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The phonograph is a tool created in 1877 for the mechanised recording and duplication of sound. In its later forms it is also called a gramophone (as a trademark since 1887, as a generic name since c. 1900). The audio vibration waveforms are documented as related physical deviations of a spiral groove imprinted, etched, incised, or impressed in to the surface of the revolving disc or cylinder, called a "record". To recreate the audio, the surface is in the same way rotated while a playback stylus traces the groove and is therefore vibrated because of it, very reproducing the documented audio faintly. In early acoustic phonographs, the stylus vibrated a diaphragm which produced sound waves that have been coupled to the open air via a flaring horn, or right to the listener's ears through stethoscope-type earphones. In later electric phonographs (also known as record players (since 1940s) or, most recently, turntables), the movements of the stylus are changed into an analogous electric powered signal with a transducer, converted back to sound by way of a loudspeaker then.
The phonograph was invented in 1877 by Thomas Edison. While other inventors got produced devices that may record may seem, Edison's phonograph was the first ever to have the ability to reproduce the saved audio. His phonograph actually recorded sound onto a tinfoil sheet covered around a revolving cylinder. A stylus responding to reasonable vibrations produced an up and down or hill-and-dale groove in the foil. Alexander Graham Bell's Volta Laboratory made several improvements in the 1880s, including the use of wax-coated cardboard cylinders, and a cutting stylus that moved from side to side in a "zig zag" groove surrounding the record.
Within the 1890s, Emile Berliner initiated the changeover from phonograph cylinders to flat discs with a spiral groove running from the periphery to nearby the center. Later improvements through the full years included adjustments to the turntable and its own drive system, the stylus or needle, and the equalization and sound systems.
The disk phonograph record was the dominating audio tracking format throughout the majority of the 20th hundred years. In the mid-1980s on, phonograph use on a standard record player declined due to rise of the cassette tape sharply, compact disk and other digital recording formats. Data remain a favorite format for a few audiophiles and DJs. Vinyl records are still employed by some DJs and musicians in their concert performances. Musicians continue to release their recordings on vinyl records. The original recordings of musicians are sometimes re-issued on vinyl fabric.
Using terminology is not consistent over the English-speaking world (see below). In newer usage, the playback device is categorised as a "turntable", "record player", or "record changer". When found in conjunction with a mixer as part of a DJ setup, turntables are often called "decks".
The word phonograph ("sound writing") was produced from the Greek words ???? (phon?, "sound" or "voice") and ????? (graph?, "writing"). The similar related terms gramophone (from the Greek ?????? gramma "notice" and ???? ph?n? "speech") and graphophone have similar root meanings. The origins were already familiar from existing 19th-century words such as picture ("light writing"), telegraph ("distant writing"), and telephone ("distant sound"). The new term may have been affected by the prevailing words phonographic and phonography, which referred to something of phonetic shorthand; in 1852 THE BRAND NEW York Times transported an advertisements for "Professor Webster's phonographic class", and in 1859 the brand new York State Instructors Relationship tabled a motion to "hire a phonographic recorder" to record its meetings.
Probably, any device used to track record audio or reproduce recorded audio could be called a type of "phonograph", however in common practice the word has come to signify historical technology of acoustics tracking, relating audio-frequency modulations of a physical track or groove.
In the later 19th and early 20th ages, "Phonograph", "Gramophone", "Graphophone", "Zonophone" and so on were still brands specific to various creators of sometimes very different (i.e. cylinder and disk) machines; so extensive use was manufactured from the common term "talking machine", especially in print. "Talking machine" had earlier been used to make reference to complicated devices which produced a crude imitation of speech, by simulating the workings of the vocal cords, tongue, and lip area - a potential source of confusion both and now then.
In British English, "gramophone" may refer to any sound-reproducing machine using disk records, that have been introduced and popularized in the UK by the Gramophone Company. Originally, "gramophone" was a proprietary trademark of this company and any use of the name by competing makers of disc records was vigorously prosecuted in the courts, but in 1910 an English court decision decreed which it had turn into a generic term; it's been so used in the united kingdom and most Commonwealth countries since. The word "phonograph" was usually restricted to machines which used cylinder records.
"Gramophone" generally referred to a wind-up machine. Following the release of the softer vinyl documents, 33 1/3-rpm LPs (long-playing data) and 45-rpm "single" or two-song documents, and EPs (extended-play recordings), the common name became "record player" or "turntable". Usually the home record player was part of a system that included a radio (radiogram) and, later, might play audiotape cassettes also. From about 1960, such something began to be described as a "hi-fi" (high-fidelity, monophonic) or a "stereo" (most systems being stereophonic by the mid-1960s).
In Australian English, "record player" was the term; "turntable" was a far more technical term; "gramophone" was restricted to the old mechanical (i.e., wind-up) players; and "phonograph" was used as in British English.
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