Interesting Luxman CD player dating back to the early 80s, and Openhttp://www.stereopal.com/HomeVisit/Victor/IMG_1686.jpg
Luxman antique phonograph
The phonograph is a tool invented in 1877 for the mechanical recording and duplication of sound. In its later forms additionally it is called a gramophone (as a trademark since 1887, as a generic name since c. 1900). The sound vibration waveforms are noted as related physical deviations of an spiral groove engraved, etched, incised, or impressed into the surface of the spinning disc or cylinder, called a "record". To recreate the sound, the top is likewise rotated while a playback stylus traces the groove and is also therefore vibrated because of it, very reproducing the documented sound faintly. In early acoustic phonographs, the stylus vibrated a diaphragm which produced sound waves that have been coupled to the open air through the flaring horn, or directly to the listener's ears through stethoscope-type earphones. In later electric phonographs (also known as record players (since 1940s) or, most recently, turntables), the movements of the stylus are changed into an analogous electric signal by a transducer, then transformed back into sound by a loudspeaker.
The phonograph was created in 1877 by Thomas Edison. While other inventors experienced produced devices that could record sounds, Edison's phonograph was the first ever to have the ability to reproduce the documented audio. His phonograph formerly recorded sound onto a tinfoil sheet twisted around a rotating cylinder. A stylus giving an answer to reasonable vibrations produced an along or hill-and-dale groove in the foil. Alexander Graham Bell's Volta Laboratory made several improvements in the 1880s, including the use of wax-coated cardboard cylinders, and a cutting stylus that moved laterally in a "zig zag" groove across the record.
Inside the 1890s, Emile Berliner initiated the transition from phonograph cylinders to flat discs with a spiral groove running from the periphery to close to the center. Later advancements over time included adjustments to the turntable and its drive system, the stylus or needle, and the sound and equalization systems.
The disc phonograph record was the prominent audio tracking format throughout most of the 20th century. From the mid-1980s on, phonograph use on a standard record player declined as a result of rise of the cassette tape sharply, compact disc and other digital saving formats. Data are a popular format for a few audiophiles and DJs still. Vinyl records are still employed by some DJs and musicians in their concert performances. Musicians continue to release their recordings on vinyl records. The initial recordings of musicians are re-issued on vinyl fabric sometimes.
Usage of terminology is not standard across the English-speaking world (see below). In newer usage, the playback device is categorised as a "turntable", "record player", or "record changer". When used in conjunction with a mixing machine as part of a DJ installation, turntables tend to be called "decks".
The term phonograph ("sound writing") was produced from the Greek words ???? (phon?, "sound" or "voice") and ????? (graph?, "writing"). The similar related conditions gramophone (from the Greek ?????? gramma "letter" and ???? ph?n? "tone") and graphophone have similar main meanings. The origins were already familiar from existing 19th-century words such as photo ("light writing"), telegraph ("distant writing"), and telephone ("distant sound"). The brand new term might have been affected by the existing words phonographic and phonography, which described a system of phonetic shorthand; in 1852 THE BRAND NEW York Times taken an advertisement for "Professor Webster's phonographic class", and in 1859 the New York State Professors Association tabled a action to "hire a phonographic recorder" to record its meetings.
Probably, any device used to track record audio or reproduce noted sound could be called a kind of "phonograph", however in common practice the term has come to indicate historical technologies of sensible saving, involving audio-frequency modulations of any physical groove or track.
In the late 19th and early 20th ages, "Phonograph", "Gramophone", "Graphophone", "Zonophone" and the like were still brands specific to various producers of sometimes completely different (i.e. cylinder and disk) machines; so substantial use was made of the generic term "talking machine", especially in print. "Talking machine" had earlier been used to make reference to complicated devices which produced a crude imitation of speech, by simulating the workings of the vocal cords, tongue, and lip area - a potential source of misunderstandings both and now then.
In British English, "gramophone" may make reference to any sound-reproducing machine using disc records, which were launched and popularized in the UK by the Gramophone Company. Originally, "gramophone" was a proprietary trademark of that company and any use of the name by competing makers of disc records was vigorously prosecuted in the courts, however in 1910 an English court decision decreed which it had turn into a generic term; it has been so used in the united kingdom and most Commonwealth countries ever since. The term "phonograph" was usually restricted to machines which used cylinder records.
"Gramophone" generally referred to a wind-up machine. After the benefits of the softer vinyl data, 33 1/3-rpm LPs (long-playing details) and 45-rpm "single" or two-song files, and EPs (extended-play recordings), the common name became "record player" or "turntable". Often the home record player was part of something that included a radio (radiogram) and, later, may also play audiotape cassettes. From about 1960, such something began to be described as a "hi-fi" (high-fidelity, monophonic) or a "stereo" (most systems being stereophonic by the mid-1960s).
In Australian British, "record player" was the word; "turntable" was a far more technological term; "gramophone" was limited to the old mechanised (i.e., wind-up) players; and "phonograph" was used as in British English.
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