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The phonograph is a device developed in 1877 for the mechanised saving and reproduction of sound. In its later forms it is also called a gramophone (as a trademark since 1887, as a generic name since c. 1900). The audio vibration waveforms are registered as corresponding physical deviations of a spiral groove imprinted, etched, incised, or impressed into the surface of your rotating disk or cylinder, called a "record". To recreate the audio, the surface is similarly rotated while a playback stylus traces the groove which is therefore vibrated because of it, very faintly reproducing the noted sound. In early acoustic phonographs, the stylus vibrated a diaphragm which produced sound waves that have been coupled to the open air via a flaring horn, or right to the listener's ears through stethoscope-type earphones. In later electric phonographs (also called record players (since 1940s) or, most recently, turntables), the motions of the stylus are converted into an analogous electric powered signal by way of a transducer, then modified back into audio with a loudspeaker.
The phonograph was developed in 1877 by Thomas Edison. While other inventors acquired produced devices which could record does sound, Edison's phonograph was the first ever to have the ability to reproduce the registered sound. His phonograph at first recorded sound onto a tinfoil sheet covered around a spinning cylinder. A stylus responding to sound vibrations produced an and down or hill-and-dale groove in the foil up. Alexander Graham Bell's Volta Laboratory made several improvements in the 1880s, including the use of wax-coated cardboard cylinders, and a cutting stylus that moved from side to side in a "zig zag" groove round the record.
In the 1890s, Emile Berliner initiated the move from phonograph cylinders to smooth discs with a spiral groove jogging from the periphery to near to the center. Later advancements over time included adjustments to the turntable and its drive system, the stylus or needle, and the equalization and sound systems.
The disk phonograph record was the dominating audio tracking format throughout almost all of the 20th hundred years. From mid-1980s on, phonograph use on a standard record player declined sharply because of the rise of the cassette tape, compact disk and other digital recording formats. Information are a favorite format for a few audiophiles and DJs still. Vinyl records are being used by some DJs and musicians in their concert performances still. Musicians continue to release their recordings on vinyl records. The initial recordings of musicians are re-issued on vinyl fabric sometimes.
Using terminology is not uniform over the English-speaking world (see below). In more modern usage, the playback device is named a "turntable", "record player", or "record changer". When found in conjunction with a mixer within a DJ setup, turntables are often called "decks".
The word phonograph ("sound writing") was derived from the Greek words ???? (phon?, "sound" or "voice") and ????? (graph?, "writing"). The similar related conditions gramophone (from the Greek ?????? gramma "letter" and ???? ph?n? "tone") and graphophone have similar main meanings. The roots were already familiar from existing 19th-century words such as picture ("light writing"), telegraph ("distant writing"), and mobile phone ("distant sound"). The brand new term may have been affected by the existing words phonographic and phonography, which referred to a system of phonetic shorthand; in 1852 THE BRAND NEW York Times carried an advert for "Professor Webster's phonographic class", and in 1859 the brand new York State Educators Association tabled a movement to "employ a phonographic recorder" to track record its meetings.
Arguably, any device used to track record audio or reproduce recorded audio could be called a kind of "phonograph", however in common practice the portrayed phrase has come to suggest traditional systems of sound recording, relating audio-frequency modulations of your physical track or groove.
In the overdue 19th and early 20th hundreds of years, "Phonograph", "Gramophone", "Graphophone", "Zonophone" and the like were still brand names specific to various manufacturers of sometimes completely different (i.e. cylinder and disc) machines; so sizeable use was made of the generic term "talking machine", in print especially. "Talking machine" had earlier been used to refer to complicated devices which produced a crude imitation of speech, by simulating the workings of the vocal cords, tongue, and lips - a potential source of confusion both then and today.
In British English, "gramophone" may refer to any sound-reproducing machine using disk records, that have been popularized and launched in the united kingdom by the Gramophone Company. Originally, "gramophone" was a proprietary trademark of that company and any use of the name by competing makers of disc records was vigorously prosecuted in the courts, but in 1910 an English court decision decreed which it had become a generic term; it has been so used in the UK and most Commonwealth countries since. The term "phonograph" was usually limited to machines which used cylinder records.
"Gramophone" generally referred to a wind-up machine. After the intro of the softer vinyl fabric documents, 33 1/3-rpm LPs (long-playing information) and 45-rpm "single" or two-song details, and EPs (extended-play recordings), the common name became "record player" or "turntable". Usually the home record player was part of something that included a radio (radiogram) and, later, might also play audiotape cassettes. From about 1960, such something began to be described as a "hi-fi" (high-fidelity, monophonic) or a "stereo" (most systems being stereophonic by the mid-1960s).
In Australian English, "record player" was the word; "turntable" was a more technological term; "gramophone" was limited to the old mechanised (i.e., wind-up) players; and "phonograph" was used just as British English.
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