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The phonograph is a tool created in 1877 for the mechanised taking and reproduction of audio. In its later forms additionally it is called a gramophone (as a trademark since 1887, as a generic name since c. 1900). The sound vibration waveforms are saved as corresponding physical deviations of the spiral groove imprinted, etched, incised, or impressed in to the surface of a rotating disk or cylinder, called a "record". To recreate the sound, the surface is likewise rotated while a playback stylus traces the groove which is therefore vibrated by it, very faintly reproducing the recorded sound. In early acoustic phonographs, the stylus vibrated a diaphragm which produced sound waves which were coupled to the open air via a flaring horn, or right to the listener's ears through stethoscope-type earphones. In later electric phonographs (also called record players (since 1940s) or, lately, turntables), the motions of the stylus are changed into an analogous electrical signal by the transducer, changed back into sound by way of a loudspeaker then.
The phonograph was developed in 1877 by Thomas Edison. While other inventors possessed produced devices that may record noises, Edison's phonograph was the first to have the ability to reproduce the recorded sound. His phonograph at first recorded audio onto a tinfoil sheet twisted around a spinning cylinder. A stylus giving an answer to acoustics vibrations produced an along or hill-and-dale groove in the foil. Alexander Graham Bell's Volta Laboratory made several improvements in the 1880s, like the use of wax-coated cardboard cylinders, and a cutting stylus that moved laterally in a "zig zag" groove throughout the record.
Inside the 1890s, Emile Berliner initiated the changeover from phonograph cylinders to flat discs with a spiral groove running from the periphery to near to the center. Later advancements through the entire years included adjustments to the turntable and its drive system, the needle or stylus, and the equalization and sound systems.
The disk phonograph record was the dominant audio taking format throughout most of the 20th century. From your mid-1980s on, phonograph use on a standard record player declined because of the rise of the cassette tape sharply, compact disc and other digital saving formats. Details are a favorite format for some audiophiles and DJs still. Vinyl records are still used by some DJs and musicians in their concert performances. Musicians continue steadily to release their recordings on vinyl records. The original recordings of musicians are sometimes re-issued on vinyl fabric.
Using terminology is not standard over the English-speaking world (see below). In newer usage, the playback device is categorised as a "turntable", "record player", or "record changer". When used in conjunction with a mixing machine within a DJ installation, turntables tend to be called "decks".
The word phonograph ("sound writing") was derived from the Greek words ???? (phon?, "sound" or "voice") and ????? (graph?, "writing"). The similar related conditions gramophone (from the Greek ?????? gramma "letter" and ???? ph?n? "tone of voice") and graphophone have similar root meanings. The origins were already familiar from existing 19th-century words such as photo ("light writing"), telegraph ("distant writing"), and cell phone ("distant sound"). The brand new term may have been influenced by the existing words phonographic and phonography, which described something of phonetic shorthand; in 1852 THE BRAND NEW York Times carried an ad for "Professor Webster's phonographic class", and in 1859 the New York State Educators Association tabled a action to "hire a phonographic recorder" to track record its meetings.
Probably, any device used to track record audio or reproduce saved sound could be called a type of "phonograph", however in common practice the term has come to indicate traditional technologies of acoustics tracking, affecting audio-frequency modulations of the physical groove or trace.
In the past due 19th and early on 20th hundreds of years, "Phonograph", "Gramophone", "Graphophone", "Zonophone" and so on were still brand names specific to various makers of sometimes very different (i.e. cylinder and disc) machines; so sizeable use was manufactured from the general term "talking machine", in print especially. "Talking machine" had earlier been used to refer to complicated devices which produced a crude imitation of speech, by simulating the workings of the vocal cords, tongue, and lips - a potential way to obtain confusion both then and now.
In British English, "gramophone" may make reference to any sound-reproducing machine using disk records, that have been popularized and released in the UK by the Gramophone Company. Originally, "gramophone" was a proprietary trademark of that company and any use of the name by competing makers of disc records was vigorously prosecuted in the courts, however in 1910 an English court decision decreed it had turn into a generic term; it's been so used in the united kingdom & most Commonwealth countries since. The term "phonograph" was usually restricted to machines which used cylinder records.
"Gramophone" generally described a wind-up machine. Following the release of the softer vinyl fabric documents, 33 1/3-rpm LPs (long-playing records) and 45-rpm "single" or two-song data, and EPs (extended-play recordings), the common name became "record player" or "turntable". Often the home record player was part of something that included a radio (radiogram) and, later, might also play audiotape cassettes. From about 1960, such a system began to certainly be a "hi-fi" (high-fidelity, monophonic) or a "stereo" (most systems being stereophonic by the mid-1960s).
In Australian British, "record player" was the term; "turntable" was a more technical term; "gramophone" was limited to the old mechanised (i.e., wind-up) players; and "phonograph" was used just as British English.
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