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AM/FM Stereo Radio and Phonograph Photo 910162 Canuck Audio Marthttp://img.canuckaudiomart.com/uploads/large/910168-1965-admiral-tabletop-amfm-stereo-radio-and-phonograph.jpgConnoisseur antique phonograph
The phonograph is a device developed in 1877 for the mechanised tracking and reproduction of audio. In its later forms it is also called a gramophone (as a trademark since 1887, as a generic name since c. 1900). The audio vibration waveforms are recorded as related physical deviations of any spiral groove engraved, etched, incised, or impressed into the surface of a spinning cylinder or disc, called a "record". To recreate the sound, the top is likewise rotated while a playback stylus traces the groove and is also therefore vibrated because of it, very reproducing the recorded audio faintly. In early acoustic phonographs, the stylus vibrated a diaphragm which produced sound waves which were coupled to the open air by using a flaring horn, or right to the listener's ears through stethoscope-type earphones. In later electric phonographs (also called record players (since 1940s) or, most recently, turntables), the movements of the stylus are converted into an analogous electronic signal by a transducer, then changed back to sound by the loudspeaker.
The phonograph was developed in 1877 by Thomas Edison. While other inventors acquired produced devices that may record sounds, Edison's phonograph was the first to be able to reproduce the registered sound. His phonograph formerly recorded sound onto a tinfoil sheet wrapped around a revolving cylinder. A stylus responding to appear vibrations produced an and down or hill-and-dale groove in the foil up. Alexander Graham Bell's Volta Laboratory made several improvements in the 1880s, including the use of wax-coated cardboard cylinders, and a cutting stylus that moved from side to side in a "zig zag" groove surrounding the record.
Inside the 1890s, Emile Berliner initiated the move from phonograph cylinders to chiseled discs with a spiral groove operating from the periphery to near to the center. Later improvements over time included modifications to the turntable and its drive system, the needle or stylus, and the audio and equalization systems.
The disc phonograph record was the dominant audio taking format throughout most of the 20th century. From your mid-1980s on, phonograph use on a standard record player declined as a result of rise of the cassette tape sharply, compact disk and other digital tracking formats. Files are a popular format for some audiophiles and DJs still. Vinyl records are being used by some DJs and musicians in their concert performances still. Musicians continue steadily to release their recordings on vinyl records. The initial recordings of music artists are occasionally re-issued on vinyl fabric.
Using terminology is not consistent over the English-speaking world (see below). In newer usage, the playback device is named a "turntable", "record player", or "record changer". When used in conjunction with a mixer within a DJ set up, turntables are often called "decks".
The word phonograph ("sound writing") was derived from the Greek words ???? (phon?, "sound" or "voice") and ????? (graph?, "writing"). The similar related conditions gramophone (from the Greek ?????? gramma "letter" and ???? ph?n? "speech") and graphophone have similar main meanings. The root base were already familiar from existing 19th-century words such as photograph ("light writing"), telegraph ("distant writing"), and mobile phone ("distant sound"). The brand new term might have been influenced by the existing words phonographic and phonography, which referred to a system of phonetic shorthand; in 1852 The New York Times taken an advertisements for "Professor Webster's phonographic class", and in 1859 the New York State Instructors Association tabled a action to "employ a phonographic recorder" to track record its meetings.
Arguably, any device used to track record audio or reproduce recorded audio could be called a kind of "phonograph", however in common practice the portrayed expression has come to indicate historic solutions of sound documenting, concerning audio-frequency modulations of your physical groove or track.
In the late 19th and early on 20th hundreds of years, "Phonograph", "Gramophone", "Graphophone", "Zonophone" and the like were still brand names specific to various designers of sometimes completely different (i.e. cylinder and disc) machines; so significant use was manufactured from the general term "talking machine", especially in print. "Talking machine" had earlier been used to refer to complicated devices which produced a crude imitation of speech, by simulating the workings of the vocal cords, tongue, and lips - a potential way to obtain confusion both then and today.
In British British, "gramophone" may make reference to any sound-reproducing machine using disc records, which were created and popularized in the united kingdom by the Gramophone Company. Originally, "gramophone" was a proprietary trademark of that company and any use of the name by competing makers of disc records was vigorously prosecuted in the courts, however in 1910 an English court decision decreed it had turn into a generic term; it's been so used in the UK and most Commonwealth countries since. The word "phonograph" was usually limited to machines which used cylinder records.
"Gramophone" generally described a wind-up machine. Following the advantages of the softer vinyl files, 33 1/3-rpm LPs (long-playing documents) and 45-rpm "single" or two-song files, and EPs (extended-play recordings), the normal name became "record player" or "turntable". Usually the home record player was part of something that included a radio (radiogram) and, later, might play audiotape cassettes also. From about 1960, such something began to certainly be a "hi-fi" (high-fidelity, monophonic) or a "stereo" (most systems being stereophonic by the mid-1960s).
In Australian British, "record player" was the word; "turntable" was a more specialized term; "gramophone" was restricted to the old mechanised (i.e., wind-up) players; and "phonograph" was used such as British English.
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AM/FM Stereo Radio and Phonograph Photo 910162 Canuck Audio Mart
MY Classic : Radio pick up Garrard Soldhttps://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgnghoZiz9uZFSA0z7MSaWJokBR47tlFZXrSg7KS0FP69wugmNRBZWBuWoxttgLWkx6T1EFHwp99zGzm0m__ZjkzP5zWCTkmLpjOrrSz1j5kN-mxfVwtFuVkyH41RZpD4AZPpYPGS2I_U2-/s1600/garrard.jpgGarrard Engineering and Manufacturing Company antique phonograph
The phonograph is a device invented in 1877 for the mechanical tracking and reproduction of audio. In its later forms it is also called a gramophone (as a trademark since 1887, as a generic name since c. 1900). The sound vibration waveforms are noted as related physical deviations of the spiral groove imprinted, etched, incised, or impressed in to the surface of any revolving cylinder or disk, called a "record". To recreate the audio, the top is in the same way rotated while a playback stylus traces the groove and it is therefore vibrated by it, very faintly reproducing the registered sound. In early acoustic phonographs, the stylus vibrated a diaphragm which produced sound waves which were coupled to the open air via a flaring horn, or directly to the listener's ears through stethoscope-type earphones. In later electric phonographs (also known as record players (since 1940s) or, lately, turntables), the motions of the stylus are changed into an analogous electronic signal by way of a transducer, then changed back into sound by the loudspeaker.
The phonograph was developed in 1877 by Thomas Edison. While other inventors possessed produced devices that may record tones, Edison's phonograph was the first ever to be able to reproduce the registered sound. His phonograph formerly recorded sound onto a tinfoil sheet twisted around a rotating cylinder. A stylus responding to sensible vibrations produced an along or hill-and-dale groove in the foil. Alexander Graham Bell's Volta Laboratory made several improvements in the 1880s, including the use of wax-coated cardboard cylinders, and a cutting stylus that moved laterally in a "zig zag" groove across the record.
Inside the 1890s, Emile Berliner initiated the change from phonograph cylinders to chiseled discs with a spiral groove operating from the periphery to near the center. Later advancements through the entire years included alterations to the turntable and its drive system, the stylus or needle, and the equalization and sound systems.
The disk phonograph record was the dominating audio taking format throughout the majority of the 20th century. In the mid-1980s on, phonograph use on a standard record player declined sharply because of the rise of the cassette tape, compact disk and other digital taking formats. Data are still a well liked format for some audiophiles and DJs. Vinyl records are used by some DJs and musicians in their concert performances still. Musicians continue steadily to release their recordings on vinyl records. The initial recordings of music artists are occasionally re-issued on vinyl.
Using terminology is not homogeneous across the English-speaking world (see below). In newer usage, the playback device is often called a "turntable", "record player", or "record changer". When used in conjunction with a mixer within a DJ set up, turntables tend to be called "decks".
The term phonograph ("sound writing") was produced from the Greek words ???? (phon?, "sound" or "voice") and ????? (graph?, "writing"). The similar related conditions gramophone (from the Greek ?????? gramma "letter" and ???? ph?n? "words") and graphophone have similar root meanings. The roots were already familiar from existing 19th-century words such as photo ("light writing"), telegraph ("distant writing"), and cell phone ("distant sound"). The new term may have been affected by the prevailing words phonographic and phonography, which described a system of phonetic shorthand; in 1852 The New York Times carried an advertisements for "Professor Webster's phonographic class", and in 1859 the New York State Teachers Association tabled a action to "employ a phonographic recorder" to record its meetings.
Probably, any device used to track record audio or reproduce recorded sound could be called a kind of "phonograph", but in common practice the word has come to indicate ancient systems of sound tracking, involving audio-frequency modulations of an physical trace or groove.
In the past due 19th and early on 20th ages, "Phonograph", "Gramophone", "Graphophone", "Zonophone" and the like were still brand names specific to various designers of sometimes completely different (i.e. cylinder and disc) machines; so appreciable use was made of the common term "talking machine", in print especially. "Talking machine" had earlier been used to refer to complicated devices which produced a crude imitation of speech, by simulating the workings of the vocal cords, tongue, and lips - a potential source of confusion both then and today.
In British English, "gramophone" may make reference to any sound-reproducing machine using disc records, which were popularized and created in the UK by the Gramophone Company. Originally, "gramophone" was a proprietary trademark of that company and any use of the name by competing makers of disc records was vigorously prosecuted in the courts, but in 1910 an English court decision decreed it had turn into a generic term; it's been so used in the united kingdom & most Commonwealth countries since. The term "phonograph" was usually restricted to machines which used cylinder records.
"Gramophone" generally described a wind-up machine. After the introduction of the softer vinyl fabric information, 33 1/3-rpm LPs (long-playing information) and 45-rpm "single" or two-song details, and EPs (extended-play recordings), the normal name became "record player" or "turntable". Usually the home record player was part of something that included a radio (radiogram) and, later, may also play audiotape cassettes. From about 1960, such a system began to certainly be a "hi-fi" (high-fidelity, monophonic) or a "stereo" (most systems being stereophonic by the mid-1960s).
In Australian British, "record player" was the term; "turntable" was a far more complex term; "gramophone" was limited to the old mechanised (i.e., wind-up) players; and "phonograph" was used such as British English.
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MY Classic : Radio pick up Garrard Sold
Antique Trunk Restoration Vintage Radio amp; Phonograph Restorationhttp://www.shenandoahrestoration.com/images/bolton6.JPGClearaudio Electronic antique phonograph
The phonograph is a device invented in 1877 for the mechanised duplication and taking of audio. In its later forms it is also called a gramophone (as a trademark since 1887, as a generic name since c. 1900). The sound vibration waveforms are noted as corresponding physical deviations of the spiral groove imprinted, etched, incised, or impressed into the surface of a revolving cylinder or disk, called a "record". To recreate the sound, the surface is in the same way rotated while a playback stylus traces the groove and it is therefore vibrated because of it, very faintly reproducing the documented audio. In early acoustic phonographs, the stylus vibrated a diaphragm which produced sound waves that have been coupled to the open air through the flaring horn, or directly to the listener's ears through stethoscope-type earphones. In later electric phonographs (also known as record players (since 1940s) or, lately, turntables), the motions of the stylus are changed into an analogous electronic signal by the transducer, then altered back to audio by a loudspeaker.
The phonograph was created in 1877 by Thomas Edison. While other inventors got produced devices which could record looks, Edison's phonograph was the first to have the ability to reproduce the recorded sound. His phonograph formerly recorded sound onto a tinfoil sheet twisted around a rotating cylinder. A stylus responding to sensible vibrations produced an along or hill-and-dale groove in the foil. Alexander Graham Bell's Volta Laboratory made several improvements in the 1880s, like the use of wax-coated cardboard cylinders, and a cutting stylus that moved from side to side in a "zig zag" groove surrounding the record.
In the 1890s, Emile Berliner initiated the move from phonograph cylinders to chiseled discs with a spiral groove working from the periphery to near to the center. Later improvements through the entire years included adjustments to the turntable and its drive system, the stylus or needle, and the sound and equalization systems.
The disk phonograph record was the dominating audio recording format throughout the majority of the 20th hundred years. From the mid-1980s on, phonograph use on a standard record player declined as a result of rise of the cassette tape sharply, compact disk and other digital recording formats. Files are a favorite format for a few audiophiles and DJs still. Vinyl records are still utilized by some DJs and musicians in their concert performances. Musicians continue to release their recordings on vinyl records. The original recordings of musicians are occasionally re-issued on vinyl fabric.
Usage of terminology is not homogeneous across the English-speaking world (see below). In newer usage, the playback device is categorised as a "turntable", "record player", or "record changer". When found in conjunction with a mixing machine within a DJ installation, turntables tend to be called "decks".
The term phonograph ("sound writing") was derived from the Greek words ???? (phon?, "sound" or "voice") and ????? (graph?, "writing"). The similar related terms gramophone (from the Greek ?????? gramma "letter" and ???? ph?n? "speech") and graphophone have similar main meanings. The root base were already familiar from existing 19th-century words such as picture ("light writing"), telegraph ("distant writing"), and mobile phone ("distant sound"). The brand new term may have been affected by the prevailing words phonographic and phonography, which described something of phonetic shorthand; in 1852 THE BRAND NEW York Times taken an advertising campaign for "Professor Webster's phonographic class", and in 1859 the brand new York State Professors Relationship tabled a motion to "employ a phonographic recorder" to track record its meetings.
Arguably, any device used to track record sound or reproduce documented sound could be called a kind of "phonograph", however in common practice the portrayed expression has come to mean historic systems of sound documenting, regarding audio-frequency modulations of the physical trace or groove.
In the late 19th and early on 20th decades, "Phonograph", "Gramophone", "Graphophone", "Zonophone" and so on were still brand names specific to various creators of sometimes very different (i.e. cylinder and disc) machines; so considerable use was made of the general term "talking machine", especially in print. "Talking machine" had earlier been used to refer to complicated devices which produced a crude imitation of speech, by simulating the workings of the vocal cords, tongue, and lips - a potential way to obtain confusion both then and now.
In British English, "gramophone" may refer to any sound-reproducing machine using disc records, that have been introduced and popularized in the UK by the Gramophone Company. Originally, "gramophone" was a proprietary trademark of that company and any use of the name by competing makers of disc records was vigorously prosecuted in the courts, but in 1910 an English court decision decreed that it had turn into a generic term; it's been so used in the UK & most Commonwealth countries since. The term "phonograph" was usually restricted to machines that used cylinder records.
"Gramophone" generally referred to a wind-up machine. Following the release of the softer vinyl fabric data, 33 1/3-rpm LPs (long-playing documents) and 45-rpm "single" or two-song details, and EPs (extended-play recordings), the normal name became "record player" or "turntable". Usually the home record player was part of a system that included a radio (radiogram) and, later, might play audiotape cassettes also. From about 1960, such something began to be described as a "hi-fi" (high-fidelity, monophonic) or a "stereo" (most systems being stereophonic by the mid-1960s).
In Australian English, "record player" was the term; "turntable" was a far more technological term; "gramophone" was restricted to the old mechanical (i.e., wind-up) players; and "phonograph" was used as with British English.
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