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Bang & Olufsen antique phonograph
The phonograph is a tool invented in 1877 for the mechanised recording and reproduction of audio. In its later forms additionally it is called a gramophone (as a trademark since 1887, as a generic name since c. 1900). The sound vibration waveforms are registered as corresponding physical deviations of the spiral groove etched, etched, incised, or impressed in to the surface of your rotating cylinder or disc, called a "record". To recreate the audio, the surface is likewise rotated while a playback stylus traces the groove and is also therefore vibrated because of it, very faintly reproducing the noted sound. In early acoustic phonographs, the stylus vibrated a diaphragm which produced sound waves which were coupled to the open air by having a flaring horn, or right to the listener's ears through stethoscope-type earphones. In later electric phonographs (also called record players (since 1940s) or, lately, turntables), the movements of the stylus are converted into an analogous electric powered signal by the transducer, then changed back into sound by the loudspeaker.
The phonograph was developed in 1877 by Thomas Edison. While other inventors experienced produced devices that could record noises, Edison's phonograph was the first to be able to reproduce the registered audio. His phonograph at first recorded audio onto a tinfoil sheet covered around a spinning cylinder. A stylus giving an answer to acoustics vibrations produced an up and down or hill-and-dale groove in the foil. Alexander Graham Bell's Volta Laboratory made several improvements in the 1880s, including the use of wax-coated cardboard cylinders, and a cutting stylus that moved laterally in a "zig zag" groove around the record.
Within the 1890s, Emile Berliner initiated the changeover from phonograph cylinders to flat discs with a spiral groove operating from the periphery to near to the center. Later improvements through the entire years included adjustments to the turntable and its drive system, the needle or stylus, and the equalization and audio systems.
The disc phonograph record was the dominating audio recording format throughout the majority of the 20th hundred years. From the mid-1980s on, phonograph use on a standard record player declined sharply as a result of rise of the cassette tape, compact disc and other digital saving formats. Information are a favorite format for a few audiophiles and DJs still. Vinyl records are being used by some DJs and musicians in their concert performances still. Musicians continue steadily to release their recordings on vinyl records. The initial recordings of music artists are sometimes re-issued on vinyl fabric.
Using terminology is not uniform across the English-speaking world (see below). In more modern usage, the playback device is often called a "turntable", "record player", or "record changer". When used in conjunction with a mixer as part of a DJ setup, turntables tend to be called "decks".
The word phonograph ("sound writing") was produced from the Greek words ???? (phon?, "sound" or "voice") and ????? (graph?, "writing"). The similar related conditions gramophone (from the Greek ?????? gramma "notice" and ???? ph?n? "tone of voice") and graphophone have similar root meanings. The roots were already familiar from existing 19th-century words such as photo ("light writing"), telegraph ("distant writing"), and cell phone ("distant sound"). The brand new term might have been influenced by the prevailing words phonographic and phonography, which described a system of phonetic shorthand; in 1852 THE BRAND NEW York Times transported an ad for "Professor Webster's phonographic class", and in 1859 the New York State Instructors Relationship tabled a motion to "employ a phonographic recorder" to record its meetings.
Probably, any device used to record sound or reproduce documented audio could be called a kind of "phonograph", but in common practice the expressed expression has come to indicate historical systems of audio recording, involving audio-frequency modulations of an physical trace or groove.
In the later 19th and early 20th generations, "Phonograph", "Gramophone", "Graphophone", "Zonophone" and the like were still brands specific to various makers of sometimes completely different (i.e. cylinder and disk) machines; so appreciable use was manufactured from the generic term "talking machine", in print especially. "Talking machine" had earlier been used to make reference to complicated devices which produced a crude imitation of speech, by simulating the workings of the vocal cords, tongue, and lip area - a potential source of dilemma both and today then.
In British British, "gramophone" may make reference to any sound-reproducing machine using disk records, which were popularized and released in the UK by the Gramophone Company. Originally, "gramophone" was a proprietary trademark of that company and any use of the name by competing makers of disc records was vigorously prosecuted in the courts, however in 1910 an English court decision decreed that it had become a generic term; it has been so used in the UK & most Commonwealth countries ever since. The term "phonograph" was usually restricted to machines that used cylinder records.
"Gramophone" generally referred to a wind-up machine. Following the introduction of the softer vinyl records, 33 1/3-rpm LPs (long-playing details) and 45-rpm "single" or two-song details, and EPs (extended-play recordings), the common name became "record player" or "turntable". Usually the home record player was part of a system that included a radio (radiogram) and, later, might also play audiotape cassettes. From about 1960, such something began to be described as a "hi-fi" (high-fidelity, monophonic) or a "stereo" (most systems being stereophonic by the mid-1960s).
In Australian British, "record player" was the word; "turntable" was a more technological term; "gramophone" was limited to the old mechanised (i.e., wind-up) players; and "phonograph" was used just as British English.
Bang bang, my baby shot me down quot;
https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiA-JkfjKnUB82xAU-mvsztZ7vajBl4ploO_69Faki95zwtmGu0uukrPSmO9m_x4brWMCjxlxv_jtHq1qNO88ajOn6V-iGBBwob6NMg_eX5vpMlzRWTrX-osghyphenhyphenoBLlPxbwgzeIDLlCRAn9/s1600/marc-jacobs-bang.jpgBeyonce Inspired High Bun with Bang Tutorial YouTube
https://i.ytimg.com/vi/gDlQCLTiHFs/maxresdefault.jpgBIGBANG Is Back Again with quot;BANG BANG BANGquot; and quot;WE LIKE 2 PAR
The Bang Bang Club Movie Poster
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2012 starts with a BANG! The Forsyth Group
Luxman PD272 with ADC XLM Mk2 Flickr Photo Sharing!https://c4.staticflickr.com/4/3130/2768777739_bfb8af9e00.jpgLuxman antique phonograph
The phonograph is a tool developed in 1877 for the mechanised reproduction and taking of audio. In its later forms additionally it is called a gramophone (as a trademark since 1887, as a generic name since c. 1900). The sound vibration waveforms are registered as corresponding physical deviations of a spiral groove engraved, etched, incised, or impressed in to the surface of the rotating cylinder or disk, called a "record". To recreate the sound, the surface is similarly rotated while a playback stylus traces the groove and it is therefore vibrated because of it, very reproducing the documented sound faintly. In early acoustic phonographs, the stylus vibrated a diaphragm which produced sound waves which were coupled to the open air by using a flaring horn, or directly to the listener's ears through stethoscope-type earphones. In later electric phonographs (also known as record players (since 1940s) or, lately, turntables), the movements of the stylus are changed into an analogous electro-mechanical signal with a transducer, then altered back to sound by the loudspeaker.
The phonograph was invented in 1877 by Thomas Edison. While other inventors had produced devices that could record tones, Edison's phonograph was the first ever to be able to reproduce the recorded audio. His phonograph at first recorded sound onto a tinfoil sheet wrapped around a rotating cylinder. A stylus giving an answer to sound vibrations produced an and down or hill-and-dale groove in the foil up. Alexander Graham Bell's Volta Laboratory made several improvements in the 1880s, including the use of wax-coated cardboard cylinders, and a cutting stylus that moved laterally in a "zig zag" groove about the record.
Inside the 1890s, Emile Berliner initiated the transition from phonograph cylinders to level discs with a spiral groove operating from the periphery to near to the center. Later improvements through the full years included modifications to the turntable and its own drive system, the stylus or needle, and the equalization and audio systems.
The disc phonograph record was the prominent audio saving format throughout the majority of the 20th hundred years. Through the mid-1980s on, phonograph use on a standard record player declined sharply because of the rise of the cassette tape, compact disk and other digital recording formats. Details are a favorite format for some audiophiles and DJs still. Vinyl records are used by some DJs and musicians in their concert performances still. Musicians continue steadily to release their recordings on vinyl records. The initial recordings of musicians are re-issued on vinyl sometimes.
Using terminology is not consistent across the English-speaking world (see below). In more modern usage, the playback device is often called a "turntable", "record player", or "record changer". When used in conjunction with a mixer as part of a DJ set up, turntables are often called "decks".
The term phonograph ("sound writing") was derived from the Greek words ???? (phon?, "sound" or "voice") and ????? (graph?, "writing"). The similar related conditions gramophone (from the Greek ?????? gramma "letter" and ???? ph?n? "words") and graphophone have similar main meanings. The origins were already familiar from existing 19th-century words such as picture ("light writing"), telegraph ("distant writing"), and telephone ("distant sound"). The new term might have been inspired by the existing words phonographic and phonography, which described something of phonetic shorthand; in 1852 The New York Times carried an advertisements for "Professor Webster's phonographic class", and in 1859 the brand new York State Instructors Relationship tabled a motion to "employ a phonographic recorder" to record its meetings.
Arguably, any device used to record audio or reproduce noted audio could be called a type of "phonograph", however in common practice the expressed expression has come to mean historical systems of sound recording, relating audio-frequency modulations of your physical groove or trace.
In the past due 19th and early on 20th centuries, "Phonograph", "Gramophone", "Graphophone", "Zonophone" and so on were still brands specific to various designers of sometimes very different (i.e. cylinder and disk) machines; so considerable use was made of the generic term "talking machine", especially in print. "Talking machine" had earlier been used to make reference to complicated devices which produced a crude imitation of speech, by simulating the workings of the vocal cords, tongue, and lips - a potential way to obtain confusion both then and now.
In British English, "gramophone" may make reference to any sound-reproducing machine using disc records, that have been popularized and released in the UK by the Gramophone Company. Originally, "gramophone" was a proprietary trademark of this company and any use of the name by competing makers of disc records was vigorously prosecuted in the courts, however in 1910 an English court decision decreed it had become a generic term; it has been so used in the united kingdom and most Commonwealth countries ever since. The term "phonograph" was usually limited to machines that used cylinder records.
"Gramophone" generally described a wind-up machine. Following the introduction of the softer vinyl details, 33 1/3-rpm LPs (long-playing details) and 45-rpm "single" or two-song details, and EPs (extended-play recordings), the common name became "record player" or "turntable". Often the home record player was part of something that included a radio (radiogram) and, later, might play audiotape cassettes also. From about 1960, such a system began to be described as a "hi-fi" (high-fidelity, monophonic) or a "stereo" (most systems being stereophonic by the mid-1960s).
In Australian British, "record player" was the word; "turntable" was a more technical term; "gramophone" was restricted to the old mechanised (i.e., wind-up) players; and "phonograph" was used as in British English.
Denon Dp1300mk2Denon Dp1300mk2 Turntable Analog Record Player
Columbia Viva Tonal Model 810 Record Player Phonograph Victrola
Voice of Music VM 562 HiFi
https://41.media.tumblr.com/4fc17ae0348d70948a6f86cc80cca6ba/tumblr_myid1kfIRA1r48hglo1_500.pngNotification. How To Repair Audio Amplifiers. View Original[Updated
OIP.M191db60b9c42898761d0945fdbb85a25o0
214B2A2A866507ABBAA88B59CEF7BE4943678E7C5https://www.flickr.com/photos/hansthijs/2768777739/
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Luxman PD272 with ADC XLM Mk2 Flickr Photo Sharing!
Goldring antique phonograph
The phonograph is a tool developed in 1877 for the mechanical duplication and saving of sound. In its later forms it is also called a gramophone (as a trademark since 1887, as a generic name since c. 1900). The audio vibration waveforms are noted as related physical deviations of any spiral groove engraved, etched, incised, or impressed into the surface of your spinning disc or cylinder, called a "record". To recreate the sound, the surface is likewise rotated while a playback stylus traces the groove and is also therefore vibrated by it, very faintly reproducing the documented audio. In early acoustic phonographs, the stylus vibrated a diaphragm which produced sound waves that have been coupled to the open air via a flaring horn, or right to the listener's ears through stethoscope-type earphones. In later electric phonographs (also known as record players (since 1940s) or, most recently, turntables), the movements of the stylus are converted into an analogous electro-mechanical signal with a transducer, then transformed back into sound by way of a loudspeaker.
The phonograph was invented in 1877 by Thomas Edison. While other inventors acquired produced devices which could record sounds, Edison's phonograph was the first to be able to reproduce the noted audio. His phonograph formerly recorded audio onto a tinfoil sheet wrapped around a rotating cylinder. A stylus giving an answer to reasonable vibrations produced an along or hill-and-dale groove in the foil. Alexander Graham Bell's Volta Laboratory made several improvements in the 1880s, like the use of wax-coated cardboard cylinders, and a cutting stylus that moved laterally in a "zig zag" groove throughout the record.
In the 1890s, Emile Berliner initiated the change from phonograph cylinders to flat discs with a spiral groove running from the periphery to nearby the center. Later advancements over time included alterations to the turntable and its drive system, the stylus or needle, and the equalization and sound systems.
The disc phonograph record was the dominant audio recording format throughout most of the 20th hundred years. From your mid-1980s on, phonograph use on a standard record player declined sharply as a result of rise of the cassette tape, compact disc and other digital tracking formats. Files are still a popular format for a few audiophiles and DJs. Vinyl records are still employed by some DJs and musicians in their concert performances. Musicians continue steadily to release their recordings on vinyl records. The initial recordings of musicians are re-issued on vinyl sometimes.
Using terminology is not consistent across the English-speaking world (see below). In newer usage, the playback device is named a "turntable", "record player", or "record changer". When used in conjunction with a mixer as part of a DJ setup, turntables tend to be called "decks".
The word phonograph ("sound writing") was derived from the Greek words ???? (phon?, "sound" or "voice") and ????? (graph?, "writing"). The similar related conditions gramophone (from the Greek ?????? gramma "letter" and ???? ph?n? "tone of voice") and graphophone have similar main meanings. The root base were already familiar from existing 19th-century words such as picture ("light writing"), telegraph ("distant writing"), and telephone ("distant sound"). The new term might have been affected by the existing words phonographic and phonography, which described a system of phonetic shorthand; in 1852 The New York Times taken an ad for "Professor Webster's phonographic class", and in 1859 the brand new York State Professors Association tabled a motion to "employ a phonographic recorder" to record its meetings.
Probably, any device used to record audio or reproduce noted sound could be called a kind of "phonograph", however in common practice the expressed phrase has come to mean traditional systems of audio saving, regarding audio-frequency modulations of any physical track or groove.
In the late 19th and early 20th centuries, "Phonograph", "Gramophone", "Graphophone", "Zonophone" and so on were still brand names specific to various manufacturers of sometimes completely different (i.e. cylinder and disc) machines; so sizeable use was made of the universal term "talking machine", in print especially. "Talking machine" had earlier been used to make reference to complicated devices which produced a crude imitation of speech, by simulating the workings of the vocal cords, tongue, and lip area - a potential source of dilemma both and now then.
In British British, "gramophone" may make reference to any sound-reproducing machine using disc records, that have been popularized and created in the united kingdom by the Gramophone Company. Originally, "gramophone" was a proprietary trademark of that company and any use of the name by competing makers of disc records was vigorously prosecuted in the courts, but in 1910 an English court decision decreed that this had become a generic term; it has been so used in the UK & most Commonwealth countries ever since. The word "phonograph" was usually restricted to machines which used cylinder records.
"Gramophone" generally referred to a wind-up machine. After the introduction of the softer vinyl fabric information, 33 1/3-rpm LPs (long-playing information) and 45-rpm "single" or two-song records, and EPs (extended-play recordings), the normal name became "record player" or "turntable". Usually the home record player was part of something that included a radio (radiogram) and, later, might also play audiotape cassettes. From about 1960, such something began to certainly be a "hi-fi" (high-fidelity, monophonic) or a "stereo" (most systems being stereophonic by the mid-1960s).
In Australian British, "record player" was the word; "turntable" was a far more technical term; "gramophone" was limited to the old mechanised (i.e., wind-up) players; and "phonograph" was used as with British English.
Antique Reproduction RCA Victor Phonograph Gramophone Gold Brass Horn
Antique Morning Glory Phonograph Horn // Edison Style early 1900s
https://img0.etsystatic.com/020/1/5660493/il_570xN.526676870_js1v.jpgAntique Recorded Music Page
hold about 10 records. Above right , the Goldring trademark decal
OIP.M25bcaa0831b58314020a961936e6975bo0
1B9444674AB7FF020B8AC6072AC8D44416C33AE11http://www.shop.com/Antique+Replica+Rca+Victor+Phonograph+Gramophone+with+Large+Gold+Brass+Horn-920925711-p+.xhtml
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