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The phonograph is a device developed in 1877 for the mechanised duplication and tracking of audio. In its later forms additionally it is called a gramophone (as a trademark since 1887, as a generic name since c. 1900). The audio vibration waveforms are documented as equivalent physical deviations of any spiral groove etched, etched, incised, or impressed into the surface of an rotating disc or cylinder, called a "record". To recreate the audio, the surface is similarly rotated while a playback stylus traces the groove which is therefore vibrated because of it, very reproducing the recorded audio faintly. In early acoustic phonographs, the stylus vibrated a diaphragm which produced sound waves which were coupled to the open air through the flaring horn, or right to the listener's ears through stethoscope-type earphones. In later electric phonographs (also known as record players (since 1940s) or, most recently, turntables), the movements of the stylus are changed into an analogous electrical power signal by the transducer, turned back into audio by a loudspeaker then.

The phonograph was developed in 1877 by Thomas Edison. While other inventors experienced produced devices that can record noises, Edison's phonograph was the first ever to have the ability to reproduce the noted sound. His phonograph originally recorded audio onto a tinfoil sheet twisted around a rotating cylinder. A stylus giving an answer to sound vibrations produced an and down or hill-and-dale groove in the foil up. Alexander Graham Bell's Volta Laboratory made several improvements in the 1880s, like the use of wax-coated cardboard cylinders, and a cutting stylus that moved laterally in a "zig zag" groove round the record.

Inside the 1890s, Emile Berliner initiated the change from phonograph cylinders to level discs with a spiral groove running from the periphery to near the center. Later improvements through the entire years included adjustments to the turntable and its drive system, the stylus or needle, and the equalization and audio systems.

The disc phonograph record was the dominant audio recording format throughout almost all of the 20th hundred years. From your mid-1980s on, phonograph use on a standard record player declined due to rise of the cassette tape sharply, compact disc and other digital tracking formats. Information remain a favorite format for some audiophiles and DJs. Vinyl records are still utilized by some DJs and musicians in their concert performances. Musicians continue to release their recordings on vinyl records. The original recordings of musicians are occasionally re-issued on vinyl fabric.

Using terminology is not even over the English-speaking world (see below). In more modern usage, the playback device is named a "turntable", "record player", or "record changer". When found in conjunction with a mixing machine as part of a DJ set up, turntables are often called "decks".

The term phonograph ("sound writing") was derived from the Greek words ???? (phon?, "sound" or "voice") and ????? (graph?, "writing"). The similar related terms gramophone (from the Greek ?????? gramma "letter" and ???? ph?n? "tone of voice") and graphophone have similar main meanings. The origins were already familiar from existing 19th-century words such as photograph ("light writing"), telegraph ("distant writing"), and cell phone ("distant sound"). The new term may have been inspired by the existing words phonographic and phonography, which referred to a system of phonetic shorthand; in 1852 THE BRAND NEW York Times taken an advertising campaign for "Professor Webster's phonographic class", and in 1859 the brand new York State Professors Relationship tabled a action to "hire a phonographic recorder" to record its meetings.

Arguably, any device used to record audio or reproduce noted sound could be called a type of "phonograph", however in common practice the indicated word has come to signify historic technologies of sound documenting, including audio-frequency modulations of any physical track or groove.

In the overdue 19th and early on 20th ages, "Phonograph", "Gramophone", "Graphophone", "Zonophone" and so on were still brands specific to various manufacturers of sometimes completely different (i.e. cylinder and disc) machines; so substantial use was manufactured from the generic term "talking machine", especially in print. "Talking machine" had earlier been used to refer to complicated devices which produced a crude imitation of speech, by simulating the workings of the vocal cords, tongue, and lips - a potential way to obtain confusion both then and now.

In British British, "gramophone" may refer to any sound-reproducing machine using disk records, that have been presented and popularized in the united kingdom by the Gramophone Company. Originally, "gramophone" was a proprietary trademark of that company and any use of the name by competing makers of disc records was vigorously prosecuted in the courts, however in 1910 an English court decision decreed that this had turn into a generic term; it's been so used in the united kingdom and most Commonwealth countries since. The term "phonograph" was usually limited to machines that used cylinder records.

"Gramophone" generally referred to a wind-up machine. After the intro of the softer vinyl fabric details, 33 1/3-rpm LPs (long-playing records) and 45-rpm "single" or two-song information, and EPs (extended-play recordings), the normal name became "record player" or "turntable". Often the home record player was part of a system that included a radio (radiogram) and, later, might also play audiotape cassettes. From about 1960, such a system began to be described as a "hi-fi" (high-fidelity, monophonic) or a "stereo" (most systems being stereophonic by the mid-1960s).

In Australian English, "record player" was the word; "turntable" was a more technical term; "gramophone" was limited to the old mechanical (i.e., wind-up) players; and "phonograph" was used as with British English.

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