiral groove running from the periphery to nearby the center. Later advancements over time included improvements to the turntable and its own drive system, the stylus or needle, and the equalization and sound systems.
The disc phonograph record was the prominent audio saving format throughout most of the 20th century. From your mid-1980s on, phonograph use on a standard record player declined because of the rise of the cassette tape sharply, compact disc and other digital saving formats. Documents are a well liked format for some audiophiles and DJs still. Vinyl records are used by some DJs and musicians in their concert performances still. Musicians continue to release their recordings on vinyl records. The original recordings of musicians are re-issued on vinyl fabric sometimes.
Usage of terminology is not even over the English-speaking world (see below). In more modern usage, the playback device is named a "turntable", "record player", or "record changer". When found in conjunction with a mixing machine within a DJ installation, turntables tend to be called "decks".
The word phonograph ("sound writing") was produced from the Greek words ???? (phon?, "sound" or "voice") and ????? (graph?, "writing"). The similar related conditions gramophone (from the Greek ?????? gramma "notice" and ???? ph?n? "tone") and graphophone have similar main meanings. The root base were already familiar from existing 19th-century words such as picture ("light writing"), telegraph ("distant writing"), and phone ("distant sound"). The new term may have been inspired by the existing words phonographic and phonography, which referred to a system of phonetic shorthand; in 1852 The New York Times transported an advertising campaign for "Professor Webster's phonographic class", and in 1859 the New York State Professors Relationship tabled a movement to "hire a phonographic recorder" to record its meetings.
Arguably, any device used to record sound or reproduce recorded sound could be called a kind of "phonograph", but in common practice the portrayed term has come to suggest historic systems of audio recording, relating audio-frequency modulations of any physical groove or trace.
In the overdue 19th and early on 20th generations, "Phonograph", "Gramophone", "Graphophone", "Zonophone" and so on were still brands specific to various manufacturers of sometimes very different (i.e. cylinder and disk) machines; so considerable use was made of the universal term "talking machine", in print especially. "Talking machine" had earlier been used to make reference to complicated devices which produced a crude imitation of speech, by simulating the workings of the vocal cords, tongue, and mouth - a potential source of misunderstanding both and today then.
In British English, "gramophone" may refer to any sound-reproducing machine using disk records, which were presented and popularized in the UK by the Gramophone Company. Originally, "gramophone" was a proprietary trademark of that company and any use of the name by competing makers of disc records was vigorously prosecuted in the courts, but in 1910 an English court decision decreed it had become a generic term; it's been so used in the united kingdom and most Commonwealth countries since. The word "phonograph" was usually limited to machines which used cylinder records.
"Gramophone" generally described a wind-up machine. Following the benefits of the softer vinyl fabric documents, 33 1/3-rpm LPs (long-playing records) and 45-rpm "single" or two-song documents, and EPs (extended-play recordings), the normal name became "record player" or "turntable". Usually the home record player was part of something that included a radio (radiogram) and, later, may also play audiotape cassettes. From about 1960, such something began to be described as a "hi-fi" (high-fidelity, monophonic) or a "stereo" (most systems being stereophonic by the mid-1960s).
In Australian English, "record player" was the term; "turntable" was a far more specialized term; "gramophone" was limited to the old mechanised (i.e., wind-up) players; and "phonograph" was used such as British English.
Antique Phonographs, Photos Gramophones, Victrolas, Photos
http://www.razzarsharp.com/Phonographs/GuestPhotos/PhonosNov2013/TommyZ13.jpgVintage Phonograph Table Phonographs Pinterest
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http://www.razzarsharp.com/Phonographs/GuestPhotos/PhonosNov2013/LorraineS.jpgVintage gramophone might paint mine like this nice gypsy, boho french
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Antique Phonographs, Photos Gramophones, Victrolas, Photos
Antique Phonographs, Photos Gramophones, Victrolas, Photoshttp://www.razzarsharp.com/Phonographs/GuestPhotos/PhonosNov2013/MichelleM.JPGMichell antique phonograph
The phonograph is a tool created in 1877 for the mechanical duplication and taking of audio. In its later forms additionally it is called a gramophone (as a trademark since 1887, as a generic name since c. 1900). The sound vibration waveforms are documented as related physical deviations of any spiral groove imprinted, etched, incised, or impressed into the surface of your spinning disk or cylinder, called a "record". To recreate the sound, the surface is likewise rotated while a playback stylus traces the groove and is also therefore vibrated because of it, very reproducing the saved sound faintly. In early acoustic phonographs, the stylus vibrated a diaphragm which produced sound waves which were coupled to the open air through a flaring horn, or right to the listener's ears through stethoscope-type earphones. In later electric phonographs (also known as record players (since 1940s) or, most recently, turntables), the motions of the stylus are changed into an analogous electric powered signal with a transducer, then turned back to audio by a loudspeaker.
The phonograph was developed in 1877 by Thomas Edison. While other inventors acquired produced devices that could record may seem, Edison's phonograph was the first to be able to reproduce the saved audio. His phonograph at first recorded audio onto a tinfoil sheet wrapped around a revolving cylinder. A stylus responding to sound vibrations produced an and down or hill-and-dale groove in the foil up. Alexander Graham Bell's Volta Laboratory made several improvements in the 1880s, like the use of wax-coated cardboard cylinders, and a cutting stylus that moved from side to side in a "zig zag" groove across the record.
Within the 1890s, Emile Berliner initiated the changeover from phonograph cylinders to flat discs with a spiral groove operating from the periphery to nearby the center. Later advancements through the years included modifications to the turntable and its own drive system, the needle or stylus, and the equalization and sound systems.
The disk phonograph record was the prominent audio saving format throughout the majority of the 20th hundred years. From mid-1980s on, phonograph use on a standard record player declined as a result of rise of the cassette tape sharply, compact disc and other digital taking formats. Files are a popular format for a few audiophiles and DJs still. Vinyl records are still utilized by some DJs and musicians in their concert performances. Musicians continue steadily to release their recordings on vinyl records. The original recordings of musicians are re-issued on vinyl fabric sometimes.
Usage of terminology is not homogeneous over the English-speaking world (see below). In more modern usage, the playback device is categorised as a "turntable", "record player", or "record changer". When used in conjunction with a mixer as part of a DJ installation, turntables tend to be called "decks".
The term phonograph ("sound writing") was derived from the Greek words ???? (phon?, "sound" or "voice") and ????? (graph?, "writing"). The similar related terms gramophone (from the Greek ?????? gramma "letter" and ???? ph?n? "voice") and graphophone have similar root meanings. The roots were already familiar from existing 19th-century words such as picture ("light writing"), telegraph ("distant writing"), and phone ("distant sound"). The brand new term may have been affected by the existing words phonographic and phonography, which referred to something of phonetic shorthand; in 1852 THE BRAND NEW York Times taken an ad for "Professor Webster's phonographic class", and in 1859 the brand new York State Instructors Relationship tabled a action to "hire a phonographic recorder" to track record its meetings.
Arguably, any device used to track record audio or reproduce noted sound could be called a type of "phonograph", however in common practice the portrayed term has come to signify historic technologies of sound documenting, concerning audio-frequency modulations of the physical groove or track.
In the past due 19th and early 20th centuries, "Phonograph", "Gramophone", "Graphophone", "Zonophone" and so on were still brands specific to various creators of sometimes very different (i.e. cylinder and disk) machines; so considerable use was made of the universal term "talking machine", especially in print. "Talking machine" had earlier been used to make reference to complicated devices which produced a crude imitation of speech, by simulating the workings of the vocal cords, tongue, and lips - a potential way to obtain confusion both then and today.
In British English, "gramophone" may refer to any sound-reproducing machine using disk records, which were popularized and presented in the UK by the Gramophone Company. Originally, "gramophone" was a proprietary trademark of that company and any use of the name by competing makers of disc records was vigorously prosecuted in the courts, but in 1910 an English court decision decreed it had turn into a generic term; it's been so used in the united kingdom and most Commonwealth countries ever since. The word "phonograph" was usually limited to machines that used cylinder records.
"Gramophone" generally described a wind-up machine. After the introduction of the softer vinyl records, 33 1/3-rpm LPs (long-playing details) and 45-rpm "single" or two-song records, and EPs (extended-play recordings), the common name became "record player" or "turntable". Often the home record player was part of a system that included a radio (radiogram) and, later, might play audiotape cassettes also. From about 1960, such something began to certainly be a "hi-fi" (high-fidelity, monophonic) or a "stereo" (most systems being stereophonic by the mid-1960s).
In Australian British, "record player" was the word; "turntable" was a far more technical term; "gramophone" was limited to the old mechanical (i.e., wind-up) players; and "phonograph" was used as with British English.
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