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The phonograph is a device developed in 1877 for the mechanised taking and reproduction of sound. In its later forms additionally it is called a gramophone (as a trademark since 1887, as a generic name since c. 1900). The audio vibration waveforms are noted as equivalent physical deviations of the spiral groove etched, etched, incised, or impressed into the surface of the spinning disc or cylinder, called a "record". To recreate the audio, the surface is similarly rotated while a playback stylus traces the groove and is therefore vibrated because of it, very faintly reproducing the registered audio. In early acoustic phonographs, the stylus vibrated a diaphragm which produced sound waves that have been coupled to the open air through the flaring horn, or directly to the listener's ears through stethoscope-type earphones. In later electric phonographs (also called record players (since 1940s) or, lately, turntables), the motions of the stylus are converted into an analogous electric powered signal by way of a transducer, altered back into sound by way of a loudspeaker then.

The phonograph was developed in 1877 by Thomas Edison. While other inventors got produced devices that may record noises, Edison's phonograph was the first ever to have the ability to reproduce the recorded audio. His phonograph actually recorded sound onto a tinfoil sheet covered around a rotating cylinder. A stylus responding to sensible vibrations produced an along or hill-and-dale groove in the foil. Alexander Graham Bell's Volta Laboratory made several improvements in the 1880s, like the use of wax-coated cardboard cylinders, and a cutting stylus that moved laterally in a "zig zag" groove around the record.

Within the 1890s, Emile Berliner initiated the transition from phonograph cylinders to level discs with a spiral groove working from the periphery to close to the center. Later advancements over time included adjustments to the turntable and its drive system, the stylus or needle, and the equalization and sound systems.

The disc phonograph record was the dominant audio tracking format throughout most of the 20th century. In the mid-1980s on, phonograph use on a standard record player declined as a result of rise of the cassette tape sharply, compact disk and other digital taking formats. Information are still a well liked format for a few audiophiles and DJs. Vinyl records are used by some DJs and musicians in their concert performances still. Musicians continue steadily to release their recordings on vinyl records. The original recordings of musicians are re-issued on vinyl sometimes.

Using terminology is not even over the English-speaking world (see below). In newer usage, the playback device is called a "turntable", "record player", or "record changer". When found in conjunction with a mixing machine within a DJ installation, turntables tend to be called "decks".

The word phonograph ("sound writing") was produced from the Greek words ???? (phon?, "sound" or "voice") and ????? (graph?, "writing"). The similar related terms gramophone (from the Greek ?????? gramma "notice" and ???? ph?n? "speech") and graphophone have similar root meanings. The root base were already familiar from existing 19th-century words such as picture ("light writing"), telegraph ("distant writing"), and phone ("distant sound"). The brand new term might have been inspired by the existing words phonographic and phonography, which referred to something of phonetic shorthand; in 1852 The New York Times taken an advert for "Professor Webster's phonographic class", and in 1859 the brand new York State Professors Connection tabled a motion to "hire a phonographic recorder" to record its meetings.

Arguably, any device used to record audio or reproduce recorded sound could be called a kind of "phonograph", however in common practice the word has come to suggest ancient systems of sensible saving, affecting audio-frequency modulations of the physical groove or trace.

In the past due 19th and early on 20th centuries, "Phonograph", "Gramophone", "Graphophone", "Zonophone" and the like were still brand names specific to various manufacturers of sometimes completely different (i.e. cylinder and disc) machines; so significant use was manufactured from the common term "talking machine", especially in print. "Talking machine" had earlier been used to refer to complicated devices which produced a crude imitation of speech, by simulating the workings of the vocal cords, tongue, and mouth - a potential way to obtain bafflement both and now then.

In British English, "gramophone" may make reference to any sound-reproducing machine using disc records, which were popularized and introduced in the UK by the Gramophone Company. Originally, "gramophone" was a proprietary trademark of this company and any use of the name by competing makers of disc records was vigorously prosecuted in the courts, however in 1910 an English court decision decreed that this had turn into a generic term; it's been so used in the UK and most Commonwealth countries ever since. The word "phonograph" was usually limited to machines which used cylinder records.

"Gramophone" generally described a wind-up machine. After the introduction of the softer vinyl information, 33 1/3-rpm LPs (long-playing files) and 45-rpm "single" or two-song details, and EPs (extended-play recordings), the common name became "record player" or "turntable". Often the home record player was part of something that included a radio (radiogram) and, later, might play audiotape cassettes also. From about 1960, such a system began to certainly be a "hi-fi" (high-fidelity, monophonic) or a "stereo" (most systems being stereophonic by the mid-1960s).

In Australian English, "record player" was the term; "turntable" was a far more specialized term; "gramophone" was limited to the old mechanised (i.e., wind-up) players; and "phonograph" was used as in British English.

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