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analogueworks antique phonograph
The phonograph is a tool created in 1877 for the mechanised duplication and taking of sound. In its later forms it is also called a gramophone (as a trademark since 1887, as a generic name since c. 1900). The audio vibration waveforms are recorded as corresponding physical deviations of the spiral groove imprinted, etched, incised, or impressed in to the surface of the spinning cylinder or disc, called a "record". To recreate the sound, the surface is similarly rotated while a playback stylus traces the groove and is also therefore vibrated because of it, very faintly reproducing the documented audio. In early acoustic phonographs, the stylus vibrated a diaphragm which produced sound waves which were coupled to the open air by way of a flaring horn, or right to the listener's ears through stethoscope-type earphones. In later electric phonographs (also known as record players (since 1940s) or, lately, turntables), the motions of the stylus are converted into an analogous electronic signal by a transducer, then converted back into sound by the loudspeaker.
The phonograph was created in 1877 by Thomas Edison. While other inventors had produced devices that can record sounds, Edison's phonograph was the first to have the ability to reproduce the documented sound. His phonograph originally recorded audio onto a tinfoil sheet covered around a revolving cylinder. A stylus responding to acoustics vibrations produced an up and down or hill-and-dale groove in the foil. Alexander Graham Bell's Volta Laboratory made several improvements in the 1880s, including the use of wax-coated cardboard cylinders, and a cutting stylus that moved laterally in a "zig zag" groove across the record.
In the 1890s, Emile Berliner initiated the changeover from phonograph cylinders to even discs with a spiral groove working from the periphery to near the center. Later advancements over time included modifications to the turntable and its drive system, the stylus or needle, and the equalization and audio systems.
The disk phonograph record was the prominent audio taking format throughout almost all of the 20th hundred years. From mid-1980s on, phonograph use on a standard record player declined sharply because of the rise of the cassette tape, compact disk and other digital tracking formats. Information remain a popular format for a few audiophiles and DJs. Vinyl records are still employed by some DJs and musicians in their concert performances. Musicians continue steadily to release their recordings on vinyl records. The initial recordings of music artists are re-issued on vinyl sometimes.
Using terminology is not standard across the English-speaking world (see below). In more modern usage, the playback device is often called a "turntable", "record player", or "record changer". When used in conjunction with a mixing machine within a DJ set up, turntables are often called "decks".
The term phonograph ("sound writing") was derived from the Greek words ???? (phon?, "sound" or "voice") and ????? (graph?, "writing"). The similar related conditions gramophone (from the Greek ?????? gramma "notice" and ???? ph?n? "tone") and graphophone have similar main meanings. The origins were already familiar from existing 19th-century words such as picture ("light writing"), telegraph ("distant writing"), and telephone ("distant sound"). The new term might have been influenced by the prevailing words phonographic and phonography, which described a system of phonetic shorthand; in 1852 The New York Times taken an advertisements for "Professor Webster's phonographic class", and in 1859 the New York State Instructors Relationship tabled a movement to "hire a phonographic recorder" to track record its meetings.
Probably, any device used to record sound or reproduce saved audio could be called a kind of "phonograph", but in common practice the expressed word has come to signify historic solutions of sound recording, regarding audio-frequency modulations of your physical trace or groove.
In the past due 19th and early 20th centuries, "Phonograph", "Gramophone", "Graphophone", "Zonophone" and so on were still brand names specific to various designers of sometimes very different (i.e. cylinder and disk) machines; so extensive use was manufactured from the general term "talking machine", especially in print. "Talking machine" had earlier been used to make reference to complicated devices which produced a crude imitation of speech, by simulating the workings of the vocal cords, tongue, and mouth - a potential source of distress both and today then.
In British British, "gramophone" may make reference to any sound-reproducing machine using disk records, that have been created and popularized in the united kingdom by the Gramophone Company. Originally, "gramophone" was a proprietary trademark of that company and any use of the name by competing makers of disc records was vigorously prosecuted in the courts, however in 1910 an English court decision decreed which it had become a generic term; it's been so used in the united kingdom & most Commonwealth countries since. The word "phonograph" was usually restricted to machines that used cylinder records.
"Gramophone" generally referred to a wind-up machine. After the introduction of the softer vinyl fabric details, 33 1/3-rpm LPs (long-playing records) and 45-rpm "single" or two-song documents, and EPs (extended-play recordings), the normal name became "record player" or "turntable". Often the home record player was part of a system that included a radio (radiogram) and, later, might also play audiotape cassettes. From about 1960, such a system began to certainly be a "hi-fi" (high-fidelity, monophonic) or a "stereo" (most systems being stereophonic by the mid-1960s).
In Australian English, "record player" was the term; "turntable" was a far more specialized term; "gramophone" was restricted to the old mechanical (i.e., wind-up) players; and "phonograph" was used as with British English.
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5ACC40EE41018DEAEC2C23DF0EBFD60286C95FE53http://collectiblesforthepeople.com/record-player-151-tc/record-player.html
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