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The phonograph is a tool developed in 1877 for the mechanised recording and duplication of audio. In its later forms additionally it is called a gramophone (as a trademark since 1887, as a generic name since c. 1900). The audio vibration waveforms are recorded as corresponding physical deviations of any spiral groove imprinted, etched, incised, or impressed into the surface of the spinning disk or cylinder, called a "record". To recreate the sound, the top is in the same way rotated while a playback stylus traces the groove which is therefore vibrated by it, very reproducing the noted audio faintly. In early acoustic phonographs, the stylus vibrated a diaphragm which produced sound waves that have been coupled to the open air by using a flaring horn, or directly to the listener's ears through stethoscope-type earphones. In later electric phonographs (also called record players (since 1940s) or, most recently, turntables), the motions of the stylus are changed into an analogous electric signal with a transducer, then changed back into audio with a loudspeaker.

The phonograph was invented in 1877 by Thomas Edison. While other inventors experienced produced devices that could record sounds, Edison's phonograph was the first to have the ability to reproduce the registered sound. His phonograph actually recorded sound onto a tinfoil sheet wrapped around a spinning cylinder. A stylus responding to acoustics vibrations produced an up and down or hill-and-dale groove in the foil. Alexander Graham Bell's Volta Laboratory made several improvements in the 1880s, like the use of wax-coated cardboard cylinders, and a cutting stylus that moved from side to side in a "zig zag" groove across the record.

Within the 1890s, Emile Berliner initiated the transition from phonograph cylinders to toned discs with a spiral groove operating from the periphery to close to the center. Later improvements over time included adjustments to the turntable and its own drive system, the needle or stylus, and the audio and equalization systems.

The disk phonograph record was the prominent audio saving format throughout almost all of the 20th hundred years. From mid-1980s on, phonograph use on a standard record player declined sharply as a result of rise of the cassette tape, compact disc and other digital taking formats. Documents are still a favorite format for a few audiophiles and DJs. Vinyl records are still employed by some DJs and musicians in their concert performances. Musicians continue steadily to release their recordings on vinyl records. The original recordings of musicians are re-issued on vinyl sometimes.

Using terminology is not standard over the English-speaking world (see below). In newer usage, the playback device is categorised as a "turntable", "record player", or "record changer". When used in conjunction with a mixing machine as part of a DJ setup, turntables are often called "decks".

The word phonograph ("sound writing") was produced from the Greek words ???? (phon?, "sound" or "voice") and ????? (graph?, "writing"). The similar related terms gramophone (from the Greek ?????? gramma "notice" and ???? ph?n? "tone") and graphophone have similar root meanings. The root base were already familiar from existing 19th-century words such as photograph ("light writing"), telegraph ("distant writing"), and phone ("distant sound"). The brand new term might have been inspired by the prevailing words phonographic and phonography, which referred to something of phonetic shorthand; in 1852 THE BRAND NEW York Times taken an advertising campaign for "Professor Webster's phonographic class", and in 1859 the brand new York State Teachers Connection tabled a action to "employ a phonographic recorder" to track record its meetings.

Arguably, any device used to record sound or reproduce recorded sound could be called a kind of "phonograph", however in common practice the word has come to suggest traditional systems of reasonable tracking, regarding audio-frequency modulations of your physical groove or track.

In the past due 19th and early 20th hundreds of years, "Phonograph", "Gramophone", "Graphophone", "Zonophone" and so on were still brand names specific to various producers of sometimes very different (i.e. cylinder and disc) machines; so extensive use was manufactured from the universal term "talking machine", especially in print. "Talking machine" had earlier been used to refer to complicated devices which produced a crude imitation of speech, by simulating the workings of the vocal cords, tongue, and lips - a potential way to obtain confusion both then and now.

In British British, "gramophone" may refer to any sound-reproducing machine using disk records, that have been popularized and launched in the united kingdom by the Gramophone Company. Originally, "gramophone" was a proprietary trademark of this company and any use of the name by competing makers of disc records was vigorously prosecuted in the courts, but in 1910 an English court decision decreed that this had turn into a generic term; it's been so used in the UK and most Commonwealth countries ever since. The term "phonograph" was usually restricted to machines which used cylinder records.

"Gramophone" generally described a wind-up machine. Following the benefits of the softer vinyl records, 33 1/3-rpm LPs (long-playing files) and 45-rpm "single" or two-song files, and EPs (extended-play recordings), the normal name became "record player" or "turntable". Often the home record player was part of a system that included a radio (radiogram) and, later, might play audiotape cassettes also. From about 1960, such something began to certainly be a "hi-fi" (high-fidelity, monophonic) or a "stereo" (most systems being stereophonic by the mid-1960s).

In Australian British, "record player" was the term; "turntable" was a more technical term; "gramophone" was limited to the old mechanised (i.e., wind-up) players; and "phonograph" was used as with British English.

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