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The phonograph is a tool created in 1877 for the mechanical tracking and duplication of sound. In its later forms additionally it is called a gramophone (as a trademark since 1887, as a generic name since c. 1900). The audio vibration waveforms are registered as equivalent physical deviations of an spiral groove imprinted, etched, incised, or impressed into the surface of any spinning disk or cylinder, called a "record". To recreate the audio, the top is similarly rotated while a playback stylus traces the groove which is therefore vibrated because of it, very faintly reproducing the registered audio. In early acoustic phonographs, the stylus vibrated a diaphragm which produced sound waves which were coupled to the open air by having a flaring horn, or directly to the listener's ears through stethoscope-type earphones. In later electric phonographs (also known as record players (since 1940s) or, most recently, turntables), the movements of the stylus are converted into an analogous electronic signal by the transducer, converted back into audio by a loudspeaker then.
The phonograph was developed in 1877 by Thomas Edison. While other inventors acquired produced devices that can record does sound, Edison's phonograph was the first to be able to reproduce the noted audio. His phonograph at first recorded audio onto a tinfoil sheet wrapped around a revolving cylinder. A stylus responding to sensible vibrations produced an up and down or hill-and-dale groove in the foil. Alexander Graham Bell's Volta Laboratory made several improvements in the 1880s, including the use of wax-coated cardboard cylinders, and a cutting stylus that moved laterally in a "zig zag" groove around the record.
Within the 1890s, Emile Berliner initiated the move from phonograph cylinders to smooth discs with a spiral groove jogging from the periphery to nearby the center. Later improvements through the full years included changes to the turntable and its drive system, the stylus or needle, and the audio and equalization systems.
The disk phonograph record was the prominent audio tracking format throughout the majority of the 20th century. From the mid-1980s on, phonograph use on a standard record player declined sharply due to rise of the cassette tape, compact disk and other digital taking formats. Data remain a favorite format for some audiophiles and DJs. Vinyl records are still utilized by some DJs and musicians in their concert performances. Musicians continue to release their recordings on vinyl records. The initial recordings of musicians are re-issued on vinyl fabric sometimes.
Usage of terminology is not homogeneous over the English-speaking world (see below). In newer usage, the playback device is called a "turntable", "record player", or "record changer". When found in conjunction with a mixing machine within a DJ set up, turntables tend to be called "decks".
The term phonograph ("sound writing") was produced from the Greek words ???? (phon?, "sound" or "voice") and ????? (graph?, "writing"). The similar related conditions gramophone (from the Greek ?????? gramma "notice" and ???? ph?n? "voice") and graphophone have similar main meanings. The origins were already familiar from existing 19th-century words such as picture ("light writing"), telegraph ("distant writing"), and telephone ("distant sound"). The new term might have been inspired by the existing words phonographic and phonography, which described something of phonetic shorthand; in 1852 The New York Times taken an ad for "Professor Webster's phonographic class", and in 1859 the brand new York State Teachers Connection tabled a action to "hire a phonographic recorder" to record its meetings.
Arguably, any device used to track record audio or reproduce recorded audio could be called a kind of "phonograph", however in common practice the word has come to signify historical technologies of acoustics saving, relating audio-frequency modulations of your physical trace or groove.
In the later 19th and early 20th hundreds of years, "Phonograph", "Gramophone", "Graphophone", "Zonophone" and the like were still brands specific to various creators of sometimes very different (i.e. cylinder and disc) machines; so appreciable use was made of the generic term "talking machine", especially in print. "Talking machine" had earlier been used to make reference to complicated devices which produced a crude imitation of speech, by simulating the workings of the vocal cords, tongue, and lips - a potential source of confusion both then and today.
In British British, "gramophone" may refer to any sound-reproducing machine using disk records, that have been popularized and presented in the UK by the Gramophone Company. Originally, "gramophone" was a proprietary trademark of that company and any use of the name by competing makers of disc records was vigorously prosecuted in the courts, however in 1910 an English court decision decreed which it had become a generic term; it has been so used in the UK and most Commonwealth countries since. The word "phonograph" was usually restricted to machines which used cylinder records.
"Gramophone" generally described a wind-up machine. After the intro of the softer vinyl fabric records, 33 1/3-rpm LPs (long-playing details) and 45-rpm "single" or two-song documents, and EPs (extended-play recordings), the normal name became "record player" or "turntable". Usually the home record player was part of a system that included a radio (radiogram) and, later, might also play audiotape cassettes. From about 1960, such a system began to be described as a "hi-fi" (high-fidelity, monophonic) or a "stereo" (most systems being stereophonic by the mid-1960s).
In Australian English, "record player" was the word; "turntable" was a more technological term; "gramophone" was limited to the old mechanical (i.e., wind-up) players; and "phonograph" was used as with British English.
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